"Everyone knows who won. But not everyone knows how."

The result of the Brexit referendum in the summer of 2016 caused a political earthquake that laid waste to the normally stable British establishment and sent political tremors across the world. This punchy and provocative feature length drama goes exclusively behind the scenes of the “Vote Leave” campaign, unpacking the personalities, strategies, and feuds of the winning side, and exploring the new world of data driven campaign tactics.

Brexit: The Uncivil War is not an analysis of who was right and who was wrong. It is the story of how it happened, and why - on the high street, in the campaign offices, and the darker corners of the internet. A drama of political ambition and personal betrayals with nation-changing results.

The Halcyon is a drama set during World War II and tells the story of a bustling and glamorous five-star hotel at the centre of 1940s London society.

Set to a soundtrack of the era, it shows London life and the impact it has on families, politics, relationships and work across every social class.

As war and carnage engulf the streets outside, hotel manager Richard Garland prides himself in helping his guests to forget the devastation that is currently all around them.

All six episodes from the BBC drama that tells the true story of the Mottershead family who founded Chester Zoo. George Mottershead (Lee Ingleby) and his wife Lizzie (Liz White) live in a small flat above his father Albert (Peter Wight)'s grocery shop with their daughters Muriel and June (Amelia Clarkson and Honor Kneafsey) but feel it's time to move out and start a life of their own. Suffering from post-traumatic stress disorder, George often finds solace in rescuing abandoned animals. When he sees a dilapidated manor in Chester for sale at auction he borrows money from the bank and purchases the land with a view to converting it into a modern zoo where animals are allowed to roam free. The episodes are: 'The Idea', 'Moving On', 'The Village Rivals', 'The Fund of Chester Zoo', 'In the Middle of a Local War' and 'The Final Decision'.

Dexter Fletcher writes and directs this drama set in London's East End. Charlie Creed-Miles stars as Wild Bill Hayward, a former drug dealer who returns to his old stomping ground after an eight-year spell in prison. Determined to make a new start in Scotland, Bill must first work out what to do about his two underage sons, 15-year-old Dean (Will Poulter) and 11-year-old Jimmy (Sammy Williams), who have been fending for themselves since their mother ran off and abandoned them while Bill was inside. Dean, having taken responsibility for himself and his brother in Bill's absence, is less than happy about his father's return, but when the social services become involved the three are forced to live together until the authorities are satisfied that the boys do not need to be put into care. So begins an uneasy alliance as the three set out to create a semblance of functioning family life.

Richard Jobson's dark, edgy thriller set in Edinburgh. Dougray Scott and Alistair Mackenzie star as Alistair and Jamie, two investment bankers who get their dubious kicks from playing 12-hour games of 'hide and seek' with people living on the margins of society. Their next target is Sean MacDonald (James Anthony Pearson), a teenager who lives with his debt-raddled sister on an impoverished housing estate on the outskirts of the city. Sean agrees to play for cash - but soon realises that he has walked into 12 hours of hell, in which survival is the name of the game.

The complete first, second and third series of the acclaimed drama from Jimmy McGovern where stories are told through neighbours living on the same street. Each story is unique and individual but linked by community, shared experience and an indomitable sense of humour. Starring Timothy Spall, Mark Benton, David Thewlis, Gina McKee, Bob Hoskins, Frances Barber, Anna Friel, Daniel Mays, Ruth Jones and Jonas Armstrong.

Archaeological heritage legislation aims to ensure the best possible protection for the archaeological heritage, yet it remains the case that legislation can remain ineffective through other practical considerations. Some consideration may be legal or procedural, such as difficulties in enforcing legislation or in preventing crimes or damage or archaeological monuments. However other problems may be less obvious and harder to address, and require solutions which go much further than the simple application of the law. The aim of this volume is to address several issues surrounding the management of archaeological heritage comparing and contrasting which laws 'work' and which ones do not, and ignoring other issues which might effectively present the transplantation of an 'ideal system' to another country or political climate. Or the cultural attitudes which might prevent a law working in the legal system for which it was designed. The contributions are from various international jurisdictions and address a variety of subjects - from the protection of archaeological monuments to dealing with and controlling chance finds made by members of the public.

Double bill of supernatural horrors based on the novel by Susan Hill. In 'The Woman in Black' (2012), Arthur Kipps (Daniel Radcliffe) leaves his son (Misha Handley) behind in London to head off on an assignment to a remote village, but has little idea of what lies in store for him. Once there, Arthur discovers that the locals live in such fear of a mysterious figure known as the 'Woman in Black' that they keep their children locked away indoors, afraid that contact with the woman would harm them. Arthur's investigations lead him to believe that the woman is a ghost, haunted by her inability to save her son from drowning. When she turns her attention towards Arthur's own son, the lawyer is forced to confront the spectre head on. In the sequel 'The Woman in Black: Angel of Death' (2014), set 40-years later, a group of schoolchildren are evacuated from London during the blitz, accompanied by their young teacher Eve Parkins (Phoebe Fox). When the group arrives in the idyllic English countryside, they soon learn of the dark spirit that has long lain dormant in the Eel Marsh House. One by one the children begin to demonstrate strange behaviour and unexplainable happenings occur in their isolated home. Will Eve, with the help of the military, be strong enough to repel the ghostly woman bent on destruction and revenge for the loss of her son?

This is a three-part collection of 34 poems. Some of the poems are about love. Some are about sadness. Some ask questions--what if the sun failed to rise? If life were a race, could one simply drop out? You may enjoy this book if you love poetry and loathe yourself. You may enjoy this book if you are thirteen years old and confused, or thirty years old and confused, or one hundred years old and confused. You may enjoy this book if you have ever felt desperate, or if you like the ways words feel against each other. You may enjoy this book if you are fond of underlining and margin-jotting--having a dialogue with your reading material. You may enjoy this book. Disclaimer - "Let's Live 'til Saturday" is neither a first draft or a final copy. It is something somewhere in between. I hope you find something in common with it.

Supernatural drama, based on the novel by Susan Hill, in which a young lawyer finds himself battling to contain the ghost of a dead woman bent on destruction. When Arthur Kipps (Daniel Radcliffe) leaves his son (Misha Handley) behind in London to head on an assignment to a remote village, little does he imagine what lies in store for him. Arthur discovers that the locals live in such fear of a mysterious figure known as the 'Woman in Black' (Liz White) that they keep their children locked away indoors, afraid that contact with the woman would harm them. Arthur's investigations lead him to believe that the woman is a ghost, haunted by her inability to save her son from drowning. When she turns her attention towards Arthur's own son, the lawyer is forced to confront the spectre head on.

Philip Glenister stars in this BBC drama from producer and creator Peter Bowker. Daniel Cotton (Glenister) runs a sweet factory with his father Samuel (Bernard Hill) in Manchester. When Samuel, Daniel and his brother Robbo (Steven Mackintosh) get caught up in an IRA attack on Manchester city centre, Daniel begins to rethink the choices he has made in the past and wonders if he can become a better person in the future.

Since its publication in 2008, Exhibit Makeovers has been a useful do-it-yourself handbook for museum staff and volunteers. Exhibit Makeovers is a workbook that provides grounding in interpretive principles, how-to-advice, step-by-step guidance, and moral support for in-house exhibit planning and design. The revised and expanded 2nd edition preserves the supportive tone and easy-to-follow steps that make the original Exhibit Makeovers so user-friendly. Significant revisions-especially in the technology arena-and additions make this new edition a must-have addition to any museum's toolkit: * New emphasis on visitor input, with step-by-step guidelines for evaluation studies during planning and design. * New text and worksheets to guide development of interactives, and ensure varied levels of visitor participation. * Focus on affordable software to help with exhibit planning and design, as well as low- cost technologies that can vary and deepen the visitor experience. * Brand-new chapters on exhibit design, production, and installation, written by the experienced team responsible for in-house exhibits at a thriving, mid-size museum. Following the same pattern as the 2008 original, the revised Exhibit Makeovers guides users through step-by-step processes of a single-case makeover, development of a new exhibit, and renovation/renewal of an entire gallery or museum.

Since its publication in 2008, Exhibit Makeovers has been a useful do-it-yourself handbook for museum staff and volunteers. Exhibit Makeovers is a workbook that provides grounding in interpretive principles, how-to-advice, step-by-step guidance, and moral support for in-house exhibit planning and design. The revised and expanded 2nd edition preserves the supportive tone and easy-to-follow steps that make the original Exhibit Makeovers so user-friendly. Significant revisions-especially in the technology arena-and additions make this new edition a must-have addition to any museum's toolkit: * New emphasis on visitor input, with step-by-step guidelines for evaluation studies during planning and design. * New text and worksheets to guide development of interactives, and ensure varied levels of visitor participation. * Focus on affordable software to help with exhibit planning and design, as well as low- cost technologies that can vary and deepen the visitor experience. * Brand-new chapters on exhibit design, production, and installation, written by the experienced team responsible for in-house exhibits at a thriving, mid-size museum. Following the same pattern as the 2008 original, the revised Exhibit Makeovers guides users through step-by-step processes of a single-case makeover, development of a new exhibit, and renovation/renewal of an entire gallery or museum.