From Los Angeles and New York to Chicago and Miami, street gangs are regarded as one of the most intractable crime problems facing our cities, and a vast array of resources is being deployed to combat them. This book chronicles the astounding self-transformation of one of the most feared gangs in the United States into a social movement acting on behalf of the dispossessed, renouncing violence and the underground economy, and requiring school attendance for membership.

What caused the Almighty Latin King and Queen Nation of New York City to make this remarkable transformation? And why has it not happened to other gangs elsewhere? David C. Brotherton and Luis Barrios were given unprecedented access to new and never-before-published material by and about the Latin Kings and Queens, including the group's handbook, letters written by members, poems, rap songs, and prayers. In addition, they interviewed more than one hundred gang members, including such leaders as King Tone and King Hector. Featuring numerous photographs by award-winning photojournalist Steve Hart, the book explains the symbolic significance for the gang of hand gestures, attire, rituals, and rites of passage. Based on their inside information, the authors craft a unique portrait of the lives of the gang members and a ground-breaking study of their evolution.

Compiled by three leading experts in the psychological, sociological, and criminal justice fields, this volume addresses timely questions from an eclectic range of positions. The product of a landmark conference on gangs, Gangs and Society brings together the work of academics, activists, and community leaders to examine the many functions and faces of gangs today. Analyzing the spread of gangs from New York to Texas to the West Coast, the book covers such topics as the spirituality of gangs, the place of women in gang culture, and the effect on gangs of a variety of educational programs and services for at-risk youth. The final chapter examines the "gang-photography phenomenon" by looking at the functions and politics of different approaches to gang photography and features a photographic essay by Donna DeCesare, an award-winning journalist.

The 1996 U.S. Immigration Reform and Responsibility Act has led to the forcible deportation of more than thirty thousand Dominicans from the United States, with little protest or even notice from the public. Since these deportees return to the country of their origin, many Americans assume repatriation will be easy and the emotional and financial hardships will be few, but in fact the opposite is true. Deportees suffer greatly when they are torn from their American families and social networks, and they are further demeaned as they resettle former homelands, blamed for crime waves, cultural and economic decline, and other troubles largely beyond their control.

Following thousands of Dominican deportees over a seven-year period, David C. Brotherton and Luis Barrios capture the experience of emigration, imprisonment, banishment, and repatriation on this vulnerable population. Through a unique combination of sociological and criminological reasoning, they isolate the forces that motivate immigrants to leave their homeland and then commit crimes that violate the very terms of their stay. Housed in urban landscapes rife with gangs, drugs, and tenuous working conditions, these individuals, the authors find, repeatedly play out a tragic scenario, influenced by long-standing historical injustices, punitive politics, and increasingly conservative attitudes undermining basic human rights and freedoms. Brotherton and Barrios conclude that a simultaneous process of cultural inclusion and socioeconomic exclusion best explains the trajectory of emigration, settlement, and rejection, and they mark in the behavior of deportees the contradictory effects of dependency and colonialism: the seductive draw of capitalism typified by the American dream versus the material needs of immigrant life; the interests of an elite security state versus the desires of immigrant workers and families to succeed; and the ambitions of the Latino community versus the political realities of those designing crime and immigration laws, which always disadvantage these poor and vulnerable populations. Filled with riveting life stories and uncommon ethnographic research, Banished to the Homeland relates the modern deportee's journey to broader theoretical studies of transnationalism, assimilation, and social control, exposing the dangerous new reality created by today's draconian immigration policies.

From Los Angeles and New York to Chicago and Miami, street gangs are regarded as one of the most intractable crime problems facing our cities, and a vast array of resources is being deployed to combat them. This book chronicles the astounding self-transformation of one of the most feared gangs in the United States into a social movement acting on behalf of the dispossessed, renouncing violence and the underground economy, and requiring school attendance for membership.

What caused the Almighty Latin King and Queen Nation of New York City to make this remarkable transformation? And why has it not happened to other gangs elsewhere? David C. Brotherton and Luis Barrios were given unprecedented access to new and never-before-published material by and about the Latin Kings and Queens, including the group's handbook, letters written by members, poems, rap songs, and prayers. In addition, they interviewed more than one hundred gang members, including such leaders as King Tone and King Hector. Featuring numerous photographs by award-winning photojournalist Steve Hart, the book explains the symbolic significance for the gang of hand gestures, attire, rituals, and rites of passage. Based on their inside information, the authors craft a unique portrait of the lives of the gang members and a ground-breaking study of their evolution.

Chronicling the aesthetics of sacrifice in Mexican artist Ximena Labra's public interventions This volume documents 25 years of public interventions by Mexico City-based artist Ximena Labra (born 1972). Focusing in particular on Labra's use of the supernatural and carnivalesque aesthetics of sacrifice, the book features texts by Cuauhtemoc Medina, Jose Luis Barrios and Bef.