In 2004 the one-hundredth anniversary of Theodor Herzl's death was commemorated throughout the world. The myth of Herzl, as it has developed over the last century, has perhaps become more important than the historical figure. This volume contains revised and expanded essays, which were originally delivered as lectures at international Herzl centennial conferences in Antwerp, London, and Jerusalem. Topics treated include the Herzl myth, Herzl's nationalism and Zionism, his self-understanding and image, his authorship of comedies and philosophical tales, Herzl and Africa, as well as his reception in Israeli and other literature. Zweig films are also considered within this same context.

This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries. The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference - initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers' authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.

This volume is comprised of 14 contributions, which are revised and expanded versions of lectures held at an international conference on Stefan Zweig that took place in Israel in 2004. The essays focus on Zweig's biographical writings (for example Erasmus and Fouche), as well as on several aspects of his literary works that have been neglected since the revival of academic studies of his writings and career commenced some 25 years ago. These include: Zweig's conception of the daemonic, Zweig and Christianity, the discourse of love in his writings, Zweig as an Austrian eulogist, his understanding of theater, etc. Contributors from Austria, Germany, France, Belgium, Slovenia, and Israel bring refreshingly diverse perspectives and new concerns to this scholarly project. With contributions from Vera Apfelthaler, Matjaz Birk, Denis Charbit, Sarah Fraiman-Morris, Mark H. Gelber, Jacob Golomb, Bernhard Greiner, Gert Kerschbaumer, Hanni Mittelmann, Klaus Mueller, Michel Reffet, Ingrid Spoerk, Robert Wistrich.

Ruth Kluger (1931 - 2020) passed away on October 5, 2020 in the U.S. Born in Vienna and deported to Theresienstadt, she survived Auschwitz and the Shoah together with her mother. After living in Germany for a short time after the War, she immigrated to New York. She was educated in the U.S. and received degrees in English literature as well as her Ph.D. in German literature at the University of California, Berkeley. She taught at several American universities. She has numerous scholarly publications to her credit, mostly in the fields of German and Austrian literary history. She is also recognized as a poet in her own right, an essayist, and a feminist critic. She returned to Europe, where she was a guest professor in Goettingen and Vienna. Her memoir, entitled weiter leben (1992), which she translated and revised in an English parallel-text as Still Alive, was a major bestseller and highly regarded autobiographical account of a Holocaust survivor. It was subsequently translated into more than a dozen languages. It has also generated a vigorous critical discussion in its own right. Ruth Kluger received numerous prestigious literary prizes and other distinctions. The present volume, The Legacy of Ruth Kluger and the End of the Auschwitz Century, aims to honor her memory by assessing critically her writings and career. Taking her biography and writings as points of departure, the volume includes contributions in fields and from perspectives which her writings helped to bring into focus acutely. In the table of contents are listed the following contributions: Sander L. Gilman, "Poetry and Naming in Ruth Kluger's Works and Life"; Heinrich Detering, "'Spannung': Remarks on a Stylistic Principle in Ruth Kluger's Writing"; Stephan Braese, "Speaking with Germans. Ruth Kluger and the 'Restitution of Speech between Germans and Jews'"; Irene Heidelberger-Leonard, "Writing Auschwitz: Jean Amery, Imre Kertesz, and Ruth Kluger"; Ulrike Offenberg, "Ruth Kluger and the Jewish Tradition on Women Saying Kaddish; Mark H. Gelber, "Ruth Kluger, Judaism, and Zionism: An American Perspective"; Monica Tempian, "Children's Voices in the Poetry of the Shoah"; Daniel Reynolds, "Ruth Kluger and the Problem of Holocaust Tourism"; Vera Schwarcz, "A China Angle on Memory and Ghosts in the Poetry of Ruth Kluger."

This study attempts to analyze the multi-faceted and complicated relationship between the Central European, Germanic-Austrian cultural milieu and the Jewish national literature and culture which evolved within it at the turn of the last century. Issues regarding the construction and differentiation of a modern Jewish national identity and culture as an aspect of Cultural Zionism are central to this project, as are the problematical literary and cultural partnerships forged in an age of rising racialist thought, growing feminist consciousness, and increasing secularism.

This volume deals with the significance of the avant-garde(s) for modern Jewish culture and the impact of the Jewish tradition on the artistic production of the avant-garde, be they reinterpretations of literary, artistic, philosophical or theological texts/traditions, or novel theoretical openings linked to elements from Judaism or Jewish culture, thought, or history.

This volume contains the lectures, many substantially expanded and revised, which were delivered at an international conference held at Ben-Gurion University in Beersheva in 1990. By utilizing the methodological guidelines and insights of reception aesthetics, a range of Jewish readings of Heine's works and his complex literary personality are analyzed. Considerations of his impact on major figures, like Sigmund Freud, Karl Marx, Theodor Herzl, Max Nordau, Karl Kraus, Else Lasker-Schuler, Lion Feuchtwanger, and Max Brod comprise the major part of the book. In addition, there are readings of Heine by minor or neglected Jewish writers and poets, including, for example, Aron Bernstein and Fritz Heymann, and by Jewish writers in Hebrew and Yiddish literature, as well as by Jewish readers within other national readerships, for example, the American and Croatian. In the process of this analysis, the notion of Jewish reception itself is naturally subjected to critical scrutiny.

This volume deals with the significance of the avant-garde(s) for modern Jewish culture and the impact of the Jewish tradition on the artistic production of the avant-garde, be they reinterpretations of literary, artistic, philosophical or theological texts/traditions, or novel theoretical openings linked to elements from Judaism or Jewish culture, thought, or history.

New essays providing an up-to-date picture of the engagement of artists, philosophers, and critics with Kafka's work. The topic of "Kafka after Kafka" is a fascinating one: the engagement of artists, philosophers, and critics in dialogical exchange with Kafka's works. The present collection of new essays highlights the engagement of lesser knownartists and commentators with Kafka, and represents those who are well known, such as Arendt, Blanchot, Nabokov, and Coetzee, from new perspectives. The eleven essays contained here represent the most recent scholarly engagements with this topic. An essay on major trends in current Kafka criticism provides background for several essays on novelists, philosophers, and critics whose relationship to Kafka is not very well known. A section devoted to Kafka from an Israeli perspective includes artists not commonly known in the US or Europe (Ya'acov Shteinberg, Hezi Leskly, Sayed Kashua), as well as an essay on the recent trial in Israel regarding the fate of Kafka's literary legacy. A final section addresses important contemporary approaches to Kafka in film studies, animal studies, the graphic novel, and in postmodern culture and counterculture. Contributors: Iris Bruce, Stanley Corngold, AmirEngel, Mark H. Gelber, Sander L. Gilman, Caroline Jessen, Tali Latowicki, Michael G. Levine, Ido Lewit, Vivian Liska, Alana Sobelman. Iris Bruce is Associate Professor of German at McMaster University. Mark H. Gelber is Senior Professor and Director of the Center for Austrian and German Studies at Ben-Gurion University.

This collection of new studies on Jewish authors from Austria (among them Franzos, Beer-Hofmann, Schnitzler, Broch, Roth, Kisch, Brod, Canetti, Celan, AuslAnder) is dedicated to the Tel-Aviv literary historian Margarita Pazi. Common to the articles is the endeavour to offset a certain tendency towards de-historicization in the assessment of their works, given that all these writers bear the imprint, to a greater or lesser degree, of Austria under the Habsburgs, with its broad variety of literary landscapes. The effects of this specific constellation continued to make themselves felt up to the Second World War and beyond, as is reflected in the works of many of the authors dealt with here.

A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature. The twenty-first century has seen a renewed surge of cultural and critical interest in the works of the Austrian-Jewish author Stefan Zweig (1881-1942), who was among the most-read and -acclaimed authors worldwide in the 1920s and1930s but after 1945 fell into critical disfavor and relative obscurity. The resurgence in interest in Zweig and his works is attested to by, among other things, new English translations and editions of his works; a Brazilian motion picture and a best-selling French novel about his final days; and a renewed debate surrounding the literary quality of his work in the London Review of Books. This global return to Zweig calls for a critical reassessment of his legacy and works, which the current collection of essays provides by approaching them from a global perspective as opposed to the narrow European focus through which they have been traditionally approached. Together, theintroduction and twelve essays engage the totality of Zweig's published and unpublished works from his drama and his fiction to his letters and his biographies, and from his literary and art criticism to his autobiography. Contributors: Richard V. Benson, Jeffrey B. Berlin, Darien J. Davis, Marlen Eckl, Mark H. Gelber, Robert Kelz, Klemens Renoldner, Birger Vanwesenbeeck, John Warren, Klaus Weissenberger, Robert Weldon Whalen, Geoffrey Winthrop-Young. Birger Vanwesenbeeck is Associate Professor of English at the State University of New York at Fredonia. Mark H. Gelber is Senior Professor of Comparative Literature and German-Jewish Studies at Ben-Gurion University of the Negev, Israel.

This collected volume is dedicated to Prof Hans Otto Horch on the occasion of his 65th birthday. Prof. Horch has done much to enrich the academic processing of the history of German-Jewish literature and culture. The wide range of his interests is reflected in these papers by internationally-renowned Germanists, historians and cultural researchers, who are concerned with Jewish identity against the background of Jewish-Christian relations in the German-speaking world from the Early Modern Age up to the present day.

A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature. The twenty-first century has seen a renewed surge of cultural and critical interest in the works of the Austrian-Jewish author Stefan Zweig (1881-1942), who was among the most-read and -acclaimed authors worldwide in the 1920s and1930s but after 1945 fell into critical disfavor and relative obscurity. The resurgence in interest in Zweig and his works is attested to by, among other things, new English translations and editions of his works; a Brazilian motion picture and a best-selling French novel about his final days; and a renewed debate surrounding the literary quality of his work in the London Review of Books. This global return to Zweig calls for a critical reassessment of his legacy and works, which the current collection of essays provides by approaching them from a global perspective as opposed to the narrow European focus through which they have been traditionally approached. Together, theintroduction and twelve essays engage the totality of Zweig's published and unpublished works from his drama and his fiction to his letters and his biographies, and from his literary and art criticism to his autobiography. Contributors: Richard V. Benson, Jeffrey B. Berlin, Darien J. Davis, Marlen Eckl, Mark H. Gelber, Robert Kelz, Klemens Renoldner, Birger Vanwesenbeeck, John Warren, Klaus Weissenberger, Robert Weldon Whalen, Geoffrey Winthrop-Young. Birger Vanwesenbeeck is Associate Professor of English at the State University of New York at Fredonia. Mark H. Gelber is Senior Professor of Comparative Literature and German-Jewish Studies at Ben-Gurion University of the Negev, Israel.

This volume, edited in honour of Professor Jeffrey L. Sammons of Yale University on the occasion of his retirement, presents a series of incisive essays on German-Jewish literary and cultural history from the Enlightenment until the rise of Nazism. Key Jewish figures, including Heinrich Heine, Ludwig BArne, Rahel Varnhagen, Berthold Auerbach, Arthur Schnitzler, Franz Kafka, and Jacob Wassermann, are considered in excitingly new scholarly frameworks. Also German writers and personalities, like G. E. Lessing, Goethe, Grillparzer, Jean Paul, Julius Langbehn, Houston Stewart Chamberlain and many more, are included in diverse discussions of German-Jewish literary and cultural history of this period.

Text in English & German. This volume contains the presentations given at the International Stefan Zweig Congress, held in Salzburg in February 1992. The essays are organised in five separate groups, each centring on a topic of concern to Zweig scholarship: war and peace, writing in exile, Jewishness and exile, the biographical writings from exile, and the stations of exile. An appendix contains additional congress-related informational material. Three of the essays are in English, the remainder in German.