An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries' shared border in both directions. For U.S. artists, Mexico's monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists Jose Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945. Published in association with the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (February 17-May 17, 2020) McNay Art Museum, San Antonio (June 25-October 4, 2020)

This beautifully illustrated catalogue showcases 126 Spanish and Portuguese artworks from the 17th and 18th centuries, all highlights from the dazzling collection of Roberta and Richard Huber. Featuring works in a variety of mediums and from far-flung places, including paintings, silver, and furniture from South America and sculptures in ivory from the Spanish Philippines and from Portuguese territories in India. Distinguished experts shed light on these significant objects, many of which have not been previously published and which illustrate the unparalleled artistic exchanges between and within these colonial empires. The Andean painters Melchor Perez Holguin (1660-1732) and Gaspar Miguel de Berrio (c. 1706-c. 1762) inventively interpreted European iconographies, while similar adaptations took place in Asia, where native craftsmen, carved Christian images in ivory. These works traveled along the trade routes connecting Europe to Asia and the Americas, thus influencing the development of a new visual culture. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art(02/16/13-05/19/13)