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Long Book Description: Love Song for Dancing Strings (32542)
"Forget the flute case. Get your butt behind me and run We've got
to make it to the house, Gino." With that desperate plea, Sophia, a
young and talented puppeteer, chides and hastens her youthful
flautist-companion, Gino, to run for home and safety. They must
escape the German landmines about to destroy the heart of Florence.
It is August of 1944. The Germans are losing World War II, but
angry at Italy's surrender and negotiated alliance with the Allies,
their withdrawals from Italy become hot rakes of needless
destruction, aided by fervent neo-Fascists propped up by
Hitler-backed Mussolini. The withdrawing Wehrmacht destroys many
villages and towns, loots artworks and continues to conscript
workers, deport Jews and jail or murder defectors. The stage is set
for tensions at every level: between German and Allied military
forces; between partisans and liberals in Italy and Spain and
neo-Fascists across Europe; between Communist/Socialist parties and
conservative Roman Catholic support of Fascism in Italy and Spain;
between starving Italian women and children and occupying armies;
and between Jews who hide and struggle to survive and those who
support the Nazi final solution. On the August night the departing
German Wehrmacht activates its landmines and destroys many
magnificent renaissance buildings and Arno River bridges in
Florence, Sophia, a brilliant puppeteer whose family has for
generations operated a famous marionette theater, and her flautist,
Gino, a refugee youth she befriends, hide in her cellar. They
survive the night of terrifying explosions, although the mines
destroy much of the back wall of their house. Their home is damaged
and unsafe, and Sophia - who has used marionettes as cover when
acting as a courier for the partisans in a local cafe - must flee.
Gino, a young and strong adolescent must leave with her in order to
escape German labor camp conscriptions. The partial destruction of
the back wall of Sophia's house reveals a hidden storeroom they
think was once an old wine cellar. Searching for things to take
with them or trade on the black market, they force open an old
trunk and discover an ancient manuscript, some gold ducats, a few
not-too-valuable gemstones and a roll of drawings Sophia thinks are
backdrops for their stage. She reasons they were discarded with
unused, exotic porcelain marionette parts and old scripts. Sophia
and Gino realize they must survive alone and without family
support. Sophia's father is a conscripted worker, and her brothers
are soldiers in different armies: one in Italy, and an older
brother, Achille, who disappeared from his International Brigade
during the Spanish Civil War. Gino's parents died during bombing
raids, and Sophia has promised to care for and protect him. Rather
than hide and risk discovery or death, they decide to make their
way to Barcelona to find Sophia's older brother. Their
identification papers and ration cards are buried by debris, and
they escape with a few articles of clothing, several marionettes, a
folding traveling stage, and selected items from those discovered
in the newly revealed storeroom: a mysterious, ancient manuscript
they later learn is the memoir of a thirteenth century trading trip
through the middle east to South China made before Marco Polo by a
Jewish merchant from Ancona; gold ducats that prove basic to
survival; and the roll of renaissance drawings that later prove to
be valuable for the renovation of their lives. Much of the plot
turns on the odd fact that the thirteenth century merchant who
wrote the memoir-manuscript has the same family name as Sophia.
Moreover, its cover page bears the signature of Sophia's father
(among many others) and includes a written charge to care for the
manuscript and related objects. They cannot leave it behind. Who
was this merchant who bore the same family name? An ancestor? Or is
the document merely an old marionette play us
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We all work at home--even if we aren't telecommuters,
entrepreneurs or stay-at-home parents. Whether we're paying the
bills, helping children with homework, or operating a home-based
business, time at home often requires us to spend hours at home
workstations. Most of the time, we don't realize we're using our
equipment in unhealthy ways. Fortunately, you can reduce the wear
and tear on your body by learning about ergonomics. In this
guidebook, a longtime medical anthropologist shares tips and
strategies that enable you to develop habits to work efficiently
and comfortably; conserve your energy and work smarter; and use
your brain in order to save your body. By tweaking your environment
and the ways you use office equipment, you can change your life in
all sorts of ways. Taking steps to reduce aches and pains can
immediately improve your relationship with your significant other,
children, family, and friends. It's essential to be smart about how
you use sophisticated machines, especially the ones you use for
prolonged periods. Overcome minor and even severe physical problems
with Ergonomics for Home-Based Workers.
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