Historical examples played a key role in ancient Roman culture, and Matthew B. Roller's book presents a coherent model for understanding the rhetorical, moral, and historiographical operations of Roman exemplarity. It examines the process of observing, evaluating, and commemorating noteworthy actors, or deeds, and then holding those performances up as norms by which to judge subsequent actors or as patterns for them to imitate. The model is fleshed out via detailed case studies of individual exemplary performers, the monuments that commemorate them, and the later contexts - the political arguments and social debates - in which these figures are invoked to support particular positions or agendas. Roller also considers the boundaries of, and ancient alternatives to, exemplary modes of argumentation, morality, and historical thinking. The book will engage anyone interested in how societies, from ancient Rome to today, invoke past performers and their deeds to address contemporary concerns and interests.

What was really going on at Roman banquets? In this lively new book, veteran Romanist Matthew Roller looks at a little-explored feature of Roman culture: dining posture. In ancient Rome, where dining was an indicator of social position as well as an extended social occasion, dining posture offered a telling window into the day-to-day lives of the city's inhabitants. This book investigates the meaning and importance of the three principal dining postures--reclining, sitting, and standing--in the period 200 B.C.-200 A.D. It explores the social values and distinctions associated with each of the postures and with the diners who assumed them. Roller shows that dining posture was entangled with a variety of pressing social issues, such as gender roles and relations, sexual values, rites of passage, and distinctions among the slave, freed, and freeborn conditions. Timely in light of the recent upsurge of interest in Roman dining, this book is equally concerned with the history of the body and of bodily practices in social contexts. Roller gathers evidence for these practices and their associated values not only from elite literary texts, but also from subelite visual representations--specifically, funerary monuments from the city of Rome and wall paintings of dining scenes from Pompeii. Engagingly written, Dining Posture in Ancient Rome will appeal not only to the classics scholar, but also to anyone interested in how life was lived in the Eternal City.

Historical examples played a key role in ancient Roman culture, and Matthew B. Roller's book presents a coherent model for understanding the rhetorical, moral, and historiographical operations of Roman exemplarity. It examines the process of observing, evaluating, and commemorating noteworthy actors, or deeds, and then holding those performances up as norms by which to judge subsequent actors or as patterns for them to imitate. The model is fleshed out via detailed case studies of individual exemplary performers, the monuments that commemorate them, and the later contexts - the political arguments and social debates - in which these figures are invoked to support particular positions or agendas. Roller also considers the boundaries of, and ancient alternatives to, exemplary modes of argumentation, morality, and historical thinking. The book will engage anyone interested in how societies, from ancient Rome to today, invoke past performers and their deeds to address contemporary concerns and interests.

Rome's transition from a republican system of government to an imperial regime comprised more than a century of civil upheaval and rapid institutional change. Yet the establishment of a ruling dynasty, centered around a single leader, came as a cultural and political shock to Rome's aristocracy, who had shared power in the previous political order. How did the imperial regime manage to establish itself and how did the Roman elites from the time of Julius Caesar to Nero make sense of it? In this compelling book, Matthew Roller reveals a "dialogical" process at work, in which writers and philosophers vigorously negotiated and contested the nature and scope of the emperor's authority, despite the consensus that he was the ultimate authority figure in Roman society. Roller seeks evidence for this "thinking out" of the new order in a wide range of republican and imperial authors, with an emphasis on Lucan and Seneca the Younger. He shows how elites assessed the impact of the imperial system on traditional aristocratic ethics and examines how several longstanding authority relationships in Roman society--those of master to slave, father to son, and gift-creditor to gift-debtor--became competing models for how the emperor did or should relate to his aristocratic subjects. By revealing this ideological activity to be not merely reactive but also constitutive of the new order, Roller contributes to ongoing debates about the character of the Roman imperial system and about the "politics" of literature.

What was really going on at Roman banquets? In this lively new book, veteran Romanist Matthew Roller looks at a little-explored feature of Roman culture: dining posture. In ancient Rome, where dining was an indicator of social position as well as an extended social occasion, dining posture offered a telling window into the day-to-day lives of the city's inhabitants.

This book investigates the meaning and importance of the three principal dining postures--reclining, sitting, and standing--in the period 200 B.C.-200 A.D. It explores the social values and distinctions associated with each of the postures and with the diners who assumed them. Roller shows that dining posture was entangled with a variety of pressing social issues, such as gender roles and relations, sexual values, rites of passage, and distinctions among the slave, freed, and freeborn conditions.

Timely in light of the recent upsurge of interest in Roman dining, this book is equally concerned with the history of the body and of bodily practices in social contexts. Roller gathers evidence for these practices and their associated values not only from elite literary texts, but also from subelite visual representations--specifically, funerary monuments from the city of Rome and wall paintings of dining scenes from Pompeii.

Engagingly written, "Dining Posture in Ancient Rome" will appeal not only to the classics scholar, but also to anyone interested in how life was lived in the Eternal City.