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The Modern Spain Sourcebook - A Cultural History from 1600 to the Present (Hardcover): Aurora G. Morcillo, Maria Asuncion... The Modern Spain Sourcebook - A Cultural History from 1600 to the Present (Hardcover)
Aurora G. Morcillo, Maria Asuncion Gomez, Paula De La Cruz-Fernandez, Jose Manuel Morcillo-Gomez
R3,281 Discovery Miles 32 810 Ships in 12 - 19 working days

Incorporating a wide range of visual and translated written sources, The Modern Spain Sourcebook documents Spain's history from the Enlightenment to the present. The book is thematically arranged and includes six key primary sources on ten significant areas of Spanish history, including the arts, work, education, religion, politics, sexuality and empire. As well as the book's overarching introduction, there are theme-specific introductions and vital historical context sections provided for the sources that are presented. There are also useful suggested analytical questions and helpful web link lists included throughout. The Modern Spain Sourcebook covers political and economic history, but moves beyond this to provide a more complete picture of Spanish history through the sources selected with gender history, social history and cultural history coming to the fore. This is a crucial text containing a vital trove of primary material for all students of Spain and its history.

Del Escenario a La Pantalla - La Adaptacion Cinematografica Del Teatro Espanol (Spanish, Paperback): Maria Asuncion Gomez Del Escenario a La Pantalla - La Adaptacion Cinematografica Del Teatro Espanol (Spanish, Paperback)
Maria Asuncion Gomez
R949 Discovery Miles 9 490 Ships in 10 - 15 working days

Written in Spanish, this book explores an understudied aspect of Hispanic culture: the relationship between dramatic texts and their cinematic adaptations. It examines the transposition of form and ideology in cinematic versions of twentieth-century Spanish plays by Carlos Arniches, Ramon del Valle Inclan, Federico Garcia Lorca, Victor Ruiz Iriarte, Antonio Buero Vallejo, Fernando Fernan Gomez, and Jose Sanchis Sinisterra.

The matters addressed include a historic overview of the relationship between cinema and theater in Spain, a comparative study of the principles governing these two media, the use of self-reflexivity and metatextual strategies, and the transposition of ideology during critical periods of modern Spanish history, as well as the construction of the female subject, the relationship between power structures and gender difference, and the representation of woman as a spectacle/commodity in selected film adaptations of Spanish plays.

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