This edition provides the first complete, modern version of John Norden's The Surveyor's Dialogue. Norden's text, a series of dialogues between a fictional surveyor and several interlocutors"including a tenant farmer, an aristocrat landowner, a manorial officer, and a socially mobile land buyer"is remarkable for its unique commentary on the agrarian roots of English capitalism. In his extensive introduction, Mark Netzloff situates the text in relation to a number of early modern contexts. He discusses the use of dialogue and other literary forms in proto-scientific writing and the role of print in the increasing professionalism of early surveyors. Netzloff also examines the impact of capital formation on agrarian and manorial class relations, discussing topics such as popular protest and revolt, cottagers and the rural poor, regionalism and urbanization, and the transformation of the natural environment through deforestation, enclosure, and the appropriation of commons. Alongside a thorough annotation of technical and historical terms, the edition provides a list of textual variants among early modern versions of the text. This critical edition of The Surveyor's Dialogue constitutes an important contribution to early modern scholarship, and it will be invaluable to scholars from a range of fields, including the history of science, economic and agrarian history, and literary and cultural studies.

Early Modern Drama in Performance is a collection of essays in honor of Lois Potter, the distinguished author of five monographs, including most recently The Life of William Shakespeare (2012), and numerous articles, edited collections, and editions. This collection's emphasis on Shakespearean and early modern drama reflects the area for which Potter is most widely known, as a performance critic, editor, and literary scholar. The essays by a diverse group of scholars who have been influenced by Potter address recurring themes in her work: Shakespeare and non-Shakespearean early modern drama, performance history and theatre practice, theatrical performance across cultures, play reviewing, and playreading. What unifies them most, though, is that they carry on the spirit of Potter's work: her ability to meet a text, a performance, or a historical period on its own terms, to give scrupulous attention to specific details and elegantly show how these details generate larger meaning, and to recover and preserve the fleeting and the ephemeral.

The early modern period is often seen as a pivotal stage in the emergence of a recognizably modern form of the state. Agents beyond the State returns to this context in order to examine the literary and social practices through which the early modern state was constituted. The state was defined not through the elaboration of theoretical models of sovereignty but rather as an effect of the literary and professional lives of its extraterritorial representatives. Netzloff focuses on the textual networks and literary production of three groups of extraterritorial agents: travelers and intelligence agents, mercenaries, and diplomats. These figures reveal the extent to which the administration of the English state as well as definitions of national culture were shaped by England's military, commercial, and diplomatic relations in Europe and other regions across the globe. Netzloff emphasizes the transnational contexts of early modern state formation, from the Dutch Revolt and relations with Venice to the role of Catholic exiles and nonstate agents in diplomacy and international law. These global histories of travel, service, and labor additionally transformed definitions of domestic culture, from the social relations of classes and regions to the private sphere of households and families. Literary writing and state service were interconnected in the careers of Fynes Moryson, George Gascoigne, and Sir Henry Wotton, among others. As they entered the realm of print and addressed a reading public, they introduced the practices of governance to an emerging public sphere.