"Theater such as Kenneth Koch cannot be simply paraphrased, and presents to the audience the classic Mennipean challenge: to ponder, to mull it over, to "think.""--Mac Wellman

"The Banquet" brings together 144 plays, ten screenplays, and five operas spanning more than five decades of experimental work from a writer John Ashbery has called "simply the best we have." Witty, provocative, and playful, Kenneth Koch's work draws on poetry, musicals, improvisational comedy, satire, and other forms for their inspiration and touches on subjects ranging from the silly to the sublime.

Kenneth Koch (1925-2002), known for his association with the New York School of poetry, wrote many collections of poetry, fiction, plays, and nonfiction. His books include "Seasons on Earth," "On the Edge," "Thank You and Other Poems," "The Art of Love," "One Thousand Avant-Garde Plays," "Hotel Lambosa," and "The Collected Fiction," and several books on teaching children how to write poetry. Koch was awarded numerous honors, including the Rebekah Johnson Bobbitt National Prize for Poetry, awarded by the Library of Congress in 1996, as well as awards from the American Academy of Arts and Letters and the Fulbright, Guggenheim, and Ingram-Merrill foundations. In 1996 he was inducted as a member of the American Academy of Arts and Letters. Kenneth Koch lived in New York City, where he was professor of English at Columbia University.

At a time when most serious drama being written and produced for the American stage aspires only to mainstream acceptance and high-toned mediocrity, an innovative new generation of playwrights based in New York City has emerged, crafting works that challenge and undermine the conventional structure, language, and characterization of commercial theater while rejecting outdated notions of the avant-garde. New Downtown Now brings together ten new works that exemplify the playfulness, excitement, and possibilities of the theater. Characterized by fragmenting structure, hypnotic rhythms, kaleido-scopic imagery, unpredictable characters, and lyrical language, these plays resemble puzzles from which the writers are teasing revelations. Though disparate in subject matter and style, with characters ranging from a sushi chef to a soldier and settings from a taxicab to a live television broadcast, these highly original plays share a commitment to formal experimentation that places them beyond the psychological cliches of the majority and the cold condescension of postmodernism. The anthology includes Interim by Barbara Cassidy; Tragedy: a tragedy by Will Eno; Nine Come by Elana Greenfield; Shufu-Sachiko and Enoshima Island by Madelyn Kent; The Appeal by Young Jean Lee; The Vomit Talk of Ghosts by Kevin Oakes; Ajax (por nobody) by Alice Tuan; Apparition, an uneasy play of the underknown by Anne Washburn; Demon Baby by Erin Courtney. Mac Wellman is the author of numerous plays and the recipient of three Obie awards, most recently in 2003 for lifetime achievement. He is professor of playwriting at Brooklyn College. Young Jean Lee is a playwright and director, and member of the Obie award-winning company 13P. Jeffrey M. Jones is a playwright and curator of the Obie award-winning Little Theater at Tonic in New York.