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The published work of Claude Levi--Strauss over the last three and a half decades has established him as one of the worlda s most innovative anthropologists. Yet throughout this period he was maintaining a full taching commitment in Paris. The pieces in Anthropology and Myth illustrate (in his own words) a the efforts, the tentative advances and retreats and now and again the achievements of a thought process during some thirty--two years that amount to a large propotion of an individual life and the span of a generationa . Levi--Strauss used to the lecture theatre as a workshop in which to try out and develop new ideas, and many of the familiar themes of his books will be found here: analysis of myth and ritual, totemism, kinship, marriage and social structure. Offering a unique glimpse of the genesis of such subjects throughout his teaching career, this book provides a sketchbook of the themes painted elsewhere in larger, more finished form, and thus forms a document of vital importance for the history of anthropological thought.
Perhaps the most influential anthropologist of his generation, Claude Levi-Strauss left a profound mark on the development of twentieth-century thought, equal to that of phenomenology and existentialism. Through a fertile mixture of insights gleaned from linguistics and from sociology and ethnology, Levi-Strauss elaborated his theory of structural unity in culture and became the preeminent representative of structural anthropology. La Pensee sauvage, published in French in 1962, was his crowning achievement. Ranging over philosophies, historical periods, and human societies, it challenged the prevailing assumption of the superiority of modern Western culture and sought to explain the unity of human intellection. Unfortunately titled The Savage Mind when it first published in English in 1966, the original translation nevertheless sparked a fascination with Levi-Strauss's work among generations of Anglophone readers. Wild Thought: A New Translation of "La Pensee sauvage" rekindles that spark with a fresh and accessible new translation. Including critical annotations for the contemporary reader, it restores the accuracy and integrity of the book that changed the course of twentieth-century thought, making it an indispensable addition to any philosophical and anthropological library.
The anthropologist Claude Levi-Strauss was one of the greatest intellectuals of the twentieth century. His work has had a profound impact not only within anthropology but also linguistics, sociology and philosophy. In this short book he examines the nature and role of myth in human history, distilling a lifetime of writing into a few sharp insights. It is a crystalline overview of many of the basic ideas underlying his work, including the theory of structuralism and the difference between 'primitive' and 'scientific' thought and shows why Levi-Strauss remains a hugely important intellectual figure. With a new foreword by Patrick Wilcken.
This volume of Levi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Levi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Levi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Levi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project - shared with others - of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Levi-Strauss's texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally.
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
In addresses written for a wide general audience, one of the twentieth century's most prominent thinkers, Claude Levi-Strauss, here offers the insights of a lifetime on the crucial questions of human existence. Responding to questions as varied as 'Can there be meaning in chaos?', 'What can science learn from myth?' and 'What is structuralism?', Levi-Strauss presents, in clear, precise language, essential guidance for those who want to learn more about the potential of the human mind.
The anthropologist Claude Levi-Strauss was one of the greatest intellectuals of the twentieth century. His work has had a profound impact not only within anthropology but also linguistics, sociology and philosophy. In this short book he examines the nature and role of myth in human history, distilling a lifetime of writing into a few sharp insights. It is a crystalline overview of many of the basic ideas underlying his work, including the theory of structuralism and the difference between 'primitive' and 'scientific' thought and shows why Levi-Strauss remains a hugely important intellectual figure. With a new foreword by Patrick Wilcken.
On Christmas Eve 1951, Santa Claus was hanged and then publicly burned outside of the Cathedral of Dijon in France. That same decade, ethnologists began to study the indigenous cultures of central New Guinea, and found men and women affectionately consuming the flesh of the ones they loved. "Everyone calls what is not their own custom barbarism," said Montaigne. In these essays, Claude Levi-Strauss shows us behavior that is bizarre, shocking, and even revolting to outsiders but consistent with a people's culture and context. These essays relate meat eating to cannibalism, female circumcision to medically assisted reproduction, and mythic thought to scientific thought. They explore practices of incest and patriarchy, nature worship versus man-made material obsessions, the perceived threat of art in various cultures, and the innovations and limitations of secular thought. Levi-Strauss measures the short distance between "complex" and "primitive" societies and finds a shared madness in the ways we enact myth, ritual, and custom. Yet he also locates a pure and persistent ethics that connects the center of Western civilization to far-flung societies and forces a reckoning with outmoded ideas of morality and reason.
Perhaps the most influential anthropologist of his generation, Claude Levi-Strauss left a profound mark on the development of twentieth-century thought, equal to that of phenomenology and existentialism. Through a fertile mixture of insights gleaned from linguistics and from sociology and ethnology, Levi-Strauss elaborated his theory of structural unity in culture and became the preeminent representative of structural anthropology. La Pensee sauvage, published in French in 1962, was his crowning achievement. Ranging over philosophies, historical periods, and human societies, it challenged the prevailing assumption of the superiority of modern Western culture and sought to explain the unity of human intellection. Unfortunately titled The Savage Mind when it first published in English in 1966, the original translation nevertheless sparked a fascination with Levi-Strauss's work among generations of Anglophone readers. Wild Thought: A New Translation of "La Pensee sauvage" rekindles that spark with a fresh and accessible new translation. Including critical annotations for the contemporary reader, it restores the accuracy and integrity of the book that changed the course of twentieth-century thought, making it an indispensable addition to any philosophical and anthropological library.
In an era of social confusion and visual pandemonium, David Levi Strauss tackles issues of photography and politics in a way that few critics today are courageous enough to attempt. The essays collected in Between the Eyes address topics ranging from propaganda and the imagery of dreams, to Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. Other issues broached here include the legitimacy of photographic imagery and the media frenzy surrounding the events of September 11, as well as essays on the work of Ania Bien, Miguel Rio Branco, Alfredo Jaar, Joel-Peter Witkin and others, plus an interview with painter Leon Golub (who worked from photographs). Reviewing the first edition of Between the Eyes, Publisher's Weekly wrote: 'Photography and Propaganda, ' a study of the work and deaths in '80s Central America of photojournalists Richard Cross and John Hoagland, should be required reading in the age of embeddedness, and 'Photography and Belief' is a terrific meditation on truth in the age of digital manipulation."
In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing." Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust. In the first ekphrasis title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
Two previously unpublished lectures charting the renowned anthropologist's intellectual engagement with the sixteenth-century French essayist Michel de Montaigne In January 1937, between the two ethnographic trips he would describe in Tristes Tropiques, Claude Levi-Strauss gave a talk to the Confederation generale du travail in Paris. Only recently discovered in the archives of the Bibliotheque national de France, this lecture, "Ethnography: The Revolutionary Science," discussed the French essayist Michel de Montaigne, to whom Levi-Strauss would return in remarks delivered more than a half-century later, in the spring of 1992. Bracketing the career of one of the most celebrated anthropologists of the twentieth century, these two talks reveal how Levi-Strauss's ethnography begins and ends with Montaigne-and how his reading of his intellectual forebear and his understanding of anthropology evolve along the way. Published here for the first time, these lectures offer new insight into the development of ethnography and the thinking of one of its most important practitioners. Essays by Emmanuel Desveaux, who edited the original French volume De Montaigne a Montaigne, and Peter Skafish expand the context of Levi-Strauss's talks with contemporary perspectives and commentary.
Claude Levis-Strauss approaches Mauss by combining anthropology and structural linguistics to assess his achievements and intentions arguing that Mauss - who at the time represented the mainstream of French anthropology - was in fact structuralist mangue. He then goes on to formulate the central tenets of structuralist thought: the belief in societies being organized on immutable and unconscious laws.
In this volume Levi-Strauss explores the mythologies of the Americas, with occasional incursions into European and Japanese folklore, tales of sloths and squirrels interweave with discussions of Freud, Saussure, "signification," and plays by Sophocles and Labiche. The author also critiques psychoanalytic interpretation and defends the interpretive powers of structuralism.
"Levi-Strauss continues his assault on the myth of the primitice as savage by turning to the phenomena of totemism an totoemix classification ... to show, contrary to this myth, that primitive thought rests upon a rich and complex conceptual structure." - Commentary
This volume of Levi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Levi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Levi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Levi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project - shared with others - of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Levi-Strauss's texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally.
"In olden days, in a village peopled by animal creatures, lived Wild Cat (another name for Lynx). He was old and mangy, and he was constantly scratching himself with his cane. From time to time, a young girl who lived in the same cabin would grab the cane, also to scratch herself. In vain Wild Cat kept trying to talk her out of it. One day the young lady found herself pregnant; she gave birth to a boy. Coyote, another inhabitant of the village, became indignant. He talked all of the population into going to live elsewhere and abandoning the old Wild Cat, his wife, and their child to their fate ..." So begins the Nez Perce's myth that lies at the heart of "The Story of Lynx", Claude Levi-Strauss's accessible examination of the mythology of American Indians. In this wide-ranging work, the author considers the many variations in a story that occur in both North and South America, but especially among the Salish-speaking peoples of the Northwest Coast. He also shows how centuries of contact with Europeans have altered the tales. Levi-Strauss focuses on the opposition between Wild Cat and Coyote to explore the meaning and uses of "gemellarity", or twinness, in Native American culture. The concept of dual organization that these tales exemplify is one of non-equivalence: everything has an opposite or other, with which it coexists in unstable tension. In contrast, Levi-Strauss argues, European notions of twinness - as in the myth of Castor and Pollux - stress the essential sameness of the twins. This fundamental cultural difference lay behind the fatal clash of European and Native American peoples. This work addresses and clarifies all the major issues that have occupied Claude Levi-Strauss for decades, and in it he explicitly connects history and structuralism.
On Christmas Eve 1951, Santa Claus was hanged and then publicly burned outside of the Cathedral of Dijon in France. That same decade, ethnologists began to study the indigenous cultures of central New Guinea, and found men and women affectionately consuming the flesh of the ones they loved. "Everyone calls what is not their own custom barbarism," said Montaigne. In these essays, Claude Levi-Strauss shows us behavior that is bizarre, shocking, and even revolting to outsiders but consistent with a people's culture and context. These essays relate meat eating to cannibalism, female circumcision to medically assisted reproduction, and mythic thought to scientific thought. They explore practices of incest and patriarchy, nature worship versus man-made material obsessions, the perceived threat of art in various cultures, and the innovations and limitations of secular thought. Levi-Strauss measures the short distance between "complex" and "primitive" societies and finds a shared madness in the ways we enact myth, ritual, and custom. Yet he also locates a pure and persistent ethics that connects the center of Western civilization to far-flung societies and forces a reckoning with outmoded ideas of morality and reason.
A milestone in the study of culture from the father of structural anthropology. This watershed work records Claude Levi-Strauss's search for "a human society reduced to its most basic expression." From the Amazon basin through the dense upland jungles of Brazil, Levi-Strauss found the societies he was seeking among the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib. More than merely recounting his time in their midst, "Tristes Tropiques" places the cultural practices of these peoples in a global context and extrapolates a fascinating theory of culture that has given the book an importance far beyond the fields of anthropology and continental philosophy. The author's fresh approach, sense of humor, and openness to the sensuous mystique of the tropics make the scientific thrust of the book eminently accessible.
Tristes Tropiques begins with the line 'I hate travelling and explorers', yet during his life Claude Levi-Strauss travelled from wartime France to the Amazon basin and the dense upland jungles of Brazil, where he found 'human society reduced to its most basic expression'. His account of the people he encountered changed the field of anthropology, transforming Western notions of 'primitive' man. Tristes Tropiques is a major work of art as well as of scholarship. It is a memoir of exquisite beauty and a masterpiece of travel writing: funny, discursive, movingly detailing personal and cultural loss, and brilliantly connecting disparate fields of thought. Few books have had as powerful and broad an impact.
Die in dieser zweibandigen Ausgabe zusammengefassten Aufsatze von Marcel Mauss haben nicht nur in der Soziologie zahlreiche Arbeiten massgeblich beeinflusst. Der lange im Schatten seines Onkels Emile Durkheim stehende franzoesische Sozialwissenschaftler ist heute weltweit so aktuell wie noch nie zuvor.
Structural Anthropology provides an introduction to his distinctive approach to anthropology as the study of a science of general principles. The now renowned 'structural method, ' which has changed the face of social anthropology, views man and society in terms of universals--kinship, social organization, religion and mythology, and art. |
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