Yuri Andrukhovych is one of Ukraine's preeminent authors and cultural commentators. In recognition of his literary writings and his role as public intellectual he has received numerous awards including the Herder Prize, Hannah Arendt Prize, and the Goethe Medal. My Final Territory is a collection of Andrukhovych's philosophical, autobiographical, political, and literary essays, which demonstrate his enormous talent as an essayist to the English-speaking world. This volume broadens Andrukhovych's international audience and will create a dialogue with Anglophone readers throughout the world in a number of fields including philosophy, history, journalism, political science, sociology, and anthropology. In their introduction Michael Naydan and Mark Andryczyk reveal a somewhat lesser-known side of Andrukhovych's writings that place him alongside such writers as recent Belarusian Nobel Prize winner Svetlana Alexievich. Ten of the twelve essays in this volume, including his seminal work "Central-Eastern Revision," are appearing for the first time in English. My Final Territory showcases Yuri Andrukhovych's unique voice and provides insight into Ukrainian experience of nationality and identity.

The publication of The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology commemorates the tenth year of the Contemporary Ukrainian Literature Series. Co-sponsored by the Ukrainian Studies Program at the Harriman Institute, Columbia University and the Kennan Institute at the Woodrow Wilson International Center for Scholars, the Series has recurrently organized readings in the US for Ukraine's leading writers since 2008. The anthology presents translations of literary works by Series guests that imaginatively engage pivotal issues in today's Ukraine and express its tribulations and jubilations. Featuring poetry, fiction, and essays by fifteen Ukrainian writers, the anthology offers English-language readers a wide array of the most beguiling literature written in Ukraine in the past fifty years.

'The extraordinary writers in this volume articulate the taste, the terror, and the dialect of war; they command their powers of description to face a shameless empire intent on annihilating them' Ellena Savage A selection of Ukraine's leading writers convey the reality of life within Ukraine during the first year of the invasion On 24 February 2022, the lives of Ukrainians were devastatingly altered. Since that day, many of Ukraine's writers have attempted to fathom what is happening to them and to their country. This anthology brings together writing from inside Ukraine, by Ukrainians, available in English for the first time. Here they document everyday life, ponder the role of culture amid conflict, denounce Russian imperialism and revisit their relations with the world, especially Europe and its ideals, as they try to comprehend the horrors of war. From tearing-downs of Russia's use of culture as justification of the war to moving descriptions of nights spent sheltering in corridors, poignant snatched moments with a husband on his single night away from the army, to descriptions of the eerie weather in the months leading up to the invasion, as if nature was trying to warn Ukraine, these essays reveal the texture, rawness and reality of life in Ukraine under war as never before.

Yuri Andrukhovych is one of Ukraine’s preeminent authors and cultural commentators. In recognition of his literary writings and his role as a public intellectual he has received numerous awards including the Herder Prize, the Hannah Arendt Prize, and the Goethe Medal. My Final Territory is a collection of Andrukhovych’s philosophical, autobiographical, political, and literary essays, demonstrating his enormous talent as an essayist to the English-speaking world. This volume broadens Andrukhovych’s international audience and will create a dialogue with anglophone readers throughout the world in a number of fields including philosophy, history, journalism, political science, sociology, and anthropology. In their introduction, Mark Andryczyk and Michael M. Naydan reveal a somewhat lesser-known side of Andrukhovych’s writings that places him alongside such writers as recent Belarusian Nobel Prize winner Svetlana Alexievich. Eleven of the fourteen essays in this volume, including his seminal work "Central-Eastern Revision" and a brand-new essay on the Russo-Ukrainian War, appear here for the first time in English. My Final Territory showcases Yuri Andrukhovych’s unique voice and provides insight into the Ukrainian experience of nationality and identity.

A mondegreen is something that is heard improperly by someone who then clings to that misinterpretation as fact. Fittingly, Volodymyr Rafeyenko's novel Mondegreen: Songs about Death and Love explores the ways that memory and language construct our identity, and how we hold on to it no matter what. The novel tells the story of Haba Habinsky, a refugee from Ukraine's Donbas region, who has escaped to the capital city of Kyiv at the onset of the Ukrainian-Russian war. His physical dislocation-and his subsequent willful adoption of the Ukrainian language-place the protagonist in a state of disorientation during which he is forced to challenge his convictions. Written in beautiful, experimental style, the novel shows how people-and cities-are capable of radical transformation and how this, in turn, affects their interpersonal relations and cultural identification. Taking on crucial topics stirred by Russian aggression that began in 2014, the novel stands out for the innovative and probing manner in which it dissects them, while providing a fresh Donbas perspective on Ukrainian identity.

Earth Gods presents the early writings of Taras Prokhasko, one of Ukraine’s most prominent contemporary writers. Collected here for the first time in one book, these works span various genres yet form a single chronicle. Anna’s Other Days, Prokhasko’s first publication, testifies to the desire to free Ukrainian culture of overt influences of voices, styles, and genres that have dominated it for centuries. FM Galicia collects reflections delivered by the author at a Ukrainian radio show over a five-month period. Emphasizing the relevance of the oral genre as the origin of the text, Prokhasko has created a unique diary that strives to exist outside of literature and invites the reader to meditate on the human condition. The UnSimple—a novel whose action unfolds between the two world wars near Ialivets, in the Ukrainian Carpathian Mountains—documents the collapse of the grand narratives of the past, embodied here by the Carpathian earth gods who, despite their magical powers, are unable to save the patriarchal community they’ve been entrusted with from being overrun by the forces of modernization. A master of reflexive, finely nuanced prose, Prokhasko weaves together narrative strands testifying to the sophistication and integration of Ukrainian culture with the world.

A selection of fifteen of Ukraine's most important, dynamic and entertaining contemporary writers Under USSR rule, the subject matter and style of literary expression in Ukraine was strictly controlled and censored. But once Ukraine gained independence in 1991 its literary scene flourished, as the moving and delightful poems, essays and extracts collected here show. There are fifteen authors included in this book, both established and emerging, and in this anthology we see them grappling with history and the future, with big questions and small moments. From essays about Chernobyl to poetry about Robbie Williams, from fiction discussing Jimmy Hendrix live in Lviv to underground Ukrainian poetry of the Soviet era, WRITING FROM UKRAINE offers a unique window into a rich culture, a chance to experience a particularly Ukrainian sensibility and to celebrate Ukraine's nationhood, as told by its writers.

The publication of The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology commemorates the tenth year of the Contemporary Ukrainian Literature Series. Co-sponsored by the Ukrainian Studies Program at the Harriman Institute, Columbia University and the Kennan Institute at the Woodrow Wilson International Center for Scholars, the Series has recurrently organized readings in the US for Ukraine's leading writers since 2008. The anthology presents translations of literary works by Series guests that imaginatively engage pivotal issues in today's Ukraine and express its tribulations and jubilations. Featuring poetry, fiction, and essays by fifteen Ukrainian writers, the anthology offers English-language readers a wide array of the most beguiling literature written in Ukraine in the past fifty years.