Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong-swimmer-turned-artist who journeys through addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.

'Allegories of Violence' demilitarises the concept of war and asks what would happen if we understood war as discursive via late 20th century novels of war.

From the debris of her troubled early life, Lidia Yuknavitch weaves an astonishing tale of survival. It is a life that navigates, and transcends, abuse, addiction, self-destruction and the crushing loss of a stillborn child. A kind of memoir that is also a paean to the pursuit of beauty, self-expression, desire - for men and women - and the exhilaration of swimming, The Chronology of Water lays a life bare.

Ida has a secret: she is in love with her best friend. But any time she gets close to intimacy, Ida faints or loses her voice. She needs a shrink. Or so her philandering father thinks. Immediately wise to the head games of her new shrink, Siggy, Ida - and alter-ego Dora - hatch a plan to secretly film him. But when the film goes viral, Ida finds herself targeted by unethical hackers. Dora: A Headcase is a contemporary coming-of-age story based on Freud's famous case study, retold and revamped through Dora's point-of-view. Yuknavitch's Dora is radical and unapologetic - you won't have met a character quite like her before.

Laisve is a refugee in a destroyed city-island, hunted in Raids and haunted by the spirits of her drowned mother and brother. She dives into the river and finds herself travelling between times and waterways in a race to rescue the future - and past - of other lost children. A Lenape Nation iron-walker, a Dominican nun, a scarred acrobat and a piebald man are risking their lives constructing a colossal monument to freedom for a young and bustling nation. But exactly what - and whom - will that liberty represent? As Laisve drifts into their histories, she schools seekers in the ways of dreams, love and the ultimate aim of liberty - to free the next generation from the chains of this one.

Named one of the Most Anticipated Books of the Year by Vogue, Buzzfeed, Hello Giggles, and more. A fiercely empathetic group portrait of the marginalized and outcast in moments of crisis, from one of the most galvanizing voices in American fiction. Lidia Yuknavitch is a writer of rare insight into the jagged boundaries between pain and survival. Her characters are scarred by the unchecked hungers of others and themselves, yet determined to find salvation within lives that can feel beyond their control. In novels such as The Small Backs of Children and The Book of Joan, she has captivated readers with stories of visceral power. Now, in Verge, she offers a shard-sharp mosaic portrait of human resilience on the margins. The landscape of Verge is peopled with characters who are innocent and imperfect, wise and endangered: an eight-year-old black-market medical courier, a restless lover haunted by memories of his mother, a teenage girl gazing out her attic window at a nearby prison, all of them wounded but grasping toward transcendence. Clear-eyed yet inspiring, Verge challenges us with moments of uncomfortable truth, even as it urges us to place our faith not in the flimsy guardrails of society but in the memories held--and told--by our own individual bodies.

In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl fleeing a fiery explosion that has engulfed her home and family. It becomes an icon for millions, winning acclaim and prizes - and a subject of obsession for one writer, the photographer's best friend, who has suffered a tragedy of her own. With the flash of a camera, one girl's life is shattered and another's is altered forever.

Fiction. WRECKAGE OF REASON incorporates the work of 39 contemporary women writers who are pushing the boundaries of fiction. In this diverse and comprehensive volume, the writers have manipulated traditional ways of storytelling, language, and plot, to express new and distinct ways of seeing and experiencing the world. Narrative form is subverted, provocative subject matter explored, and language takes on a scatological form to depict an authentic human experience that makes reading a truly participatory act. At the conclusion of each work, the contributor has composed a few impressions sharing what inspired her to tell that particular story. The writers include Lidia Yuknavitch, LilyGrace, Laurie Foos, Kass Fleisher, Barbara Baer, Cynthia Reeves, Lauren Schiffman, Karen Lillis, Megan Milks, Lyn Halper, Fanny Howe, Suki Wessling, Jessica Treat, Shelley Jackson, Laynie Browne, Roni Natov, Cris Mazza, Elizabeth Block, Geri DeLuca, Alicita Rodriguez, Gwen Hart, Masha Tupitsyn, Martha King, Sarah White, Nina Shope, Carmen Firan, Rosebud Ben-Oni, Anna Mockler, Sandra Miller, E.C. Bachner, Tsipi Keller, Summer Brenner, Amina Cain, Karen Brennan, Aimee Parkison, Lily Hoang, Lynda Schor, Danielle Dutton, Danielle Alexander, Debra Di Blasi, and Alexandra Chasin.

'If the road you came in on led through several hells and you walked it more alone than you'd ever want anyone to be, if you were a wolf who chewed off her own leg to escape where you started out, if you paved the road with broken things and crawled in on your knees, this is your book, full of your people. Welcome home.' REBECCA SOLNIT, author of Men Explain Things to Me 'Quite frankly, everyone should read The Misfit's Manifesto. Inspired by her TED talk, Yuknavitch (who has truly been through the worst life can throw at someone) argues that the things which mark you out as different don't need to be bad thing: they're what make you, you. She's a privilege to read.' Emerald Street 'It's filled with stories of how our differences might unite us rather than divide us. We could use the misfit know-how just now, as the world has become pretty chaotic.' Metro A manifesto that makes a powerful case for not fitting in - for recognizing the beauty, and difficulty, in forging an original path from Lidia Yuknavitch, one of the most celebrated TED speakers and a writer heralded for her brave and experimental writing. A misfit is a person who missed fitting in, a person who fits in badly, or this: a person who is poorly adapted to new situations and environments. It's a shameful word, a word no one typically tries to own. Until now. Lidia Yuknavitch is a proud misfit. That wasn't always the case. It took Lidia a long time to not simply accept, but appreciate, her misfit status. Having flunked out of college twice, with two epic divorces under her belt, an episode of rehab for drug use, and two stints in jail, she felt like she would never fit in. She was a hopeless misfit. She'd failed as daughter, wife, mother, scholar - and yet the dream of being a writer was stuck like 'a small sad stone' in her throat. The feeling of not fitting in is universal. The Misfit's Manifesto is for misfits around the world - the rebels, the eccentrics, the oddballs, and anyone who has ever felt like she was messing up. It's Lidia's love letter to all those who can't ever seem to find the 'right' path. She won't tell you how to stop being a misfit - quite the opposite. In her charming, poetic, funny, and frank style, Lidia will reveal why being a misfit is not something to overcome, but something to embrace. Lidia also encourages her fellow misfits not to be afraid of pursuing goals, how to stand up, how to ask for the things they want most. Misfits belong in the room, too, she reminds us, even if their path to that room is bumpy and winding. An important idea that transcends all cultures and countries, this book has created a brave and compassionate community for misfits, a place where everyone can belong. The Misfit's Manifesto is an inspiring read that will captivate readers as much as Brene Brown's Daring Greatly and Elizabeth Gilbert's Big Magic. 'I cried when I read Lidia Yuknavitch's The Misfit's Manifesto. Lidia has created a safe space for those of us that have never fit in, for whom the world often seems an impossible place. This remarkable book is a house for people that didn't believe they had a home.' STEPHEN ELLIOTT, author of The Adderall Diaries 'This book will save lives.' CHELSEA CAIN, New York Times bestselling author 'The best characters are misfits. Lidia Yuknavitch is a conduit for these voices. The ultimate misfit, she's a seer and a seed, brave and tender, humble and humanitarian, a poet in the ancient sense of the word. Thank the stars for her. And this book.' SARAH GERARD, author of Sunshine State 'This book is nothing less than a life-changer. Lidia Yuknavitch is a miracle of a writer who makes you see the messes we make as a deeper, richer, more ravishing way of being alive together.' CAROLINE LEAVITT, author of Cruel Beautiful World and the New York Times bestseller Pictures of You 'A beautifully written field guide to being weird.' Kirkus Reviews

Ida needs a shrink and is sent to a Seattle psychiatrist whom she nicknames Siggy. Ida and her friends hatch a plan to secretly film Siggy and make an experimental art film, but something goes wrong and a chase ensues in which everyone wants what Ida has.

Allegories of Violence demilitarizes the concept of war and asks what would happen if we understood war as discursive via late twentieth-century novels of war. Yuknavitch re-introduces war into discussion concerning changes in our social life, and their relation to representation. In particular she seeks to revise our understanding of war, postmodernism and the novel by asking how they form, deform and reform one another. Allegories of Violence attempts to build new forms of reading that might help us recognize the changing forms of war.