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John Milton's epic poem "Paradise Lost" (1667) is a literary
landmark for writers, critics and students around the world. His
reworking of Biblical tales of the loss of Eden constitutes not
only a gripping literary work, but a significant musing on
fundamental human concerns ranging from freedom and fate to
conscience and consciousness.
Designed for students new to Milton's complex, lengthy work, this
Sourcebook:
*Outlines the often unfamiliar contexts of seventeenth-century
England which are so crucial to "Paradise Lost"
*Completes the contextual study with a chronology and reprinted
documents from the period
*Examines and reprints a broad range of responses to the poem, from
early reactions to recent criticism
*Reprints the most frequently studied passages of the poem, along
with extensive commentary and annotation of unfamiliar or
significant terms used in Milton's work
*Provides cross-references between the textual, contextual and
critical sections of the sourcebook, to show how all the materials
can be called upon in an individual reader's encounter with the
text
Suggests further reading for those facing the huge array of
critical work on the poem.
With an emphasis on enjoying as well as understanding what can be a
somewhat daunting work, this sourcebook will be a welcome resource
for anyone new to "Paradise Lost,"
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The Literature of Hell (Hardcover)
Margaret Kean; Contributions by Margaret Kean, Helen Appleton, Charlotte Jones, Jeya Ayadurai, …
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R1,247
Discovery Miles 12 470
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Ships in 12 - 17 working days
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Essays considering the representation and perception of hell in a
variety of texts. Narratives of a descent to the underworld, of the
sights to be seen and the punishments meted out there, have kept a
hold on the popular imagination for millennia. The legacy from
doctrinal warnings and the deep-set literary markers that identify
a place of suffering and alienation continue to stimulate creative
exchange and critical thinking. Such work takes risks: it braves
the dark and questions the past. The contributions in this volume
reflect on the exigency of hell in the stories that we tell. They
consider the transfer and repurposing of motifs across genres and
generational divides, and acknowledge the sustained immediacy of
physical and psychological landscapes of hell. The essays span a
wide chronological range and apply various contemporary critical
approaches, including cognitive science, performance studies and
narratology. This cross-period analysis is complemented by
interviews with three creative practitioners: Jeya Ayadurai,
director of "Hell's Museum" in Singapore, the actor Lisa Dwan, who
is acclaimed for her dramatisation of Samuel Beckett's late works,
and the writer David Almond. From ancient myth and early English
sermons to mid-twentieth-century surrealism and current responses
to terrorist activities and environmental damage, the literature of
hell engages with issues of immediate relevance and asks its
audiences to reflect on their cultural history, the meaning of
social justice and the nature of embodied existence.
John Milton's epic poem "Paradise Lost" (1667) is a literary
landmark for writers, critics and students around the world. His
reworking of Biblical tales of the loss of Eden constitutes not
only a gripping literary work, but a significant musing on
fundamental human concerns ranging from freedom and fate to
conscience and consciousness.
Designed for students new to Milton's complex, lengthy work, this
Sourcebook:
*Outlines the often unfamiliar contexts of seventeenth-century
England which are so crucial to "Paradise Lost"
*Completes the contextual study with a chronology and reprinted
documents from the period
*Examines and reprints a broad range of responses to the poem, from
early reactions to recent criticism
*Reprints the most frequently studied passages of the poem, along
with extensive commentary and annotation of unfamiliar or
significant terms used in Milton's work
*Provides cross-references between the textual, contextual and
critical sections of the sourcebook, to show how all the materials
can be called upon in an individual reader's encounter with the
text
Suggests further reading for those facing the huge array of
critical work on the poem.
With an emphasis on enjoying as well as understanding what can be a
somewhat daunting work, this sourcebook will be a welcome resource
for anyone new to "Paradise Lost,"
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