Focusing on the geographies between the Mekong and the Indus, this book brings objects to the centre of enquiry in the understanding of modern Asian frontiers. It explores how a range of objects have historically been significant bearers and agents of frontier making. For instance, how are objects connected to aspects of state making, social change, everyday life, diplomacy, political and ecological worlds, capital, forms of violence, resistances, circulations, and aesthetic expressions? This book seeks to interrogate and understand the dynamism of frontiers from the vantage point of objects such as salt, rubber, tea, guns, silk scarves, horses, and opium. It attempts to explore objects as sites of encounter, mediation, or dislocation between the social and the spatial. The book not only locates objects in the specificities of frontier spaces, but it also looks at how they are produced, circulated, and come to be intricately linked to a wide range of people, institutions, networks, and geographies. In the process, it explores how objects traverse and come to inhabit multiple historical, cultural, and geographical scales. This book will be of interest to researchers and academics working in areas of history, social and cultural anthropology, Asian studies, frontiers and borderland studies, cultural studies, political and economic studies, and museum studies.

The study of Assamese literature has so far been in terms of the history of the Assamese language. This book is a history of the narratives written in Assamese language and its relation to the process of region formation. The literature dealt with ranges from pre-colonial chronicles, ballads and drama to modern genres of fiction and critical writing in Assamese language. Taking the Brahmaputra valley and Assamese literature as case studies, the author attempts to link literature, its nature and use, to processes of region formation, arguing that such a study needs to take the context of historical geography into consideration. The book views region formation in north-east India as a dialectical process, that is, the dialectic between the shared and the distinct in inter-group and community relations. It borrows an anthropological approach to study written narratives and cultures so as to locate such narratives in specific processes of region formation.

The study of Assamese literature has so far been in terms of the history of the Assamese language. This book is a history of the narratives written in Assamese language and its relation to the process of region formation. The literature dealt with ranges from pre-colonial chronicles, ballads and drama to modern genres of fiction and critical writing in Assamese language. Taking the Brahmaputra valley and Assamese literature as case studies, the author attempts to link literature, its nature and use, to processes of region formation, arguing that such a study needs to take the context of historical geography into consideration. The book views region formation in north-east India as a dialectical process, that is, the dialectic between the shared and the distinct in inter-group and community relations. It borrows an anthropological approach to study written narratives and cultures so as to locate such narratives in specific processes of region formation.

This book brings together essays on North East India from across disciplines to explore new understandings of the colonial and contemporary realities of the region. Departing from the usual focus on identity and politics, it offers fresh representations from history, social anthropology, culture, literature, politics, performance and gender. Through the lens of modern practices, the essays in this volume engage with diverse issues, including state-making practices, knowledge production and its politics, history writing, colonialism, role of capital, institutions, changing locations of orality and modernity, production and reception of texts, performances and literatures, social change and memory, violence and gender relations, along with their wider historical, geographical and ideational mappings. In the process, they illustrate how the specificities of the region can become useful sites to interrogate global phenomena and processes - for instance, in what ways ideas and practices of modernity played an important role in framing the region and its people. Further, the volume underlines the complex ways in which the past came to be imagined, produced and contested in the region. With its blend of inter-disciplinary approach, analytical models and perspectives, this book will be useful to scholars, researchers and general readers interested in North East India and those working on history, frontiers and borderlands, gender, cultural studies and literature.

Focusing on the geographies between the Mekong and the Indus, this book brings objects to the centre of enquiry in the understanding of modern Asian frontiers. It explores how a range of objects have historically been significant bearers and agents of frontier making. For instance, how are objects connected to aspects of state making, social change, everyday life, diplomacy, political and ecological worlds, capital, forms of violence, resistances, circulations, and aesthetic expressions? This book seeks to interrogate and understand the dynamism of frontiers from the vantage point of objects such as salt, rubber, tea, guns, silk scarves, horses, and opium. It attempts to explore objects as sites of encounter, mediation, or dislocation between the social and the spatial. The book not only locates objects in the specificities of frontier spaces, but it also looks at how they are produced, circulated, and come to be intricately linked to a wide range of people, institutions, networks, and geographies. In the process, it explores how objects traverse and come to inhabit multiple historical, cultural, and geographical scales. This book will be of interest to researchers and academics working in areas of history, social and cultural anthropology, Asian studies, frontiers and borderland studies, cultural studies, political and economic studies, and museum studies.