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Democracy is being destroyed. This is a crisis that expresses itself in the rising authoritarianism visible in divisive and exclusionary politics, populist political parties and movements, increased distrust in fact-based information and news, and the withering accountability of state institutions. What is less obvious is that the sources of the democratic rot are integral to the systemic crisis generated by neoliberal capitalism, which assigns economic metrics to all aspects of life. In other words, the crisis of democracy is the political crisis of neoliberal capitalism. Over the last four decades, democracy has radically shifted to a market democracy in which all aspects of human, non-human and planetary life are commodified, with corporations becoming more powerful than states and their citizens.
Volume six of the Democratic Marxism series focuses on how decades of neoliberal capitalism have eroded the global democratic project and how, in the process, authoritarian politics are gaining ground. Scholars and activists from the left focus on four country cases – India, Brazil, South Africa and the United States of America – in which the COVID-19 pandemic has fuelled and highlighted the pre-existing crisis. They interrogate issues of politics, ecology, state security, media, access to information and political parties, and affirm the need to reclaim and re-build an expansive and inclusive democracy.
Destroying Democracy is an invaluable resource for the general public, activists, scholars and students who are interested in understanding the threats to democracy and the rising tide of authoritarianism in the global global South and global North.
We all know Dorothea Lange's iconic photos—the Migrant Mother
holding her child, the shoeless children of the Dust Bowl—but now
renowned American historian Linda Gordon brings them to
three-dimensional life in this groundbreaking exploration of
Lange's transformation into a documentarist. Using Lange's life to
anchor a moving social history of twentieth-century America, Gordon
masterfully re-creates bohemian San Francisco, the Depression, and
the Japanese-American internment camps. Accompanied by more than
one hundred images—many of them previously unseen and some
formerly suppressed—Gordon has written a sparkling, fast-moving
story that testifies to her status as one of the most gifted
historians of our time. Finalist for the Los Angeles Times Book
Prize; a New York Times Notable Book; New Yorker's A Year's
Reading; and San Francisco Chronicle Best Book.
Eschewing the conventional wisdom that places the origins of the
American women's movement in the nostalgic glow of the late 1960s,
Feminism Unfinished traces the beginnings of this seminal American
social movement to the 1920s, in the process creating an expanded,
historical narrative that dramatically rewrites a century of
American women's history. Also challenging the contemporary
"lean-in," trickle-down feminist philosophy and asserting that
women's histories all too often depoliticize politics, labor
issues, and divergent economic circumstances, Dorothy Sue Cobble,
Linda Gordon, and Astrid Henry demonstrate that the post-Suffrage
women's movement focused on exploitation of women in the workplace
as well as on inherent sexual rights. The authors carefully revise
our "wave" vision of feminism, which previously suggested that
there were clear breaks and sharp divisions within these
media-driven "waves." Showing how history books have obscured the
notable activism by working-class and minority women in the past,
Feminism Unfinished provides a much-needed corrective.
Censored by the U.S. Army, Dorothea Lange's unseen photographs are
the extraordinary photographic record of the Japanese American
internment saga. This indelible work of visual and social history
confirms Dorothea Lange's stature as one of the twentieth century's
greatest American photographers. Presenting 119 images originally
censored by the U.S. Army—the majority of which have never been
published—Impounded evokes the horror of a community uprooted in
the early 1940s and the stark reality of the internment camps. With
poignancy and sage insight, nationally known historians Linda
Gordon and Gary Okihiro illuminate the saga of Japanese American
internment: from life before Executive Order 9066 to the abrupt
roundups and the marginal existence in the bleak, sandswept camps.
In the tradition of Roman Vishniac's A Vanished World, Impounded,
with the immediacy of its photographs, tells the story of the
thousands of lives unalterably shattered by racial hatred brought
on by the passions of war. A San Francisco Chronicle Best Book of
2006.
Extraordinary national acclaim accompanied the publication of
award-winning historian Linda Gordon's disturbing and markedly
timely history of the reassembled Ku Klux Klan of the 1920s.
Dramatically challenging our preconceptions of the hooded Klansmen
responsible for establishing a Jim Crow racial hierarchy in the
1870s South, this "second Klan" spread in states principally above
the Mason-Dixon line by courting xenophobic fears surrounding the
flood of immigrant "hordes" landing on American shores. "Part
cautionary tale, part expose" (Washington Post), The Second Coming
of the KKK "illuminates the surprising scope of the movement" (The
New Yorker); the Klan attracted four-to-six-million members through
secret rituals, manufactured news stories, and mass "Klonvocations"
prior to its collapse in 1926-but not before its potent ideology of
intolerance became part and parcel of the American tradition. A
"must-read" (Salon) for anyone looking to understand the current
moment, The Second Coming of the KKK offers "chilling comparisons
to the present day" (New York Review of Books).
In 1904, New York nuns brought forty Irish orphans to a remote
Arizona mining camp, to be placed with Catholic families. The
Catholic families were Mexican, as was the majority of the
population. Soon the town's Anglos, furious at this "interracial"
transgression, formed a vigilante squad that kidnapped the children
and nearly lynched the nuns and the local priest. The Catholic
Church sued to get its wards back, but all the courts, including
the U.S. Supreme Court, ruled in favor of the vigilantes. The Great
Arizona Orphan Abduction tells this disturbing and dramatic tale to
illuminate the creation of racial boundaries along the Mexican
border. Clifton/Morenci, Arizona, was a "wild West" boomtown, where
the mines and smelters pulled in thousands of Mexican immigrant
workers. Racial walls hardened as the mines became big business and
whiteness became a marker of superiority. These already volatile
race and class relations produced passions that erupted in the
"orphan incident." To the Anglos of Clifton/Morenci, placing a
white child with a Mexican family was tantamount to child abuse,
and they saw their kidnapping as a rescue. Women initiated both
sides of this confrontation. Mexican women agreed to take in these
orphans, both serving their church and asserting a maternal
prerogative; Anglo women believed they had to "save" the orphans,
and they organized a vigilante squad to do it. In retelling this
nearly forgotten piece of American history, Linda Gordon
brilliantly recreates and dissects the tangled intersection of
family and racial values, in a gripping story that resonates with
today's conflicts over the "best interests of the child."
For anyone who's ever watched a football game and wanted to know
what happened, or what the analysts just said, this book is for
you. Glossary of terms Field layout How the game is played National
Football League, Conferences and Divisions
"Choice Magazine's Outstanding Academic Books for 2004" The only
book to cover the entire history of birth control and the intense
controversies about reproduction rights that have raged in the
United States for more than 150 years, "The Moral Property of
Women" is a thoroughly updated and revised version of the
award-winning historian Linda Gordon's classic history "Woman's
Body, Woman's Right," originally published in 1976.
Arguing that reproduction control has always been central to
women's status, "The Moral Property of Women" shows how opposition
to it has long been part of the conservative opposition to gender
equality. From its roots in folk medicine and in a campaign so
broad it constituted a grassroots social movement at some points in
history, to its legitimization through public policy, the
widespread acceptance of birth control has involved a major
reorientation of sexual values.
Gordon puts today's reproduction control controversies--foreign
aid for family planning, the abortion debates, teenage pregnancy
and childbearing, stem-cell research--into historical perspective
and shows how the campaign to legalize abortion is part of a
150-year-old struggle over reproductive rights, a struggle that has
followed a circuitous path. Beginning with the "folk medicine" of
birth control, Gordon discusses how the backlash against the first
women's rights movement of the 1800s prohibited both abortion and
contraception about 130 years ago. She traces the campaign for
legal reproduction control from the 1870s to the present and argues
that attitudes toward birth control have been inseparable from
family values, especially standards about sexuality and gender
equality.
Highlighting both leaders and followers in the struggle, "The Moral
Property of Women" chronicles the contributions of well-known
reproduction control pioneers such as Elizabeth Cady Stanton,
Margaret Sanger, and Emma Goldman, as well as lesser- known
campaigners including the utopian socialist Robert Dale Owen, the
three doctors Foote--Edward Bliss Foote, Edward Bond Foote, and
Mary Bond Foote--the civil libertarian Mary Ware Dennett, and the
daring Jane project of the 1970s, in which Chicago women's
liberation activists performed illegal abortions.
In this unflinching history of family violence, the historian Linda
Gordon traces policies on child abuse and neglect, wife-beating,
and incest from 1880 to 1960. Drawing on hundreds of case records
from social agencies devoted to dealing with the problem, Gordon
chronicles the changing visibility of family violence as gender,
family, and political ideologies shifted.
From the "discovery" of family violence in the 1870s -- when it
was first identified as a social, rather than a personal, problem
-- to the women's and civil rights movements of the twentieth
century, Heroes of Their Own Lives illustrates how public
perceptions of marriage, poverty, alcoholism, mental illness, and
responsibility worked for and against the victims of family
violence.
Powerful, moving, and tightly argued, Heroes of Their Own Lives
shows family violence to be an indicator of larger social problems.
Examining its sources as well as its treatment, Gordon offers both
an honest understanding of the problem and an unromantic view of
the difficulties in stopping it.
Originally published in 1988, when it received the Berkshire
Prize and the Gustavus Myers Award, Heroes of Their Own Lives
remains the most extensive and important history of family violence
in America.
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