'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' MADELINE MILLER Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL In the story of the great lyric poet Simonides, Mary Renault brings alive a time in Greece when tyrants kept an unsteady rule and poetry, music, and royal patronage combined to produce a flowering of the arts. Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century. 'There's much to say about her interweaving of myth and history and, just as interestingly, there's much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever' - Sam Jordison, Guardian

'One of the greatest historical novels ever written' SARAH WATERS 'Mary Renault is a shining light to both historical novelists and their readers' HILARY MANTEL In THE PERSIAN BOY, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend. The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper. After Alexander's mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone. 'Mary Renault does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL 'The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . Renault's skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty' ANTONIA SENIOR, THE TIMES

Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.

Alexander's beauty, strength and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations. Killing his first man in battle at the age of twelve, he became regent at sixteen and commander of Macedon's cavalry at eighteen, so that by the time his father was murdered, Alexander's skills had grown to match his fiery ambition.

Athens and Sparta, the mighty city states of ancient Greece, locked together in a quarter century of conflict: the Peloponnesian War. Alexias the Athenian was born, passed through childhood and grew to manhood in those troubled years, that desperate and dangerous epoch when the golden age of Pericles was declining into uncertainty and fear for the future. Of good family, he and his friends are brought up and educated in the things of the intellect and in athletic and martial pursuits. They learn to hunt and to love, to wrestle and to question. And all the time his star of destiny is leading him towards the moment when he must stand alongside his greatest friend Lysis in the last great clash of arms between the cities.

Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos - the sacrifice of noble youths and maidens to the appetite of the Labyrinth's monster - Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: he still must confront the Amazons, capture their queen, Hippolyta, and face the tragic results of Phaedra's jealous rage. Piecing together the fragments of myth and using her deep understanding of the cultures reflected in these legends, Mary Renault has constructed an enthralling narrative of a time when heroes battled monsters and gods strode the earth.

After enduring an injury at Dunkirk during World War II, Laurie Odell is sent to a rural veterans’ hospital in England to convalesce. There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience.

Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.

Elsie, sheltered and naive, is seventeen and unhappy. Stifled by life with her bickering parents in a bleak Cornish village, she falls in love with the first presentable young man she meets - Peter, an ambitious London doctor. On his advice she runs away from home and goes to live with her sister Leonora, who escaped eight years earlier. But there are surprises in store for conventional Elsie as her sister has a rather bohemian lifestyle: not only does Leo live in a houseboat on the Thames where she writes Westerns for a living, she shares her boat - and her bed - with Helen. When Peter pays a visit, turning his attention from one 'friendly young lady' to the next, he disturbs the calm for each of them - with results unforeseen by all . . . Mary Renault wrote this delightfully provocative novel in 1943 partly in answer to the despair characteristic of Radclyffe Hall's The Well of Loneliness. The result is this witty and stylish social comedy.

Injured at Dunkirk, Laurie Odell, a young corporal, is recovering at a rural veterans' hospital. There he meets Andrew, a conscientious objector serving as an orderly, and the men find solace in their covert friendship. Then Ralph Lanyon appears, a mentor from Laurie's schooldays. Through him, Laurie is drawn into a tight-knit circle of gay men for whom liaisons are fleeting and he is forced to choose between the ideals of a perfect friendship and the pleasures of experience. First published in 1953, The Charioteer is a a tender, intelligent coming-of-age novel and a bold, unapologetic portrayal of homosexuality that stands with Gore Vidal's The City and the Pillar and James Baldwin's Giovanni's Room as a landmark work in gay literature.

“It takes skill to depict, as Miss Renault has done, this half-man, half Courtesan who is so deeply in love with the warrior.”–The Atlantic Monthly

The Persian Boy traces the last years of Alexander’s life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas was sold as a courtesan to King Darius of Persia, but found freedom with Alexander after the Macedon army conquered his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes-mutinous army, and his own ferocious temper. After Alexander’s mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.

“Written with her usual vigor and imagination...Mary Renault has a great talent.”–The New York Times Book Review

Alexander’s beauty, strength, and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son’s loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle’s tutoring provoked his mind and Homer’s Iliad fueled his aspirations. Killing his first man in battle at the age of twelve, he became regent at sixteen and commander of Macedon’s cavalry at eighteen, so that by the time his father was murdered, Alexander’s skills had grown to match his fiery ambition.

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India. After Alexander's death in 323 B.C .his only direct heirs were two unborn sons and a simpleton half-brother. Every long-simmering faction exploded into the vacuum of power. Wives, distant relatives and generals all vied for the loyalty of the increasingly undisciplined Macedonian army. Most failed and were killed in the attempt. For no one possessed the leadership to keep the great empire from crumbling. But Alexander's legend endured to spread into worlds he had seen only in dreams.

Set in 1937, The Friendly Young Ladies is a romantic comedy of off-Bloomsbury bohemia. Sheltered, naïve, and just eighteen, Elsie leaves the stifling environment of her parents’ home in Cornwall to seek out her sister, Leo, who had run away nine years earlier. She finds Leo sharing a houseboat, and a bed, with the beautiful, fair-haired Helen. While Elsie’s arrival seems innocent enough, it is the first of a series of events that will turn Helen and Leo’s contented life inside out. Soon a randy young doctor is chasing after all three women at once, a neighborly friendship begins to show an erotic tinge, and long-quiet ghosts from Leo’s past begin to surface. Before long, no one is sure just who feels what for whom.

Mary Renault wrote this delightfully provocative novel in the early 1940s, creating characters that are lighthearted, charming, and free-spirited partly in answer to the despair characteristic of Radclyffe Hall’s The Well of Loneliness or Lillian Hellman’s The Children’s Hour. The result is a witty and stylish story that offers exceptional insight into the world of upcoming writers and artists of in 1930s London, chronicling their rejection of society’s established sexual mores and their heroic pursuits of art and life.

The story of the mythical hero Theseus, slayer of monsters, abductor of princesses and king of Athens. He emerges from these pages as a clearly defined personality; brave, aggressive and quick. The core of the story is Theseus' Cretan adventure.

In two remarkable historical novels, Mary Renault fashions from the myth of Theseus a convincingly flawed hero and weaves a thrillingly plausible account of the Labyrinth and the infamous Minotaur. The King Must Die follows the young Theseus as he discovers that his true father is the King of Athens, and volunteers to join the annual tribute of Athenian girls and youths sacrificed to a bull-worshipping cult on the island of Crete. Trapped in the labyrinthine palace of King Minos, Theseus enlists the help of high priestess Ariadne in a daring plan to free his people. The Bull From the Sea begins after Theseus's triumphal return to Athens. He is now king, but his confidence will be shaken by a life-changing encounter with the queen of the Amazons, the birth of a son who will insist on choosing his own path, and the tragic results of his wife's treachery. Renault's deep knowledge of the Greek world, her sure grasp of psychology and genius for inspired speculation bring the distant world of the legendary past enthrallingly to life.

Subtitled, The Heroic Battles of the Greeks and Persians at Marathon, Salamis, and Thermopylae, this is a great retelling of those epic ancient battles which shaped the course of Western Civilization. All the great characters are there: Darius and Xerxes, the Persian Kings; the Greeks Themistocles, Alcibiades, and the Spartan for whom the book is named, Leonides, and many others. The book begins with the historical roots of the people of Ancient Greece and how they came to love their freedom more than anything else. Recommended for ages 9 - 12.

In the story of the great lyric poet Simonides, Mary Renault brings alive a time in Greece when tyrants kept an unsteady rule and poetry, music, and royal patronage combined to produce a flowering of the arts.

Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century.

The acclaimed biography of Alexander the Great.

Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theater's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the center of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two looses all the pent-up violence in the city.

The Bull from the Sea reconstructs the legend of Theseus, the valiant youth who slew the Minotaur, became king, and brought prosperity to Attica. Chief among his heroic exploits is the seduction of Hippolyta, the Queen of the Amazons, who irrevocably brought about both his greatest joy and his tragic destiny.