Late Antiquity and the early Middle Ages are now understood as times of extraordinary skill and creativity in the decorative arts. In the Eastern Roman Empire (Byzantium) artists and craftsmen transitioned from 'Roman' to 'Byzantine' art and inspired a move from naturalism to a more hieratic and symbolic style, drawing on the deep artistic links connecting the Mediterranean world and the East. The many spectacular artefacts from this period in the Wyvern Collection are luxury objects, most commissioned by wealthy patrons or the Church, ranging in date from the fourth century to around 1300. Masterpieces of great significance for art history, including a 5th-century Artemis missorium, previously unpublished, and an 11th-century enamelled enkolpion from Constantinople are among the highlights of the collection. Other extraordinary objects - Late Roman chariot decorations, a stone funerary door from Syria and brooches brought across Europe by the families of Roman soldiers - complete this artistic panorama of the great Mediterranean and Persian civilizations, whose creative influence extended to the far west of the Islamic world. The catalogue, by Byzantine metalwork expert Marco Aimone, is augmented by three essays from technical specialists: Jack Ogden (enamelling), Peter Northover (metallurgy) and Erica Cruikshank Dodd (hallmarks). Rika Gyselen also contributes readings of Persian inscriptions.

The Desana Treasure has been well known since its discovery, or rather, since it was purchased on the antiques market in 1938 by the 'Museo Civico di Arte Antica' in Turin. The composition of the Desana treasure shows that is was 'collected' over centuries. A ring with gemstone and a chain from the 2/3rd century are the oldest elements and objects from early 6th century the most recent. The latter give the date for the burial. Though, most objects are from the late 5th / early 6th century AD, that is from the reign of Theoderich the Great. The composition of the Desana treasure is interesting from another point of view as well. There are male and female dress adornments and silverware in the form of spoons. This new analysis of the Desana treasure allows a fresh view on this complex and offers insights into society in Ostrogothic Italy, especially into the relationship between old Latin landowners and Ostrogothic nobility. The detailed description and photographs of the 51 objects give valuable information regarding the goldsmith's art, which is extremely important because of the lack in Italy of burials of the same value belonging to that period. So, this description is crucial for future research about goldsmith's workshops in the late antique Mediterranean.