The major adaptation of Hilary Mantel's Booker Prize-winning novels Wolf Hall and Bring Up The Bodies starring Damian Lewis and Mark Rylance

Wolf Hall presents an intimate portrait of Thomas Cromwell, the brilliant consigliere to King Henry VIII, as he manoeuvres the corridors of power at the Tudor court. Directed by BAFTA award-Wwinner Peter Kosminsky, this powerful series follows the complex machinations and back room dealings of Cromwell - a pragmatic and accomplished power broker, from humble beginnings and with an enigmatic past.

Cromwell serves king and country while navigating deadly political intrigue, the King's tempestuous relationship with Anne Boleyn and the religious upheavals of the Protestant reformation.

Ten episodes from the children's animated show following three-year-old bunny Bing (voice of Elliot Kerley) and his friends as they experience everyday life. Among his companions are his sidekick Flop (Mark Rylance), his friends Sula and Pando (Eve Bentley and Shai Portnoy) and his cousins Coco and Charlie (Jocelyn MacNab and Poppy Hendley). The episodes are: 'Paddling Pool', 'Dressing Up', 'Something for Sula', 'Knack', 'Hearts', 'Giving', 'Hula Hoop', 'Big Boots', 'Bubbles' and 'Blankie'.

On a frozen Minnesota lake, the ice is beginning to creak and groan. It's the end of the fishing season, and two old friends are out on the ice, angling for something big; something down there that is pure need. Something that might just swallow them whole. In Nice Fish, celebrated actor Mark Rylance draws on his own teenage years in the American Midwest in a unique collaboration with critically-acclaimed Minnesotan contemporary prose poet Louis Jenkins.

Francis Bacon's Contribution to Shakespeare advocates a paradigm shift away from a single-author theory of the Shakespeare work towards a many-hands theory. Here, the middle ground is adopted between competing so-called Stratfordian and alternative single-author conspiracy theories. In the process, arguments are advanced as to why Shakespeare's First Folio (1623) presents as an unreliable document for attribution, and why contemporary opinion characterised Shakspere [his baptised name] as an opportunist businessman who acquired the work of others. Current methods of authorship attribution are critiqued, and an entirely new Rare Collocation Profiling (RCP) method is introduced which, unlike current stylometric methods, is capable of detecting multiple contributors to a text. Using the Early English Books Online database, rare phrases and collocations in a target text are identified together with the authors who used them. This allows a DNA-type profile to be constructed for the possible contributors to a text that also takes into account direction of influence. The method brings powerful new evidence to bear on crucial questions such as the author of the Groats-worth of Witte (1592) letter, the identifiable hands in 3 Henry VI, the extent of Francis Bacon's contribution to Twelfth Night and The Tempest, and the scheduling of Love's Labour's Lost at the 1594-5 Gray's Inn Christmas revels for which Bacon wrote entertainments. The treatise also provides detailed analyses of the nature of the complaint against Shakspere in the Groats-worth letter, the identity of the players who performed The Comedy of Errors at Gray's Inn in 1594, and the reasons why Shakspere could not have had access to Virginia colony information that appears in The Tempest. With a Foreword by Sir Mark Rylance, this meticulously researched and penetrating study is a thought-provoking read for the inquisitive student in Shakespeare Studies.

Francis Bacon's Contribution to Shakespeare advocates a paradigm shift away from a single-author theory of the Shakespeare work towards a many-hands theory. Here, the middle ground is adopted between competing so-called Stratfordian and alternative single-author conspiracy theories. In the process, arguments are advanced as to why Shakespeare's First Folio (1623) presents as an unreliable document for attribution, and why contemporary opinion characterised Shakspere [his baptised name] as an opportunist businessman who acquired the work of others. Current methods of authorship attribution are critiqued, and an entirely new Rare Collocation Profiling (RCP) method is introduced which, unlike current stylometric methods, is capable of detecting multiple contributors to a text. Using the Early English Books Online database, rare phrases and collocations in a target text are identified together with the authors who used them. This allows a DNA-type profile to be constructed for the possible contributors to a text that also takes into account direction of influence. The method brings powerful new evidence to bear on crucial questions such as the author of the Groats-worth of Witte (1592) letter, the identifiable hands in 3 Henry VI, the extent of Francis Bacon's contribution to Twelfth Night and The Tempest, and the scheduling of Love's Labour's Lost at the 1594-5 Gray's Inn Christmas revels for which Bacon wrote entertainments. The treatise also provides detailed analyses of the nature of the complaint against Shakspere in the Groats-worth letter, the identity of the players who performed The Comedy of Errors at Gray's Inn in 1594, and the reasons why Shakspere could not have had access to Virginia colony information that appears in The Tempest. With a Foreword by Sir Mark Rylance, this meticulously researched and penetrating study is a thought-provoking read for the inquisitive student in Shakespeare Studies.

Eight episodes from the children's animated show following three-year-old bunny Bing (voice of Elliot Kerley) and his friends as they experience everyday life. Among his companions are his sidekick Flop (Mark Rylance), his friends Sula and Pando (Eve Bentley and Shai Portnoy) and his cousins Coco and Charlie (Jocelyn Macnab and Poppy Hendley). The episodes are: 'Show', 'Not Yours', 'Mine', 'Lunch', 'Woof!', 'Eggy Head', 'Toy Party' and 'Mobile Phone'.

The major adaptation of Hilary Mantel's Booker Prize-winning novels Wolf Hall and Bring Up The Bodies starring Damian Lewis and Mark Rylance

Wolf Hall presents an intimate portrait of Thomas Cromwell, the brilliant consigliere to King Henry VIII, as he manoeuvres the corridors of power at the Tudor court. Directed by BAFTA award-Wwinner Peter Kosminsky, this powerful series follows the complex machinations and back room dealings of Cromwell - a pragmatic and accomplished power broker, from humble beginnings and with an enigmatic past.

Cromwell serves king and country while navigating deadly political intrigue, the King's tempestuous relationship with Anne Boleyn and the religious upheavals of the Protestant reformation.

A fascinating, witty and characteristically exuberant dramatic exploration of the Shakespeare authorship debate. Is it possible that the son of an illiterate tradesman, from a small market town in Warwickshire, could have written the greatest dramatic works the world has ever seen? It's a question that has puzzled scholars, theatre practitioners and theatregoers for many years. The philosopher, Francis Bacon; the Earl of Oxford, Edward de Vere; and Mary Sidney, Countess of Pembroke: all of them have been put forward as the real author of the plays. But why would they hide behind an anonymous actor? Who was the real Bard of Stratford? Why should we care? Mark Rylance is one of a number of leading actors who seriously question the idea that William Shakespeare was the man behind the thirty-seven plays that have moved, inspired and amazed generations. First performed at the Minerva Theatre, Chichester, in 2007, and subsequently on tour, Rylance's provocative play introduces us to four candidates and their respective claims - whilst asking fundamental questions about what makes a genius, and why it all matters anyway.

Live performance of Shakespeare's comedy, recorded at the reconstucted Globe Theatre. The play follows the story of the shipwrecked Viola (Johnny Flynn) who disguises herself as a man named Cesario to work for the charming Duke Orsino (Liam Brennan). She soon falls for the Duke but he is in love with Countess Olivia (Mark Rylance), who in turn develops feelings for Cesario. The situation is further complicated when Viola's twin brother Sebastian (Samuel Barnett) shows up. The all-male production also stars Stephen Fry as Olivia's arrogant steward Malvolio.

Francesco da Mosto presents this two-part documentary about William Shakespeare and his use of Italy as a backdrop for many of his works. With input from actors, including Emma Thompson, Ciarán Hinds and Mark Rylance, Francesco visits locations such as Venice, Rome and Stromboli as he considers the plays, 'Romeo and Juliet', 'The Merchant of Venice', 'Julius Caesar' and 'The Tempest', among others.

The first full-length live action feature from the Brothers Quay, usually famed for their surreal animated shorts. A young, modest man (Mark Rylance) enrols in the strange, dilapidated Institute Benjamenta, a boarding school for the training of servants. He becomes fascinated by the secret world of the owners of the institute and becomes obsessed with Lisa Benjamenta (Alice Krige). But then, slowly, the school starts to disintegrate.

Tom Hanks stars in this historical drama, set during the Cold War, directed by Steven Spielberg. When Rudolf Abel (Mark Rylance) sits down on a park bench in Brooklyn, New York, a secret message left for him causes the FBI to arrest him under suspicion of being a Soviet spy. When insurance lawyer James B. Donovan (Hanks) is assigned to Abel's defence, he finds his new challenge increasingly difficult as the defendent refuses to co-operate. The cast also includes Amy Ryan, Alan Alda and Domenick Lombardozzi.

Collection of episodes from the children's animated show following three-year-old bunny Bing (voice of Elliot Kerley) and his friends as they experience everyday life. Among his companions are his sidekick Flop (Mark Rylance), his friends Sula and Pando (Eve Bentley and Shai Portnoy) and his cousins Coco and Charlie (Jocelyn MacNab and Poppy Hendley).

Blackport-on-Dwindle - 'all granite, fog and female fiction' - has been the Gedges' dull hometown for some years. They leap, therefore, at the invitation to become the live-in guardians of the birthplace of the nation's literary hero. Anticipating romance and inspiration - all that has been lacking in their lives to date - they find, instead, that the house casts an altogether more sinister spell. In The Birthplace, James displays his eye for character and a wry appreciation of pretension and the absurd. As is famously recorded, James doubted Shakespeare's authorship of the plays ascribed to him and The Birthplace illustrates his cynical attitude towards the cult of the Bard and the visitor industry that it had engendered. The Birthplace is published here alongside The Private Life, another little-known work in which James again considers the relevance of the artist's persona - a theme with continued relevance in literature and the arts.