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This critical work asks whether the formation of a poet's oeuvre
must involve artistic aberration. With introductory statements
exploring the nature of aberration, these fourteen essays
investigate the body of work of major contemporary poets from the
U.S., Britain, Australia and New Zealand. Aberration is considered
from the standpoint of both the artist and the audience, which
ultimately forms the canon. The essays are concerned with the
status of the aberrant work and the ways in which it challenges,
enlarges or supports the overall perception of the poet.
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Signatories (Hardcover)
Emma Donoghue, Thomas Kilroy, Hugo Hamilton, Frank McGuinness, Rachel Fehily, …
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R542
Discovery Miles 5 420
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Ships in 12 - 17 working days
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2016 marks the centenary of the Easter Rising, known as "the poets'
rebellion", for among their leaders were university scholars of
English, history and Irish. The ill-fated revolt lasted six days
and ended ignominiously with the rebels rounded up and their
leaders sentenced to death. The signatories of the Proclamation of
the Irish Republic must have known that the Rising would be
crushed, must have dreaded the carnage and death, must have
foreseen that, if caught alive, they would themselves be executed.
Between 3 and 12 May 1916, the seven signatories were among those
executed by firing squad in Kilmainham Gaol. Now 100 years later,
eight of Ireland's finest writers remember these revolutionaries in
a unique theatre performance. The forgotten figure of Elizabeth
O'Farrell - the nurse who delivered the rebels' surrender to the
British - is also given a voice. Signatories comprises the artistic
responses of Emma Donoghue, Thomas Kilroy, Hugo Hamilton, Frank
McGuinness, Rachel Fehily, Eilis Ni Dhuibhne, Marina Carr and
Joseph O'Connor to the seven signatories and Nurse O'Farrell.They
portray the emotional struggle in this ground-breaking theatrical
and literary commemoration of Ireland's turbulent past. A
performance introduction on the staging of the play is given by
Director Patrick Mason, and an introduction by Lucy Collins, School
of English, Drama and Film, UCD, sets the historical context of the
play.
Arrangements have been made for Smudge to stay with Mr and Mrs Butt
and their obnoxious son Billy, whilst his parents go on holiday.
Billy Butt is a naughty, greedy bully and a food worshipper. The
boys hate each other. On a day out, Billy runs off to explore, and
Smudge chases after him into a dark forest where they get
hopelessly lost. It is there where they fall into the evil hands of
Madge and Reggie Stinkhorn, who lure them into their home with the
promise of tasty treats. It is also there where the boys are
trapped and made to work as slaves in an underground factory, run
by two nasty henchmen, Limpitt and Muscles. They eventually
discover a sinister trade involving monstrous creatures, where
secrets lurk around every corner. They must escape to tell the
world. 'What they encountered next was something too hideous to
mention, but it will be mentioned, because it was hideously
fascinating.'
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