This anthology offers five translations from ten Galician women poets, ranging in age, experience and style. It offers a unique insight into the imaginative, social, and personal preoccupations with which the Galician poets have engaged in the late 20th century and in the first decade of the 21st. An interesting feature of this anthology is that each Galician poet has selected one poem in five to be rendered purely in the Irish language. This tri-lingual approach is an attempt to represent the cultural and linguistic concerns which both Ireland and Galicia have shared historically.

Distinctive and innovatory, contemporary Galician poetry has a strong presence on the literary scene of Spain, continuing a centuries-old unbroken line of literary creation in the language of the region. In the thirteenth anthology in this series, we are presented with work written in the last thirty years by six talented and highly individual Galician poets. Two of them, Xose Maria Alvarez Caccamo and Chus Pato, already have established literary careers, while the four younger writers are rapidly gaining recognition through recently published collections and prize awards. Having chosen six poets who are characterized by their constant examination of literary forms and exploration of new conceptual worlds, the editor, Manuela Palacios, has asked the poets themselves to make a choice from their own work for the anthology. The result is a collection of poems that grow from roots firmly planted in home soil but which reach out and flourish beyond the boundaries of a single literary tradition. Keith Payne's accomplished translation allows English-language readers access to this unfamiliar but infinitely exciting territory.

Galicia, the Basque country and Catalonia have often found in Ireland an "Inspiring Other" whether for political, social or cultural reasons. This anthology engages in an intercultural dialogue which redefines and strengthens the literary bonds among these communities. A selection of the most prominent Galician, Basque and Catalan contemporary women poets have their verse recreated in English by Irish writers. Together they enrich the European literary scene by celebrating its diversity.

Since the 1980s, there has been an unprecedented and unremitting rise in the number of women writers in Galicia and Ireland. Publishers, critics, journals, and women's groups have played a decisive role in this phenomenon. Creation, Publishing, and Criticism provides a plurality of perspectives on the strategies deployed by the various cultural agents in the face of the advance of women authors and brings together a selection of articles by writers, publishers, critics, and theatre professionals who delve into their experiences during this process of cultural change. This collection of essays sets out to show how, departing from comparable circumstances, the Galician and the Irish literary systems explore their respective new paths in ways that are pertinent to each other. This book will be of particular interest to students of Galician and Irish studies, comparative literature, women's studies, and literary criticism. Both specialists in cultural analysis and the common reader will find this an enlightening book.