As a child, Luke Turner was obsessed with the Second World War. He spent hours watching Sunday war films, poring over stories of derring-do and relishing in birthday trips to air museums. Lying in bed beneath Airfix fighter planes suspended from his ceiling, he would think about the men that might sit in their cockpits, and whether he could ever be one of them. Now, as an adult who has come to terms with a masculine identity and sexuality that is often erased from dominant military narratives, he undertakes a refreshingly honest analysis of his fascination with the war. In Men at War, Turner looks beyond the increasingly retrogressive and jingoistic ideal of a Britain that never was to recognise men of war as creatures of love, fear, hope and desire. From writers, filmmakers, artists and ordinary men - including those in his own family - Turner assembles a broad cast of characters to bring the war to life. There are conscientious objectors, a bisexual Commando, a pacifist poet who flew for Bomber Command, a transgender RAF pilot, a soldier who suffered in Japanese POW camps and later in life became an LGBT+ activist, and those who simply did what they could just to survive and return home to a complicated peace. As the conflict moves beyond living memory and the last veterans leave us, we are in danger of missing the opportunity to gain a true understanding of this rich history. By exploring a wartime experience that embraces sex, lust and the body as much as tactics and weaponry, Turner argues that the only way we can really understand the Second World War is to get to grips with the complexity of the lives and identities of those who fought and endured it.

SHORTLISTED FOR THE 2019 WAINWRIGHT BOOK PRIZE LONGLISTED FOR THE 2019 POLARI FIRST BOOK AWARD 'This is a book to get lost in . . . A disturbing trauma narrative, it's also a work of delightfully low, pants-dropping comedy, and a learned meditation' Guardian 'A brave and beautiful book, electrifying on sex and nature, religion and love. No one is writing quite like this' Olivia Laing 'Turns the nature memoir genre upon its head . . . is a book full of poetry and pathos. More than anything it is a bold and beautiful study of how to be a true modern man' Ben Myers, Spectator At a crossroads in his life, the demons Luke Turner has been battling since childhood are quick to return - depression and guilt surrounding his identity as a bisexual man, experiences of sexual abuse, and the religious upbringing that was the cause of so much confusion. It is among the trees of London's Epping Forest where he seeks refuge. Away from a society that struggles to cope with the complexities of masculinity and sexuality, Luke begins to accept the duality that has provoked so much unrest in his life - and reconcile the expectations of others with his own way of being.

As a child, Luke Turner was obsessed with the Second World War. He spent hours watching Sunday war films, poring over stories of derring-do and relishing in birthday trips to air museums. Lying in bed beneath Airfix fighter planes suspended from his ceiling, he would think about the men that might sit in their cockpits, and whether he could ever be one of them. Now, as an adult who has come to terms with a masculine identity and sexuality that is often erased from dominant military narratives, he undertakes a refreshingly honest analysis of his fascination with the war. In Men at War, Turner looks beyond the increasingly retrogressive and jingoistic ideal of a Britain that never was to recognise men of war as creatures of love, fear, hope and desire. From writers, filmmakers, artists and ordinary men - including those in his own family - Turner assembles a broad cast of characters to bring the war to life. There are conscientious objectors, a bisexual Commando, a pacifist poet who flew for Bomber Command, a transgender RAF pilot, a soldier who suffered in Japanese POW camps and later in life became an LGBT+ activist, and those who simply did what they could just to survive and return home to a complicated peace. As the conflict moves beyond living memory and the last veterans leave us, we are in danger of missing the opportunity to gain a true understanding of this rich history. By exploring a wartime experience that embraces sex, lust and the body as much as tactics and weaponry, Turner argues that the only way we can really understand the Second World War is to get to grips with the complexity of the lives and identities of those who fought and endured it.