This exhibition celebrates the historic moment in the history of modern art when Kazimir Malevich debuted his new non-objective paintings under the banner of Suprematism and Vladimir Tatlin introduced his revolutionary counter-relief sculptures. They were bitter rivals and diametrically opposed in their creative thinking, so when an exhibition in which their new works appeared, entitled 0,10: The Last Futurist Exhibition of Painting and organized by fellow artist Ivan Puni in Petrograd in 1915, the other 12 artists in the show chose sides. It was a stylistically diverse exhibition, with cubist-inspired works and the first non-objective paintings and reliefs. The Beyeler's presentation will include a large number of the works from the original exhibition. The catalogue will include essays by exhibition curator Matthew Drutt and other leading scholars, as well as documents gathered together and translated for the first time. (German edition ISBN 978-3-7757-4032-6) Ausstellung/Exhibition: Fondation Beyeler, Riehen/Basel 4.10.2015-17.1.2016

A 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewellery and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.

Thorvald Hellesen (1888-1937) was a Norwegian avant-garde artist who lived and worked in Paris in the 1910s and 1920s. He and his wife, the French artist Helene Perdriat, were part of a circle of artists that included Pablo Picasso, Fernand Leger, Constantin Brancusi, Piet Mondrian, Theo van Doesburg, and many others. In his short yet intense life, Thorvald Hellesen created an impressive unique oeuvre, oriented on Modernism, consisting of oil paintings, watercolours, gouaches, drawings, design projects, and textiles. Nevertheless, even in Norway he is only known to a few. With this publication the authors Dag Blakkisrud, Matthew Drutt, and Hilde Morch have created a written portrait of Hellesen. In addition to classifying him within the history of art, they try to find explanations as to why his artistic practice is only now being considered important and interesting for Norwegian and international art history. Text in Norwegian.