The Merchant of Venice is one of Shakespeare's most controversial plays, whose elements resonate even more profoundly in the current climate of rising racism, antisemitism, Islamophobia, anti-immigrant sentiment, queerphobia and right-wing nationalism. This collection of essays offers a 'freeze frame' that showcases a range of current debates and ideas surrounding the play. Each chapter has been carefully selected for its originality and relevance to your needs. Essays offer new perspectives that provide an up-to-date understanding of what's exciting and challenging about the play. Key themes and topics include: * Race and religion * Gender and sexuality * Philosophy * Animal studies * Adaptations and performance history

The Merchant of Venice is one of Shakespeare’s most controversial plays, whose elements resonate even more profoundly in the current climate of rising racism, antisemitism, Islamophobia, anti-immigrant sentiment, queerphobia and right-wing nationalism. This collection of essays offers a 'freeze frame' that showcases a range of current debates and ideas surrounding the play. Each chapter has been carefully selected for its originality and relevance to your needs. Essays offer new perspectives that provide an up-to-date understanding of what's exciting and challenging about the play. Key themes and topics include: · Race and religion · Gender and sexuality · Philosophy · Animal studies · Adaptations and performance history

Slander constitutes a central social, legal and literary concern of early modern England. A category of discourse which transgresses the law, it offers a more historically grounded and fluid account of power relations between poets and the state than that offered by the commonly accepted model of official censorship. An investigation of slander reveals it to be an effective, unstable and reversible means of repudiating one's opposition that could be deployed by rulers or poets. Spenser, Jonson and Shakespeare each use the paradigm of slander to challenge official criticism of poetry, while contemporary legal theory associates slander with poetry. However, even as rulers themselves make use of slander in the form of propaganda to demonize those they perceive to be their foes, ultimately they are unable to contain completely the threat posed by slanderous accusations against the state.

Slander constitutes a central social, legal and literary concern of early modern England. A category of discourse which transgresses the law, it offers a more historically grounded and fluid account of power relations between poets and the state than that offered by the commonly accepted model of official censorship. An investigation of slander reveals it to be an effective, unstable and reversible means of repudiating one's opposition that could be deployed by rulers or poets. Spenser, Jonson and Shakespeare each use the paradigm of slander to challenge official criticism of poetry, while contemporary legal theory associates slander with poetry. However, even as rulers themselves make use of slander in the form of propaganda to demonize those they perceive to be their foes, ultimately they are unable to contain completely the threat posed by slanderous accusations against the state.

How did the new developments of the Renaissance affect the way women were understood by men and the way they understood themselves? Addressing a wide range of issues across Renaissance culture--humanism, technology, science, anatomy, literacy, theater, domesticity, colonialism, and sex--this collection of essays attempts to answer that question. In doing so, the authors discover that the female subject of the Renaissance shares a surprising amount of conceptual territory with her postmodern counterpart.

This edition of Shakespeare's The Merchant of Venice reprints the Bevington edition of the play accompanied by four sets of thematically arranged primary documents and illustrations designed to facilitate many different approaches to Shakespeare's play and the early modern culture out of which the play emerges. The texts include maps, woodcuts, sermons, statutes, early modern documents reflecting Christian attitudes toward Jews and Jewish reactions to these attitudes, excerpts from the Bible on money lending as well as contemporary discourses on usury and commerce, and excerpts from the first account of Jewish life written in the vernacular by a Jew for a Christian audience. The documents contextualize contemporary discourses on race, nationality, and religion; the place of Venice in the early modern English imagination; merchant culture; and marriage, sexuality, and friendship in the period.