Nineteenth-Century Energies explores the idea of 'energy', a concept central to new directions in interdisciplinary studies today. It examines the cultural perceptions and uses of energy in the nineteenth century - both in terms of pure and applied science, and as an idea with widespread diffusion in the popular imagination - in contributions by scholars drawing on a variety of fields, such as literature, philosophy, history, French studies, Latin American studies, cinema studies, and art history. These contributions explore the rise of insomnia as a recognized ailment, the role of guns and gun culture in the perception of human agency, the first uses of the barometer to predict massive cyclonic weather systems, and the hallucinatory, almost occult effects of radiant energy in early film. Exemplifying innovative research in twenty-first century academia, this volume also speaks to the wider cultural concerns of today's global citizen about the preservation and renewal of natural resources around the world; the emergence of devices and technologies that have both improved and impaired human life; the aggrandizement of nation-states around large technological systems; and the centrality of the image in our perception and absorption of contemporary culture. This book was originally published as a special issue of Nineteenth-Century Contexts.

Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the lingering divide between postcolonial and ecocritical approaches. Together, these essays show how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and dispossession that remain our own. The authors reconsider Victorian literary structures in light of environmental catastrophe; coordinate "natural" questions with sociopolitical ones; and underscore the category of form as a means for generating environmental-and therefore political-knowledge. Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the circuits of extraction and violence linking Britain to its global network. Yet the book's most pressing argument is that this past thought can be a resource for reimagining the present.

Nineteenth-Century Energies explores the idea of 'energy', a concept central to new directions in interdisciplinary studies today. It examines the cultural perceptions and uses of energy in the nineteenth century - both in terms of pure and applied science, and as an idea with widespread diffusion in the popular imagination - in contributions by scholars drawing on a variety of fields, such as literature, philosophy, history, French studies, Latin American studies, cinema studies, and art history. These contributions explore the rise of insomnia as a recognized ailment, the role of guns and gun culture in the perception of human agency, the first uses of the barometer to predict massive cyclonic weather systems, and the hallucinatory, almost occult effects of radiant energy in early film. Exemplifying innovative research in twenty-first century academia, this volume also speaks to the wider cultural concerns of today's global citizen about the preservation and renewal of natural resources around the world; the emergence of devices and technologies that have both improved and impaired human life; the aggrandizement of nation-states around large technological systems; and the centrality of the image in our perception and absorption of contemporary culture. This book was originally published as a special issue of Nineteenth-Century Contexts.

Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the lingering divide between postcolonial and ecocritical approaches. Together, these essays show how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and dispossession that remain our own. The authors reconsider Victorian literary structures in light of environmental catastrophe; coordinate "natural" questions with sociopolitical ones; and underscore the category of form as a means for generating environmental-and therefore political-knowledge. Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the circuits of extraction and violence linking Britain to its global network. Yet the book's most pressing argument is that this past thought can be a resource for reimagining the present.