It began as an artist's desperate desire to express himself inside a worldwide pandemic, but in one year's time it has grown into a theater industry and country-wide outlet for healing, grief, justice, and hope in the theater community. The Covid-19 pandemic revealed what a world without live performance looks and feels like. This book captures a small fraction of the powerful and transcendent internal heartbeat that never went away within the theater community. When the Lights Are Bright Again immortalizes the stories, struggles, and successes of an industry that was the first to be shut down and one of the last to return. Andrew Norlen weaves more than 200 letters from Broadway theater veterans, devout theatergoers, teenage dreamers aching for their day in the spotlight, long-time ushers, designers, creatives, and countless other arts workers with a brand-new, breathtaking photo series by Broadway photographer Matthew Murphy. Not only has the creation of this book allowed the theater community to grieve and express themselves in a new way, but for every copy purchased, a portion of the profits will directly benefit The Actors Fund. This book will continue to help support arts workers to thrive and receive financial stability for decades to come with every copy sold. When The Lights Are Bright Again is a love letter to the arts community and every theatergoer, but, above all else, it is a meditation on the human experience. There is something for every broken, tired, and angry soul inside this book: hope. There is light in all of us-there always has been!

Using humour, sensitivity, and precise interventions, the American artist Brad Downey investigates the underlying structure of our cities, our landscapes, our sacred sites, as well as the forgotten peripheries and contested borders. In the process he weaves entirely new narratives with their chaotic patterns, obscuring the separation between art and everyday life. Slapstick Formalism presents a synopsis of his overall multifaceted oeuvre: sculptures, architecture, performances, installations, films, drawings, collages, and activism, each of which is inspired by the objects and activities of daily life.

At the beginning of the 20th Century Izzy Mitchell and her family leave the city for her father's new job in the out in the country. They arrive in Benson to find a dying town clinging to ghost stories about the nearby forest. It was those woods that Izzy's father was sent to cut down for the Greenway Company. It was not long after arriving in Benson that Izzy finds out that the woods are filled with spirits. These were the spirits of departed Native American souls who appear as animals during the day, then wandering ghosts at night. If the Greenway Company has their way those woods will be destroyed and all the spirits inside would be lost forever. Only Izzy can save them by finding the lost waterfall and path to the other side. The Woods is a fantasy story written the same vein as "Spirited Away" or "The Wizard of Oz." A strong young female heroine must do everything she can to save those spirits and herself. This story was written with readers of all ages in mind.