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Automated facial recognition algorithms are increasingly
intervening in society. This book offers a unique analysis of these
algorithms from a critical visual culture studies perspective. The
first part of this study examines the example of an early facial
recognition algorithm called "eigenface" and traces a history of
the merging of statistics and vision. The second part addresses
contemporary artistic engagements with facial recognition
technology in the work of Thomas Ruff, Zach Blas, and Trevor
Paglen. This book argues that we must take a closer look at the
technology of automated facial recognition and claims that its
forms of representation are embedded with visual politics. Even
more significantly, this technology is redefining what it means to
see and be seen in the contemporary world.
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Currents (Paperback)
Karla Comanda; Leila Lee, William Tham
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R318
Discovery Miles 3 180
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Ships in 10 - 15 working days
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This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
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