"Contemporary Literary and Cultural Theory: The Johns Hopkins Guide" is a clear, accessible, and detailed overview of the most important thinkers and topics in the field. Written by specialists from across disciplines, its entries cover contemporary theory from Adorno to Žižek, providing an informative and reliable introduction to a vast, challenging area of inquiry. Materials include newly commissioned articles along with essays drawn from "The Johns Hopkins Guide to Literary Theory and Criticism," known as the definitive resource for students and scholars of literary theory and for philosophical reflection on literature and culture.

"The Johns Hopkins Guide to Literary Theory and Criticism" has become the indispensable resource for scholars and students of literary theory and discourse. The long-awaited second edition includes 48 new entries and subentries and has been revised throughout, taking account of ten years of rapidly changing scholarship.

While concentrating on the explosion of contemporary critical and theoretical works, the "Guide" presents a comprehensive historical survey of ideas and individuals ranging from Plato and Aristotle to twentieth-century scholars. It includes more than 240 alphabetically arranged entries on critics and theorists, critical schools and movements, and the critical and theoretical innovations of specific countries and historical periods. It also examines developments in other disciplines which have shaped literary theory and criticism. An international, encyclopedic guide to the field's most important figures, schools, and movements, the new edition reflects the state of literary theory and criticism.

Martin Kreiswirth challenges the accepted notion that "The Sound and the Fury," Faulkner's fourth and possibly finest novel, represented an unprecedented turning point in the writer's literary career, a quantum leap in his imaginative development. He argues that Faulkner's earlier work, both published and unpublished, not only distinctly prefigured techniques, narrative strategies, and creative procedures used in the writing of his fourth novel, but also provided him with materials and methods to which he could return.

Viewed in the context of his literary development, the author says, the writing of "The Sound and the Fury" constituted for Faulkner not so much a mysterious leap as a moment of initiation; it marks that crucial point in his career at which he revisited his past, saw it anew, and reworked it into his future.

Focusing his attention on the works that preceded "The Sound and the Fury"--and specifically on the strategies and conventions that informed those works--Kreiswirth reassesses Faulkner's imaginative growth and offers new insights into the place and significance of "The Sound and the Fury" itself.

He provides detailed analyses of such works as the New Orleans short fiction, the abandoned novel "Elmer," "Mosquitoes," "Flags in the Dust," and particularly Faulkner's neglected first novel, "Soldier's Pay." These texts are reexamined not only as anticipations of later developments but as literary achievements in their own right.