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The atmostpheric graphic novel by award-winning writer Jeph Loeb (BATMAN, BATMAN: DARK VICTORY) with art by Chris Bachalo (STEAMPUNK, DEATH: THE HIGH COST OF LIVING) is now available once more.
The setting is Manhattan, where the mysterious Amanda Collins moves through the troubled lives of ordinary people armed with little more than a blank white business card and a strange, supernatural presence. She's giving them the chance to change their lives, but the choice they make will depend entirely on the forces that already exist in their hearts.
At the crossroads of the supernatural and the very real, this book spins bold, provocative tales of sin, magic and redemption.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Six episodes from the children's animated series following the
Marvel Comics superhero. A year has passed since Midtown High
student Peter Parker (voice of Drake Bell) was transformed into
web-slinging hero Spider-Man. At the suggestion of Nick Fury (Chi
McBride), he trains with S.H.I.E.L.D. and, working alongside a
group of teenagers with superpowers of their own, fights to protect
the world from notorious villains. The episodes are: 'Great Power',
'Great Responsibility', 'Flight of the Iron Spider', 'Why I Hate
Gym', 'Exclusive' and 'Me Time'.
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The New Greek Comedy
John Williams White, Philippe Ernest Legrand, James Loeb
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R1,057
Discovery Miles 10 570
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Ships in 12 - 17 working days
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"Loeb tells us to put all our eggs in one basket, and watch the
basket."
-John RothchildFinancial Columnist, Time magazine
"This book is very special in my life. It is the very first Wall
Street book I ever read. After reading 1,200 additional finance
books, The Battle for Investment Survival's principles and concepts
are still valid for consistent success."
-Victor Sperandeo Author of Trader Vic on Commodities
In The Battle for Investment Survival, the turf is Wall Street, the
goal is to preserve your capital at all costs, and to win is to
"make a killing without being killed." This memorable classic,
originally written in 1935, offers a fresh perspective on investing
from times past. The Battle for Investment Survival treats
investors to a straightforward account of how to profit-and how to
avoid profit loss-in what Loeb would describe as the constant
tug-of-war between rising and falling markets.
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