** Chosen as a New Statesman, Financial Times, Observer and Sunday Times Book of the Year ** A riveting account of the making of T. S. Eliot's celebrated poem The Waste Land on its centenary. 'A rattling good story' Sunday Telegraph 'A work of art' Times Literary Supplement The Waste Land has been called the 'World's Greatest Poem'. It is said to describe the moral decay of a world after war, to find meaning in a meaningless era. It has been labelled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot's enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious. In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists - of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.

In Earth House, Matthew Hollis evokes the landscape, language and ecology of the isles of Britain and Ireland to explore how our most intimate moments have resonance in the wider cycle of life. Beginning in the slate waters of the north, the book revolves around the cardinal points and the ancient elements: through the wide skies of the east and the terrain of a southern city, to the embers of places lost to us, to which we can no longer return. What emerges is a moving meditation on time and the transformative phases of nature that calls many forces into its presence – the wisdoms of Anglo-Saxon verse, the metamorphoses of Norse and Celtic myth, the stoicism of classical thought and the far east – unforgettably phrased by a writer who, in the words of the TLS, ‘makes the language of his poetry an event in itself’. Subtly attuned to the rhythms of the turning world, these poems open with the passing of an old life and culminate in the birth of a new one. They bravely work the seam between the present and the past, between destruction and renewal, humanity and our environment, and make Earth House a timeless exploration of our timed encounter with the remarkable lives of our planet. Earth House is Matthew Hollis’s long awaited follow up to Ground Water (2004), shortlisted for the Guardian First Book Award, the Forward Prize for Best First Collection and the Whitbread Poetry Award. He is the author of Now All Roads Lead to France: The Last Years of Edward Thomas (2011), winner of the Costa Award for Biography and Sunday Times Biography of the Year, and The Waste Land: A Biography of a Poem (2022),

Renowned as one of the world’s greatest poems, The Waste Land has been said to describe the moral decay of a world after war and the search for meaning in a meaningless era. It has been labeled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot’s enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious. In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism, and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists—of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.

Poetry has never been so rigorous and diverse, nor has its audience been so numerous and engaged. Strong words? Not if the poets are right. As Ezra Pound wrote: 'You would think anyone wanting to know about poetry would go to someone who knew something about it.' That's exactly what Bloodaxe has done with this judicious and comprehensive selection of British, Irish and American manifestos by some of modern poetry's finest practitioners. Opening the 20th century account with Ezra Pound, W.B. Yeats and T.S. Eliot, the book moves through key later figures including W.H. Auden, Ted Hughes, Stevie Smith and Dylan Thomas. America is richly represented too, from Robert Frost and William Carlos Williams to the influential New England poets Robert Lowell, Elizabeth Bishop and Sylvia Plath. Strong Words then brings the issues fully up to date with over 30 specially commissioned statements from contemporary writers including Seamus Heaney, Andrew Motion, Simon Armitage, Selima Hill, Paul Muldoon and Douglas Dunn, amounting to a new overview of the poetry being written at the start of the 21st century. For poets and readers, for critics, teachers and students of creative writing and contemporary poetry, this is essential reading. As well as representing many of the most important poets of the last hundred years, Strong Words also charts many different stances and movements, from Modernism to Postmodernism, from Futurism to the future theories of poetry. This landmark book champions the continuing dialogue of these voices, past and present, exploring the strongest form that words can take: the poem.

Like the Dublin of Joyce and Jan Morris' Venice, Orhan Pamuk's bestselling Istanbul: Memories of a City is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

Since the publication of Istanbul, Pamuk has continued to add to his collection of photographs of Istanbul. Now, he has selected a range of photographs for Illustrated Istanbul, linking each new image to his memoir.

This lavish selection of 450 photographs features contributions from Ara Güler, Henri Cartier-Bresson and Istanbul's characteristic photography collectors, and contains previously unpublished family photographs from the author's archives.

** Chosen as a New Statesman, Financial Times, Observer and Sunday Times Book of the Year ** A riveting account of the making of T. S. Eliot's celebrated poem The Waste Land on its centenary. 'A rattling good story' Sunday Telegraph 'A work of art' Times Literary Supplement The Waste Land has been called the 'World's Greatest Poem'. It is said to describe the moral decay of a world after war, to find meaning in a meaningless era. It has been labelled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot's enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious. In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists - of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.

Edward Thomas was perhaps the most beguiling and influential of First World War poets. Now All Roads Lead to France is an account of his final five years, centred on his extraordinary friendship with Robert Frost and Thomas's fatal decision to fight in the war. The book also evokes an astonishingly creative moment in English literature, when London was a battleground for new, ambitious kinds of writing. A generation that included W. B. Yeats, Ezra Pound, Robert Frost and Rupert Brooke were 'making it new' - vehemently and pugnaciously. These larger-than-life characters surround a central figure, tormented by his work and his marriage. But as his friendship with Frost blossomed, Thomas wrote poem after poem, and his emotional affliction began to lift. In 1914 the two friends formed the ideas that would produce some of the most remarkable verse of the twentieth century. Their writing was far more than just war poetry, but it was World War I that put an ocean between them. Frost returned to the safety of New England while Thomas stayed to fight for the Old. It is these roads taken - and those not taken - that are at the heart of this remarkable book, which culminates in Thomas's tragic death on Easter Monday 1917.

When Edward Thomas was killed at the Battle of Arras in 1917 his poems were largely unpublished. But in the years since his death, his work has come to be cherished for its rare, sustained vision of the natural world and as 'a mirror of England' (Walter de la Mare). This edition, drawn from Thomas's manuscripts and typescripts as well as from his published works, offers an accessible introduction to this most resonant - and relevant - of poets. 'In his lifetime, he was known and loved by a very, loving few. Now, since his death, he is known and loved by very many, and yearly this is more so. There is in his poems an unassumingly profound sense of permanence. A war came and ditched him, but his poems stay with no other wounds than those which caused them.' Dylan Thomas 'A very fine poet. And a poet all in his own right. The accent is absolutely his own.' Robert Frost 'The one hundred and forty poems he wrote in the last two years of his life are a miracle. I can think of no body of work in English that is more mysterious.' Michael Longley

In this sparkling debut, Matthew Hollis immerses us in the undercurrents of our lives. Love and loss are buoyed by a house full of milk, an orchard underwater, the laws of walking on water. Rainwater, floodwater, flux - the liquid landscapes which shift relentlessly in Ground Water - threaten and comfort by turns. Matthew Hollis's poems are brimming with courage in adversity as well as the promise of renewal, culminating in a powerful sequence about a father's struggle with terminal illness. Ground Water is a startling first collection from a remarkable new poet. Shortlisted for the Guardian First Book Award (the first time for a poetry book), Whitbread Poetry Award and Forward Prize for Best First Collection. Poetry Book Society Recommendation.