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In its assessment of the current "state of play" of ethnographic practice in social anthropology, this volume explores the challenges that changing social forms and changing understandings of "the field" pose to contemporary ethnographic methods. These challenges include the implications of the remarkable impact social anthropology is having on neighboring disciplines such as history, sociology, cultural studies, human geography and linguistics, as well as the potential 'costs' of this success for the discipline. Contributors also discuss how the ethnographic method is influenced by current institutional contexts and historical "traditions" across a range of settings. Here ethnography is featured less as a methodological "tool-box" or technique but rather as a subject on which to reflect. Marit Melhuus is Professor of social anthropology at the University of Oslo. Her earlier work has been on issues of gender, morality and change in Latin America, and her publications include "Machos, Mistresses, Madonnas. Contesting the Power of Latin American Gender Imagery" (co-edited with Kristi Anne Stolen, Verso, 1996). Her current research concerns biotechnology, kinship, and law, and she has published numerous articles on these questions. Recent publications include "Holding Worlds Together: Ethnographies of Truth and Belonging" (co-edited with Marianne Lien, Berghahn, 2007) and "La Norvege, vues de l'interieur, " a special issue of Ethnologie francaise (jointly edited with Sophie Chevalier and Marianne Lien, 2009). Jon P. Mitchell is Reader in anthropology at the University of Sussex. His main ethnographic research was conducted in Malta, covering themes of ritual and religion, politics and the state, history, memory and modernity, and popular culture. His publications include "Ambivalent Europeans: Ritual, Memory and the Public Sphere in Malta" (Routledge, 2002), "Powers of Good and Evil: Social Transformation and Popular Belief" (jointly edited with Paul Clough, Berghahn, 2002), "Modernity in the Mediterranean" (edited special issue of Journal of Mediterranean Studies, 2002), "Human Rights in Global Perspective" (jointly edited with Richard Ashby Wilson, Routledge, 2003). His current research focuses on the religious origins of secular charity. Helena Wulff is Professor of Social Anthropology at Stockholm University. Her research interests focus on expressive forms of culture in a transnational perspective, with a recent interest in writing and Irish literature as cultural process and form. Among her latest publications are "Dancing at the Crossroads: Memory and Mobility in Ireland" (2008, Berghahn), "The Emotions: A Cultural Reader" (editor, 2007, Berg), and "Ballet across Borders: Career and Culture in the World of Dancers" (Berg, 1998, reprinted 2001). She is also Editor of "Social Anthropology/Anthropologie Sociale, " the Journal of the European Association of Social Anthropologists."
Studies of globalization tend to foreground movements, mobilities or flows, while structures that remain stable and unchanged are often ignored. This volume foregrounds the latter. Discarding the term "globalization" for analytic purposes, this volume suggests that the significance of globalizing processes is best understood as an experiential, imaginary and epistemological dimension in people's lives. The authors explore how meaningful relations are made when the "socially local is not necessarily the geographically near" and how connections are made and unmade that reach beyond the specificity of time and place. Finally, this volume is about the ways knowledge and received wisdom are challenged and recast through processes of re-scaling, and how the understanding of locality and identity are transformed as a result.
In its assessment of the current "state of play" of ethnographic practice in social anthropology, this volume explores the challenges that changing social forms and changing understandings of "the field" pose to contemporary ethnographic methods. These challenges include the implications of the remarkable impact social anthropology is having on neighboring disciplines such as history, sociology, cultural studies, human geography and linguistics, as well as the potential 'costs' of this success for the discipline. Contributors also discuss how the ethnographic method is influenced by current institutional contexts and historical "traditions" across a range of settings. Here ethnography is featured less as a methodological "tool-box" or technique but rather as a subject on which to reflect.
The Biotechnology Act in Norway, one of the most restrictive in Europe, forbids egg donation and surrogacy and has rescinded the anonymity clause with respect to donor insemination. Thus, it limits people's choice as to how they can procreate within the boundaries of the nation state. The author pursues this significant datum ethnographically and addresses the issues surrounding contemporary biopolitics in Norway. This involves investigating such fundamental questions as the relation between individual and society, meanings of kinship and relatedness, the moral status of the embryo and the role of science, religion and ethics in state policies. Even though the book takes reproductive technologies as its focus, it reveals much about vital processes that are central to contemporary Norwegian society.
Challenging the stereotypical images of the dominating male and the
subservient woman, "Machos, Mistresses, Madonnas" addresses the
variety of representations of gender in Latin American culture.
Ranging across homosexuality, prostitution, football, politics and
ethnic relations, this fascinating study analyzes the many potent
images of gender, from Maradona, the child trickster of Argentinian
football, to La Malinche, mistress of a conquistador and traitor to
her nation.
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