These seven short plays by various authors, originally commissioned and produced by the Tricycle Theatre London, explore the nature of the crisis in the Darfur region of Sudan.

The Crump family is adrift. Widowed Godfrey is under the spell of Sweet Father Divine, while his daughters, Ernestine and Ermina, immerse themselves in Hollywood illusions to escape racial prejudice. But things change when free-spirited Aunt Lily shows up.

In one of the poorest cities in America - Reading, Pennsylvania - a group of factory workers struggle to keep their present lives in balance, ignorant of the financial devastation looming in their near future. Based on the playwright's extensive interviews with residents of Reading, Lynn Nottage's play Sweat is a tale of friends pitted against each other by big business, and a topical reflection of the present and poignant decline of the American Dream. The play premiered in Oregon in 2015, before being produced at the Public Theater, New York, in 2016, and the following year on Broadway, where it won the Pulitzer Prize for Drama. It received its UK premiere at the Donmar Warehouse, London, in 2018, directed by Lynette Linton, and went on to win Best Play at the 2019 Evening Standard Theatre Awards.

Lynn Nottage's Intimate Apparel is a multi-award-winning play about the empowerment of a black seamstress in New York City in 1905. Esther sews exquisite lingerie for clients who range from wealthy white patrons to prostitutes. She has saved enough to allow her to dream of one day opening a beauty salon for black women, and at thirty-five years old, longs for a husband and a future. When she begins to receive beautiful letters from a lonesome Caribbean man who is working on the Panama Canal, it looks like life may be about to take a different course. Intimate Apparel was first produced by South Coast Repertory in Costa Mesa, California, and Centerstage in Baltimore, Maryland, in 2003, winning the New York Drama Critics' Circle Award for Best Play and the American Theatre Critics/Steinberg New Play Award. It received its UK premiere at the Theatre Royal Bath in 2014 before transferring to Park Theatre, London, the same year.

A passionate, heartfelt play about surviving in a time of civil war, by a leading American dramatist. Winner of the 2009 Pulitzer Prize for Drama. A small mining town deep in the Democratic Republic of Congo. In Mama Nadi's bar her rules apply. No arguments, no politics, no guns. When two new girls arrive, tainted with the stigma of their recent past, Mama is forced to reassess her business priorities and personal loyalties. As tales of local atrocities spread and tensions between rebels and government militia rise, the realities of life in civil war provide the ultimate test of the human spirit. Lynn Nottage's play Ruined was first performed at the Goodman Theatre, Chicago, in November 2008. It opened Off-Broadway at the Manhattan Theatre Club in February 2009. The play received its UK premiere at the Almeida Theatre, London, in April 2010. This edition includes lyrics and music from the original production.

"In this exciting new anthology, Wesley Brown and Aimee K. Michel bring together six wonderfully teachable plays by some of the greatest American women dramatists of the past fifty years-- Ntozake Shange, Suzan-Lori Parks, Paula Vogel, Lynn Nottage, Beth Henley, and Susan Yankowitz. The editors provide a helpful Introduction to the last 100 years of theatrical activity, from suffrage and anti-lynching plays, through the explosive 1960s, to recent Broadway triumphs, highlighting women's struggle-a struggle that continues--to put their vision and voices on the American stage." Elin Diamond, Rutgers University, USA This volume celebrates the iconoclastic power of six American women playwrights who pushed the boundaries of the form outside the box of conventional drama. Each play is accompanied by a short introduction providing the biographical background of the playwright as well as discussing the dramatic style of her writing, the extent to which her work is informed by major playwrights of the period, and how the specific work illustrates the overarching themes of her body of work. The plays included are: Gun by Susan Yankowitz Spell #7: geechee jibara quik magic trance manual for technologically stressed third world people by Ntozake Shange The Jacksonian by Beth Henley The Baltimore Waltz by Paula Vogel In the Blood by Suzan-Lori Parks Intimate Apparel by Lynn Nottage

Winner of the 2009 Pulitzer Prize for Drama

"A powerhouse drama. . . . Lynn Nottage's beautiful, hideous and unpretentiously important play is] a shattering, intimate journey into faraway news reports."--Linda Winer, "Newsday"

"An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world's brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won't expect."--David Cote, "Time Out New York"

A rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage's extraordinary new play. The establishment's shrewd matriarch, Mama Nadi, keeps peace between customers from both sides of the civil war, as government soldiers and rebel forces alike choose from her inventory of women, many already "ruined" by rape and torture when they were pressed into prostitution. Inspired by interviews she conducted in Africa with Congo refugees, Nottage has crafted an engrossing and uncommonly human story with humor and song served alongside its postcolonial and feminist politics in the rich theatrical tradition of Bertolt Brecht's "Mother Courage."

Lynn Nottage's plays include "Crumbs from the Table of Joy," "Fabulation," and "Intimate Apparel," winner of the American Theatre Critics' Steinberg New Play Award and the Francesca Primus Prize. Her plays have been widely produced, with "Intimate Apparel" receiving more productions than any other play in America during the 2005-2006 season.

With her two latest plays, Lynn Nottage created companion pieces that span 100 years in the lives of African American women.

African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.

This collection includes Lynn Nottage's best known work, "Crumbs from the Table of Joy," which has been produced widely since its premiere in May 1995 and which the "Chicago Tribune "hailed as "a complex and thought provoking new play." Also included are "Mud, River, Stone, Poof, Por'Knockers "and her latest work," Las Meninas," inspired by the playwright's research into the African presence in 17th century Europe.

Lynn Nottage lives in Brooklyn, New York. Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.

"In this exciting new anthology, Wesley Brown and Aimee K. Michel bring together six wonderfully teachable plays by some of the greatest American women dramatists of the past fifty years-- Ntozake Shange, Suzan-Lori Parks, Paula Vogel, Lynn Nottage, Beth Henley, and Susan Yankowitz. The editors provide a helpful Introduction to the last 100 years of theatrical activity, from suffrage and anti-lynching plays, through the explosive 1960s, to recent Broadway triumphs, highlighting women's struggle-a struggle that continues--to put their vision and voices on the American stage." Elin Diamond, Rutgers University, USA This volume celebrates the iconoclastic power of six American women playwrights who pushed the boundaries of the form outside the box of conventional drama. Each play is accompanied by a short introduction providing the biographical background of the playwright as well as discussing the dramatic style of her writing, the extent to which her work is informed by major playwrights of the period, and how the specific work illustrates the overarching themes of her body of work. The plays included are: Gun by Susan Yankowitz Spell #7: geechee jibara quik magic trance manual for technologically stressed third world people by Ntozake Shange The Jacksonian by Beth Henley The Baltimore Waltz by Paula Vogel In the Blood by Suzan-Lori Parks Intimate Apparel by Lynn Nottage

Since 1660 when actresses first began performing on the English stage, women have forged bright careers in theatre, while men called the shots. Four hundred years of women playwrights, from Aphra Behn to Caryl Churchill, yet plays by women make up less than a quarter of staged productions in the UK, leading to a scarcity of roles for women. With women buying most of the tickets, theatre productions risk losing their relevance to modern culture if they fail to represent the many and varied lives of women. With an overview of post-war theatre and 25 exclusive interviews with leading women theatre-makers, this book inspires us to create a truly equal and inclusive theatre today. Including interviews with: Nina Lee Aquino Sudha Buchar Moira Buffini Paule Constable Denise Gough Jill Greenhalgh Vicky Ireland Jude Kelly Bryony Lavery Rachel Maza Kumiko Mendl Katie Mitchell Marsha Norman Lynn Nottage Kate O'Donnell Winsome Pinnock Emma Rice Daryl Roth Jenny Sealey Saviana Stanescu Michelle Terry Kate Waters and more...

"Nottage is one of our finest playwrights, a smart, empathetic, and daring storyteller who tells a story an audience won't expect."-Time Out New York

"Lynn Nottage's work explores depths of humanness, the overlapping complexities of race, gender, culture and history-and the startling simplicity of desire-with a clear tenderness, with humor, with compassion."-Paula Vogel, Pulitzer Prize-winning playwright

In her first new play since the critically acclaimed Ruined, Lynn Nottage examines the legacy of African Americans in Hollywood in a dramatic stylistic departure from her previous work. Fluidly incorporating film and video elements into her writing for the first time, Nottage's comedy tells the story of Vera Stark, an African American maid and budding actress who has a tangled relationship with her boss, a white Hollywood star desperately grasping to hold onto her career. Stirring audiences out of complacency by tackling racial stereotyping in the entertainment industry, Nottage highlights the paradox of black actors in 1930s Hollywood while jumping back and forward in time and location in this uniquely theatrical narrative. By the Way, Meet Vera Stark premiered in New York in 2011 and received subsequent productions at Los Angeles's Geffen Playhouse in fall 2012 and Chicago's Goodman Theatre and The Lyric Stage Company of Boston in spring 2013.

Lynn Nottage's plays include the Pulitzer Prize-winning Ruined; Intimate ApparelFabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por'Knockers; and POOF

ANTIGONE PROJECT is a play in five parts by Tanya Barfield, Karen Hartman, Chiori Miyagawa, 2009 Pulitzer Prize winner Lynn Nottage, and Caridad Svich that reconsiders the story of Antigone from a variety of rich and radical perspectives. With a preface by dramatist Lisa Schlesinger and an introduction by classics scholar Marianne McDonald, this is a unique addition to contemporary drama.

African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.