Six months after Arthur's attempt to purchase back his ancestral acres, a man came to him with a proposal for him to furnish on contract a large quantity of coal for the railroad. Arthur jumped at the chance. The contract was drawn up by a lawyer in the nearest town and signed. Arthur, trusting blindly to the honesty and good-will of everybody, had hurried for his train without seeing more than that the stipulated rates had been properly mentioned in the contract. His wife was ill; in fact, their daughter was only a few days old, and he was anxious and eager to be home. There had been no strikes at that period in that vicinity, and indeed comparatively few in the whole country. Arthur would almost as soon have thought of guarding in his contract against an earthquake; but the strike clause was left out, and there was a strike. In consequence he was unable to fill the contract without ruin, and he was therefore ruined. In the end the old friend of his father, who had purchased his patrimony, remained in undisputed possession of it, with an additional value of several thousands from the passage of the railroad through one end of the plantation, and had, besides, the mine. party who represented this man. He had been left actually penniless with a wife and two babies to support, but as his pocket became empty his very soul had seemed to become full to overflowing with the rage and bitterness of his worldly experience.

"The Wind in the Rose-Bush and Other Stories of the Supernatural" includes six of Mary E. Wilkins Freeman's classic horror stories: "The Wind in the Rose-bush," "The Shadows on the Wall," "Luella Miller," "The Southwest Chamber," "The Vacant Lot," and "The Lost Ghost."

Freeman was born in Randolph, Massachusetts and at fifteen moved with her family to Brattleboro, Vermont. In 1884, left without any immediate family, she returned to Randolph, where she lived for almost twenty years with her childhood friend Mary Wales. She began to write seriously in the 1970s, & in the early 1880s her work began to appear in such popular magazines as Harper's Bazar and Harper's Monthly Magazine. At forty-nine Mary E. Wilkins married Charles Manning Freeman, a New Jersey physician, and moved to Metuchen. Thereafter she wrote under the name Mary E. Wilkins Freeman. In April 1926, she received the William Dean Howells Medal for Fiction from the American Academy of Arts and Letters; later that year she was among the 1st women to be elected to membership in the Natl. Inst. of Art and Letters.

"The Wind in the Rose-Bush and Other Stories of the Supernatural" includes six of Mary E. Wilkins Freeman's classic horror stories: "The Wind in the Rose-bush," "The Shadows on the Wall," "Luella Miller," "The Southwest Chamber," "The Vacant Lot," and "The Lost Ghost."

Freeman was born in Randolph, Massachusetts and at fifteen moved with her family to Brattleboro, Vermont. In 1884, left without any immediate family, she returned to Randolph, where she lived for almost twenty years with her childhood friend Mary Wales. She began to write seriously in the 1970s, and in the early 1880s her work began to appear in such popular magazines as Harper's Bazaar and Harper's Monthly Magazine. At forty-nine Mary E. Wilkins married Charles Manning Freeman, a New Jersey physician, and moved to Metuchen. Thereafter she wrote under the name Mary E. Wilkins Freeman. In April 1926, she received the William Dean Howells Medal for Fiction from the American Academy of Arts and Letters; later that year she was among the first women to be elected to membership in the National Institute of Art & Letters.

When that music ceased he did not wait any longer nor enter the house, but stole away silently. This time he travelled the main road, which intersected the old one at the Hautville house. The village lights shone before him all the way. He was half-way to the village when he met his cousin, Lot Gordon. He knew he was coming through the pale darkness of the night some time before he was actually in sight by his cough. Lot Gordon had had for years a sharp cough which afflicted him particularly when he walked abroad in night air. It carried as far as the yelp of a dog; when Burr first heard it he stopped short, and looked irresolutely at the thicket beside the road. He had a half-impulse to slink in there among the snowy bushes and hide until his cousin passed by. Then he shook his head angrily and kept on.

This fine collection includes sixteen of Mary E. Wilkins Freeman's classic stories: "The Pot of Gold," "The Cow with the Golden Horns," "The Christmas Monks," "The Silver Hen," and many more.

This great short story collection includes twelve of Mary E. Wilkins Freeman's best stories: "The Copy-Cat," "The Cock of the Walk," "Johnny-In-The-Woods," "Daniel and Little Dan'l," "Big Sister Solly," "Little Lucy Rose," "Noblesse," "Coronation," "The Amethyst Comb," "The Umbrella Man," "The Balking of Christopher," and "Dear Annie."

Originally published in 1936, here is a charming novel of a rural doctor's life, trials, and tribulations. Barter, conniving horse traders, and more face "Doc." Gordon on his rural rounds!

MARY E. WILKINS FREEMAN (1852-1930) was born in Randolph, Massachusetts and died in Metuchen, New Jersey. Among her published regional short fiction and novels are A Humble Romance and Other Stories, A New England Nun and Other Stories, Jane Field, and The Portion of Labor. In 1926 she received the William Dean Howells Medal of the American Academy of Arts and Letters for distinction in fiction. That same year, she and Edith Wharton were among the first women to be elected to membership in the National Institute of Arts and Letters.

The disquieting tales of Mary E. Wilkins Freeman explore a world of contrast, where the supernatural erupts out of authentically drawn portraits of New England life. This is a world of witchcraft, secrecy, domestic spaces turned uncanny and ancestral vengeances inflicted upon the unfortunates of the present. Collecting the best of the author's strange tales - including 'The White Shawl', which was unpublished during her lifetime - this volume casts a light on an underappreciated contributor to weird fiction and the shadowy corners of a dark imagination.

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