Walter Benjamin's work represents one of the most radical and controversial responses to the problems of 20th century culture and society. This new interpretation analyzes some of the central enigmatic features of his writing, arguing that they result from the co-presence of religious skepticism and the desire for a religious foundation of social life. Margarete Kohlenbach focuses on the structure of self-reference as an expression of Benjamin's skeptical religiosity and examines its significance in his writing on language, literature and the cinema, as well as history, politics and modern technology.

Are religions tissues of superstition and repression, or repositories of the highest hopes and aspirations of humanity, or perhaps both at the same time? For many of those thinkers who lived through the horrors and upheavals of the first half of the twentieth-century, this old question acquired a new urgency. This volume examines the ways in which the authors of the early Frankfurt School criticized, adopted and modified traditional forms of religious thought and practice. Focusing on the works of Theodor W. Adorno, Walter Benjamin, Erich Fromm, Max Horkheimer, Otto Kirchheimer and Franz Neumann, it analyzes the relevance of religious traditions and of the Enlightenment critique of religion for modern conceptions of emancipatory thought, art, law, and politics.

Walter Benjamin's work represents one of the most radical and controversial responses to the problems of twentieth-century culture and society. This new interpretation analyzes some of the central enigmatic features of his writing, arguing that they result from the co-presence of religious scepticism and the desire for a religious foundation of social life. Margarete Kohlenbach focuses on the structure of self-reference as an expression of Benjamin's sceptical religiosity and examines its significance in his writing on language, literature and the cinema, as well as history, politics and modern technology.