This book offers an important chronological perspective on the evolution of multilateralism within Europe and beyond. It provides a critical reconstruction of the history of the idea and praxis of peaceful global governance, comparative analysis of regional multilateral organizations and a discussion about concrete trends and perspectives of a new multilateralism against the challenging context of the current multipolar power politics. Focusing on the changing European interplay with multilateralism - from Eurocentric cradle of civilian cooperation among sovereign imperial states, to political dwarf after the two WW and decolonization, and to potential co-leader of a multi-layered and multi-actor cooperation within the current multipolar order, it addresses a theoretical ‘gap’ by fuelling the long-recognised idealism v. realism debate over international cooperation and institutionalisation with both historical and new empirical insights. This book will be of key interest to scholars and students of European studies, global governance, multilateralism, international organisations and more broadly to international relations.

What does it mean to read Greek tragedy in a pandemic, a global crisis? How can Greek tragedy address urgent contemporary troubles? One of the outstanding and most widely read theorists in the discipline, Mario Telò, brings together a deep understanding of Greek tragedy and its most famous icons with contemporary times. In close readings of plays such as Alcestis, Antigone, Bacchae, Hecuba, Oedipus the King, Prometheus Bound, and Trojan Women, our experience is precariously refracted back in the formal worlds of plays named after and, to an extent, epitomized by tragic characters. Structured around four thematic clusters – Air Time Faces, Communities, Ruins, and Insurrections – this book presents timely interventions in critical theory and in the debates that matter to us as disaster becomes routine in the time-out-of-joint of a (post-)pandemic world. Violently encompassing all pre-existing and future crises (relational, political and ecological), the pandemic coincides with the queer unhistoricism of tragedy, and its collapsing of present, past, and future readerships.

This book offers an important chronological perspective on the evolution of multilateralism within Europe and beyond. It provides a critical reconstruction of the history of the idea and praxis of peaceful global governance, comparative analysis of regional multilateral organizations and a discussion about concrete trends and perspectives of a new multilateralism against the challenging context of the current multipolar power politics. Focusing on the changing European interplay with multilateralism - from Eurocentric cradle of civilian cooperation among sovereign imperial states, to political dwarf after the two WW and decolonization, and to potential co-leader of a multi-layered and multi-actor cooperation within the current multipolar order, it addresses a theoretical ‘gap’ by fuelling the long-recognised idealism v. realism debate over international cooperation and institutionalisation with both historical and new empirical insights. This book will be of key interest to scholars and students of European studies, global governance, multilateralism, international organisations and more broadly to international relations.

What does it mean to read Greek tragedy in a pandemic, a global crisis? How can Greek tragedy address urgent contemporary troubles? One of the outstanding and most widely read theorists in the discipline, Mario Telò, brings together a deep understanding of Greek tragedy and its most famous icons with contemporary times. In close readings of plays such as Alcestis, Antigone, Bacchae, Hecuba, Oedipus the King, Prometheus Bound, and Trojan Women, our experience is precariously refracted back in the formal worlds of plays named after and, to an extent, epitomized by tragic characters. Structured around four thematic clusters – Air Time Faces, Communities, Ruins, and Insurrections – this book presents timely interventions in critical theory and in the debates that matter to us as disaster becomes routine in the time-out-of-joint of a (post-)pandemic world. Violently encompassing all pre-existing and future crises (relational, political and ecological), the pandemic coincides with the queer unhistoricism of tragedy, and its collapsing of present, past, and future readerships.

The term "radical formalism" refers to strategies aimed at defamiliarising and revitalising conventional modes of formalistic reading and theorising form. These strategies disrupt and unsettle established norms while incorporating a metadiscursive awareness of their broader political implications. This volume presents a radical reconceptualisation of literary works from Greek and Roman antiquity. Engaging in an ongoing dialogue with critical theory and postcritique, as well as drawing inspiration from traditions rooted in Black art, poetry and philosophy—both directly and indirectly connected to the classical tradition—the essays in this collection explore subversions of canonical norms and resistances to the hegemony of textual order. This collection not only provides new, provocative insights into a corpus of texts that has exerted a lasting impact on modern literature and philosophy, but also challenges current interpretive methods, recasting the very practice of reading in relation to form, poetics, language, sound, temporalities and textuality.