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An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture.Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curriculums, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values. Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean in to difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language.
"A must-read for all dancers as the invaluable historical
references and in-depth coverage of the different jazz forms cannot
be found in such detail in any other book on the market
today."--Debra McWaters, author of "Musical Theatre Training"
"Artfully weaves history and professional perspectives to reveal
the boundaries of the jazz dance world. It invites the reader to
develop a more complicated definition of jazz dance for the
twenty-first century."--Susan A. Lee, Northwestern University The
history of jazz dance is best understood by thinking of it as a
tree. The roots of jazz dance are African. Its trunk is vernacular,
shaped by European influence, and exemplified by the Charleston and
the Lindy Hop. From the vernacular have grown many and varied
branches, including tap, Broadway, funk, hip-hop, Afro-Caribbean,
Latin, pop, club jazz, popping, B-boying, party dances, and
more.
Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the numerous histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, aesthetics, international appeal, and its relationship to tap, rock, indie, black concert dance, and Latin dance. Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabularly differs from ballet, this complex and compelling history captures the very essence of jazz dance.
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