The recent wave of interest in oral history and return to the active subject as a topic in historical practice raises a number of questions about the status and function of scholarly history in our societies. This articles in this volume, originally pubished in 1990, and which originally appeared in History and Anthropology, Volume 2, Part 2, discuss what contributions, meanings and consequences emerge from scholarly history turning to living memory, and what the relationships are between history and memory.

The once numerous and vital Jewish communities of Morocco, Algeria and Tunisia have disappeared, succumbing during the past century to the assimilating temptations of French culture, or, more recently, to the pressures of migration. Only the two communities of the island of Jerba still remain. Only they have succeeded in maintaining and reproducing their religious and social institutions, in adjusting to the new realities around them while preserving intact their cultural, communal identity. This lavishly-illustrated book, first published in 1984, portrays the life and history of two Jerban Jewish villages and explores the paradoxes of their continuity. How and why are they so fully Jewish while, at the same time, so thoroughly embedded in their Muslim, North African environment? Although its focus is one small ethnic group, the implications of this study extend to the broad subject of relations between Arabs and Jews in modern times.

The recent wave of interest in oral history and return to the active subject as a topic in historical practice raises a number of questions about the status and function of scholarly history in our societies. This articles in this volume, originally pubished in 1990, and which originally appeared in History and Anthropology, Volume 2, Part 2, discuss what contributions, meanings and consequences emerge from scholarly history turning to living memory, and what the relationships are between history and memory.

The once numerous and vital Jewish communities of Morocco, Algeria and Tunisia have disappeared, succumbing during the past century to the assimilating temptations of French culture, or, more recently, to the pressures of migration. Only the two communities of the island of Jerba still remain. Only they have succeeded in maintaining and reproducing their religious and social institutions, in adjusting to the new realities around them while preserving intact their cultural, communal identity. This lavishly-illustrated book, first published in 1984, portrays the life and history of two Jerban Jewish villages and explores the paradoxes of their continuity. How and why are they so fully Jewish while, at the same time, so thoroughly embedded in their Muslim, North African environment? Although its focus is one small ethnic group, the implications of this study extend to the broad subject of relations between Arabs and Jews in modern times.

An historian of the Annales school, Lucette Valensi blends the methods of history and anthropology to portray the Tunisian countryside in the eighteenth and nineteenth centuries, which has been previously little-studied. She analyses the nomadic tribes and the sedentary peasants, discussing their social organisation, their economic activity, and their cultural practices. She also explores the changes that affected both the peasantry and the Tunisian state in the nineteenth century, showing how the country's incorporation into the capitalist world economy led to social unrest, and eventually to the general rebellion of 1864 that precipitated the establishment of a French protectorate, thus placing Tunisia in a role of dependence and heralding underdevelopment.

In her graceful account of the transformation of European attitudes toward the Ottoman empire during the sixteenth and seventeenth centuries, Lucette Valensi follows the genealogy of the concept of Oriental despotism. The Birth of the Despot examines a crucial moment in the long and ambiguous encounter between the Christian and Islamic worlds: the period after the fall of Constantinople to the Turks, when Venice's pursuit of its commercial and maritime interests brought two powerful protagonists Venice and the Sublime Porte face-to-face.

Vivaldi's oratorio Juditha Triumphans, in which Judith liberates her besieged town by killing the Turk Holofernes, serves as the organizing metaphor in Valensi's study of how Venice's perceptions of its rival changed. Valensi shows how Venice's initial admiration for the sultan and his orderly empire metamorphosed into revulsion at a monstrous tyrant."