How do women writers use science fiction to challenge assumptions about the genre and its representations of women? To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics? What has been the effect of this phenomenon upon the academic establishment and the publishing industry? These are just some of the questions addressed by this collection of original essays by women writers, readers and critics of the genre. But the undoubted existence of a recent surge of women's interest in science fiction is by no means the full story. From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Through a combination of essays on the work of writers such as Doris Lessing and Ursula Le Guin, with others on still-neglected writers such as Katherine Burdekin and C. L. Moore and a wealth of contemporaries including Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton, this anthology takes a step towards redressing the balance. Perhaps, above all, what this collection demonstrates is that science fiction remains as particularly well-suited to the exploration of woman as 'alien' or 'other' in our culture today, as it was with the publication of Frankenstein in 1818.

Fantasy provides an invaluable and accessible guide to the study of this fascinating field. Covering literature, film, television, ballet, light opera and visual art and featuring a historical overview from Ovid to the Toy Story franchise, this book takes the reader through the key landmark moments in the development of fantasy criticism. This comprehensive guide examines fantasy and politics, fantasy and the erotic, quest narratives and animal fantasy for children. The versatility and cultural significance of fantasy is explored, alongside the important role fantasy plays in our understanding of 'the real', from childhood onwards. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to Fantasy.

Fantasy provides an invaluable and accessible guide to the study of this fascinating field. Covering literature, film, television, ballet, light opera and visual art and featuring a historical overview from Ovid to the Toy Story franchise, this book takes the reader through the key landmark moments in the development of fantasy criticism. This comprehensive guide examines fantasy and politics, fantasy and the erotic, quest narratives and animal fantasy for children. The versatility and cultural significance of fantasy is explored, alongside the important role fantasy plays in our understanding of 'the real', from childhood onwards. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to Fantasy.

How do women writers use science fiction to challenge assumptions about the genre and its representations of women? To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics? What has been the effect of this phenomenon upon the academic establishment and the publishing industry? These are just some of the questions addressed by this collection of original essays by women writers, readers and critics of the genre. But the undoubted existence of a recent surge of women's interest in science fiction is by no means the full story. From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Through a combination of essays on the work of writers such as Doris Lessing and Ursula Le Guin, with others on still-neglected writers such as Katherine Burdekin and C. L. Moore and a wealth of contemporaries including Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton, this anthology takes a step towards redressing the balance. Perhaps, above all, what this collection demonstrates is that science fiction remains as particularly well-suited to the exploration of woman as 'alien' or 'other' in our culture today, as it was with the publication of Frankenstein in 1818.

George Eliot's reception as a writer has been checkered from the start. Prejudice followed the revelation of her real identity as a woman, and she suffered from critical neglect at the start of the twentieth century before a postwar renaissance of interest established her as one of the most powerful of British novelists.

Focusing on three of Eliot's most influential and widely read "Midlands" novels, this guide traces recent critical interpretations of her work as well as revisiting some of the perspectives offered by original reviewers and early critics. Class, gender, and ideology all come under scrutiny, as do Eliot's central fictive themes of currency, circulation, sensuality, and the voice.

Why, at a time when the majority of us no longer believe in ghosts, demons or the occult, does Gothic continue to have such a strong grasp upon literature, cinema and popular culture? This book answers the question by exploring some of the ways in which we have applied Gothic tropes to our everyday fears. The book opens with The Turn of the Screw, a text dealing in the dangers adults pose to children whilst simultaneously questioning the assumed innocence of all children. Staying with the domestic arena, it explores the various manifestations undertaken by the haunted house during the twentieth century, from the bombed-out spaces of the blitz ('The Demon Lover' and The Night Watch) to the designer bathrooms of wealthy American suburbia (What Lies Beneath). The monsters that emerge through the uncanny surfaces of the Gothic can also be terror monsters, and after a discussion of terrorism and atrocity in relation to burial alive, the book examines the relationship between the human and the inhuman through the role of the beast monster as manifestation of the evil that resides in our midst (The Hound of the Baskervilles and The Birds). It is with the dangers of the body that the Gothic has been most closely associated and, during the later twentieth century, paranoia attaches itself to skeletal forms and ghosts in the wake of the HIV/AIDS crisis. Sexuality and/as disease is one of the themes of Patrick McGrath's work (Dr Haggard's Disease and 'The Angel') and the issue of skeletons in the closet is also explored through Henry James's 'The Jolly Corner'. However, sexuality is also one of the most liberating aspects of Gothic narratives. After a brief discussion of camp humour in British television drama series Jekyll, the book concludes with a discussion of the apparitional lesbian through the work of Sarah Waters.