Paul Robeson: A Life of Activism and Art is the biography of an African American icon and a demonstration of historian Lindsey R. Swindall's knack for thorough, detailed research and reflection. Paul Robeson was, at points in his life, an actor, singer, football player, political activist and writer, one of the most diversely talented members of the Harlem Renaissance. Swindall centers Robeson's story around the argument that while Robeson leaned toward Socialism, a Pan-African perspective is fundamental to understanding his life as an artist and political advocate. Many previous works on Robeson have focused primarily on his involvement with the US Communist Party, paying little attention to the broader African influences on his politics and art. With each chapter focused on a decade of his life, this book affords us a fresh look at his story, and the ways in which the struggles, successes and studies of his formative years came to shape him as an artist, activist and man later on. Robeson s story is one not simply of politics and protest, but of a man s lifelong evolution from an athlete to an entertainer to an indispensible man of letters and African American thought. Swindall neatly outlines the events of Robeson's life in a way that freshly presents him as a man whose work was influenced by more than just his circumstances, but by a spirit rooted in dedication to the African's place in American art and politics.

Paul Robeson: A Life of Activism and Art is the biography of an African American icon and a demonstration of historian Lindsey R. Swindall's knack for thorough, detailed research and reflection. Paul Robeson was, at points in his life, an actor, singer, football player, political activist and writer, one of the most diversely talented members of the Harlem Renaissance. Swindall centers Robeson's story around the argument that while Robeson leaned toward Socialism, a Pan-African perspective is fundamental to understanding his life as an artist and political advocate. Many previous works on Robeson have focused primarily on his involvement with the US Communist Party, paying little attention to the broader African influences on his politics and art. With each chapter focused on a decade of his life, this book affords us a fresh look at his story, and the ways in which the struggles, successes and studies of his formative years came to shape him as an artist, activist and man later on. Robeson's story is one not simply of politics and protest, but of a man's lifelong evolution from an athlete to an entertainer to an indispensible man of letters and African American thought. Swindall neatly outlines the events of Robeson's life in a way that freshly presents him as a man whose work was influenced by more than just his circumstances, but by a spirit rooted in dedication to the African's place in American art and politics.

The Routledge History of American Foodways provides an important overview of the main themes surrounding the history of food in the Americas from the pre-colonial era to the present day. By broadly incorporating the latest food studies research, the book explores the major advances that have taken place in the past few decades in this crucial field. The volume is composed of four parts. The first part explores the significant developments in US food history in one of five time periods to situate the topical and thematic chapters to follow. The second part examines the key ingredients in the American diet throughout time, allowing authors to analyze many of these foods as items that originated in or dramatically impacted the Americas as a whole, and not just the United States. The third part focuses on how these ingredients have been transformed into foods identified with the American diet, and on how Americans have produced and presented these foods over the last four centuries. The final section explores how food practices are a means of embodying ideas about identity, showing how food choices, preferences, and stereotypes have been used to create and maintain ideas of difference. Including essays on all the key topics and issues, The Routledge History of American Foodways comprises work from a leading group of scholars and presents a comprehensive survey of the current state of the field. It will be essential reading for all those interested in the history of food in American culture.

The Routledge History of American Foodways provides an important overview of the main themes surrounding the history of food in the Americas from the pre-colonial era to the present day. By broadly incorporating the latest food studies research, the book explores the major advances that have taken place in the past few decades in this crucial field. The volume is composed of four parts. The first part explores the significant developments in US food history in one of five time periods to situate the topical and thematic chapters to follow. The second part examines the key ingredients in the American diet throughout time, allowing authors to analyze many of these foods as items that originated in or dramatically impacted the Americas as a whole, and not just the United States. The third part focuses on how these ingredients have been transformed into foods identified with the American diet, and on how Americans have produced and presented these foods over the last four centuries. The final section explores how food practices are a means of embodying ideas about identity, showing how food choices, preferences, and stereotypes have been used to create and maintain ideas of difference. Including essays on all the key topics and issues, The Routledge History of American Foodways comprises work from a leading group of scholars and presents a comprehensive survey of the current state of the field. It will be essential reading for all those interested in the history of food in American culture.

The Southern Negro Youth Congress and the Council on African Affairs were two organizations created as part of the early civil rights efforts to address race and labor issues during the Great Depression. They fought within a leftist, Pan-African framework against disenfranchisement, segregation, labor exploitation, and colonialism. By situating the development of the SNYC and the Council on African Affairs within the scope of the long civil rights movement, Lindsey Swindall reveals how these groups conceptualized the U.S. South as being central to their vision of a global African diaspora. Both organizations illustrate well the progressive collaborations that maintained an international awareness during World War II. Cleavages from anti-radical repression in the postwar years are also evident in the dismantling of these groups when they became casualties of the early Cold War. By highlighting the cooperation that occurred between progressive activists from the Popular Front to the 1960s, Swindall adds to our understanding of the intergenerational nature of civil rights and anticolonial organizing. A volume in the series New Perspectives on the History of the South, edited by John David Smith.

Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson's three portrayals of Shakespeare's Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson's artistry as well as his political activism.

"The Politics of Paul Robeson's Othello" maintains that Robeson's development into a politically minded artist explicates the broader issue of the role of the African American artist in times of crisis. Robeson (1898-1976) fervently believed that political engagement was an inherent component of the role of the artist in society, and his performances demonstrate this conviction.

In the 1930 production, audiences and critics alike confronted the question: Should a black actor play Othello in an otherwise all-white cast? In the 1943 production on Broadway, Robeson consciously used the role as a form for questioning theater segregation both onstage and in the seats. In 1959, after he had become well known for his leftist views and sympathies with Communism, his performance in a major Stratford-upon-Avon production called into question whether audiences could accept onstage an African American who held radical-and increasingly unpopular-political views. Swindall thoughtfully uses Robeson's Othello performances as a collective lens to analyze the actor and activist's political and intellectual development.

Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson's three portrayals of Shakespeare's Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson's artistry as well as his political activism.

"The Politics of Paul Robeson's Othello" maintains that Robeson's development into a politically minded artist explicates the broader issue of the role of the African American artist in times of crisis. Robeson (1898-1976) fervently believed that political engagement was an inherent component of the role of the artist in society, and his performances demonstrate this conviction.

In the 1930 production, audiences and critics alike confronted the question: Should a black actor play Othello in an otherwise all-white cast? In the 1943 production on Broadway, Robeson consciously used the role as a form for questioning theater segregation both onstage and in the seats. In 1959, after he had become well known for his leftist views and sympathies with Communism, his performance in a major Stratford-upon-Avon production called into question whether audiences could accept onstage an African American who held radical-and increasingly unpopular-political views. Swindall thoughtfully uses Robeson's Othello performances as a collective lens to analyze the actor and activist's political and intellectual development.

"A fresh and engaging study that illuminates the important, related, yet neglected histories of the Southern Negro Youth Congress and the Council on African Affairs. Especially noteworthy is the perceptive treatment of the linkages between these related organizations' domestic and international politics."--Waldo E. Martin, coauthor of "Freedom on My Mind: A History of African Americans with Documents""" "A welcome addition to the growing body of literature that examines the interplay between civil rights and international affairs."--John Kirk, author of "Redefining the Color Line: Black Activism in Little Rock, Arkansas, 1940-1970" "Swindall puts the 'long civil rights' movement on a dynamic new world map. Her meticulous use of archival materials opens up new roots and routes for scholars of American race history."--Bill Mullen, author of "Afro-Orientalism" The Southern Negro Youth Congress and the Council on African Affairs were two organizations created as part of the early civil rights efforts to address race and labor issues during the Great Depression. They fought within a leftist, Pan-African framework against disenfranchisement, segregation, labor exploitation, and colonialism.
By situating the development of the SNYC and the Council on African Affairs within the scope of the long civil rights movement, Lindsey Swindall reveals how these groups conceptualized the U.S. South as being central to their vision of a global African diaspora. Both organizations illustrate well the progressive collaborations that maintained an international awareness during World War II. Cleavages from anti-radical repression in the postwar years are also evident in the dismantling of these groups when they became casualties of the early Cold War.
By highlighting the cooperation that occurred between progressive activists from the Popular Front to the 1960s, Swindall adds to our understanding of the intergenerational nature of civil rights and anticolonial organizing.