'It is I think the most radical Book that has been written in these late centuries . . . and will give pleasure and displeasure, one may expect, to almost all classes of persons.' Carlyle Thomas Carlyle's history of the French Revolution opens with the death of Louis XV in 1774 and ends with Napoleon suppressing the insurrection of the 13th Vendemaire. Both in Its form and content, the work was intended as a revolt against history writing itself, with Carlyle exploding the eighteenth-century conventions of dignified gentlemanly discourse. Immersing himself in his French sources with unprecedented imaginative and intellectual engagement, he recreates the upheaval in a language that evokes the chaotic atmosphere of the events. In the French Revolution Carlyle achieves the most vivid historical reconstruction of the crisis of his, or any other, age. This new edition offers an authoritative text, a comprehensive record of Carlyle's French, English, and German sources, a select bibliography of editions, related writings, and critical studies, chronologies of both Thomas Carlyle and the French Revolution, and a new and full index. In addition, Carlyle's work is placed in the context of both British and European history and writing, and linked to a variety of major figures, including Edward Gibbon, Friedrich Nietzsche, George Eliot, John Stuart Mill, Hegel, and R. G. Collingwood.

This is the first time that Thomas Carlyle's remarkable The French Revolution: A History has been published in a comprehensive scholarly form. The edition features an abundance of new critical features, including a critical text that presents the edition much as it appeared in the first edition of 1837, but with a detailed record of the emendations that Carlyle made in subsequent versions during his lifetime. These volumes also contain a variety of scholarly aids-literary, textual, historical, and photographic-to render The French Revolution more approachable and readable to twenty-first century readers. The edition takes seriously Carlyle's claim to have produced a history of the Revolution that is rooted in his primary French sources. The extensive annotations vividly testify to his deep engagement in a wide array of histories, pamphlets, memoirs, and biographies. The notes not only demonstrate his complex method of history, but they also shed fresh light on his artistry and his rich use of language. For the first time, readers will be provided with numerous samples of engravings that Carlyle used from Chamfort's Tableaux historiques and other sources to visualize the 'Flame Drama,' as it was conceived by revolutionary artists and printers. The appendices will also include an annotated version of Carlyle's essay, 'On the Sinking of the Vengeur' (1839), in which he offers a detailed response to controversy surrounding the events that occurred during the naval battle between France and Britain on 'the Glorious First of June,' 1794; an image and transcription of an unpublished MS holograph excerpt from The French Revolution located in the Harry Ransom Center, Texas; and a copy of a corrected proof of 'The Feast of Pikes' held in the Forster Collection of the National Art Library, Victoria and Albert Museum.

"Sartor Resartus" is Thomas Carlyle's most enduring and influential work. First published in serial form in "Fraser's Magazine" in 1833-1834, it was discovered by the American Transcendentalists. Sponsored by Ralph Waldo Emerson, it was first printed as a book in Boston in 1836 and immediately became the inspiration for the Transcendental movement. The first London trade edition was published in 1838. By the 1840s, largely on the strength of "Sartor Resartus," Carlyle became one of the leading literary figures in Britain.
"Sartor Resartus" became one of the important texts of nineteenth-century English literature, central to the Romantic movement and Victorian culture. At the time of Carlyle's death in 1881, more than 69,000 copies had been sold. The post-Victorian influence continued and extends to writers as diverse as Virginia Woolf and James Joyce, Willa Cather and Ernest Hemingway.
This edition of "Sartor Resartus" is the first publication of the work that uses all extant versions to create an accurate authorial text. This volume, the second in an eight-volume series, includes a complete textual apparatus as well as a historical introduction and full critical and explanatory annotation.

In his 1840 lectures on heroes, Thomas Carlyle, Victorian essayist and social critic, championed the importance of the individual in history. Published the following year and eventually translated into fifteen languages, this imaginative work of history, comparative religion, and literature is the most influential statement of a man who came to be thought of as a secular prophet and the 'undoubted head of English letters' (Emerson). His vivid portraits of Muhammad, Dante, Luther, Napoleon - just a few of the individuals Carlyle celebrated for changing the course of world history - made "On Heroes" a challenge to the anonymous social forces threatening to control life during the Industrial Revolution. In eight volumes, "The Strouse Edition" will provide the texts of Carlyle's major works edited for the first time to contemporary scholarly standards. For the general reader, its detailed introductions and annotations will offer insight into the author's thought and a reconstruction of the diverse and often arcane Carlylean sources.