This textbook provides a grounding in complexity theory, demonstrating how it can influence and shape social work interventions in policy, management, and practice, as well as forming an epistemological and methodological basis for research. It provides a contemporary theoretical basis for social work practice, equipping social workers to work in a 21st-Century world.  The authors argue that the history of social work demonstrates the profession's engagement with the social and structural problems of each era since its emergence 150 years ago. However, in  the 21st Century, such things as globalisation, the COVID-19 pandemic, and climate change have highlighted that existing theories and practice models are insufficient to the task of working with the complicatedness of contemporary life in a fast-changing world. Distilling the central tenets of Complexity Theory and the notion of complex adaptive systems in partnership with pragmatism, the book provides practice perspectives and guidelines which build on social work's enduring commitment to understanding the person-in-context. The recognition that social workers require conceptual and theoretical agility to work across micro, meso and macro 'levels' remains central, but the argument is made that their focus and practice must primarily be at the meso level. The authorship of combined academic and practice expertise enables such perspectives to be brought to life through the theoretical and practical analysis of conceptual and 'real-world' challenges.  The book consists of 13 chapters organized in three sections: Part I: Complex Practice in a Complex World Part II: Thinking Complexity in Practice Part III: Thinking Complexity in Public Policy, Research and Education Complexity Theory for Social Work Practice encourages social workers to 'think complexity' and 'act pragmatically'. It is intended for final-year social work students; academics and researchers working in a range of disciplines, primarily in the social work field but also in the areas of sociology, psychology and anthropology; and practitioners in policy, research, management and practice settings. 

Released in conjunction with the 75th-anniversary DVD release of The Wizard of Oz, this book is the definitive story of how one of America’s most beloved movies was made and a marvelous, unprecedented examination of how Hollywood used to make movies. This updated edition includes numerous photos and shares hundreds of interviews with cameramen, screenwriters, costume designers, directors, producers, light technicians, actors, and more to reveal how the factory-like Hollywood system of moviemaking miraculously produced one of the most enduring films ever made. From the scandalous headlines of Munchkin orgies at the Culver City Hotel and the Witch’s (accidental) burning to the building of the Emerald City and the sewing of nearly 1,000 costumes, The Making of The Wizard of Oz provides a richly detailed re-creation of MGM’s production No. 1060 and a detail-by-detail, department-by-department look at the most powerful and flamboyant studio Hollywood has ever known.

Classic musical adaptation of the L. Frank Baum novel starring Judy Garland, Ray Bolger, Bert Lahr and Jack Haley. A tornado whisks Dorothy (Garland) and her house from Kansas to Munchkin City, squashing the Wicked Witch of the East upon landing. The Wicked Witch of the West (Margaret Hamilton) vows revenge, while Dorothy sets off on the yellow brick road to see the Wizard of Oz (Frank Morgan), hoping he can tell her how to get home. On the way she makes friends with a scarecrow (Bolger), a tin man (Haley) and a cowardly lion (Lahr) - all of whom have specific reasons for wanting to meet the magical Wizard. With the Wicked Witch out to get her, will Dorothy ever get home again?

Drama starring Myrna Loy and Robert Mitchum, based on a screenplay adapted by John Steinbeck from his early novel of the same name. Ten-year-old Tom Tiflin (Peter Miles) lives on a ranch in California's Salinas Valley with his mother (Loy), recently-returned father (Sheppard Strudwick), maternal grandfather (Louis Calhern) and handsome hired hand Billy Buck (Mitchum). In an attempt to get closer to his son after his long absence from the ranch, Tom's father gives him a much longed-for pony. But as the pony becomes the central focus of Tom's life, the family is driven apart as Tom turns to Billy for help with rearing it.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone