The heroes of the British and French empires stood at the vanguard of the vibrant cultures of imperialism that emerged in Europe in the second-half of the nineteenth century. Their stories are well known. Scholars have tended to assume that figures such as Livingstone and Gordon, or Marchand and Brazza, vanished rapidly at the end of empire. Yet imperial heroes did not disappear after 1945, as British and French flags were lowered around the world. On the contrary, their reputations underwent a variety of metamorphoses in both the former metropoles and the former colonies. This book develops a framework to understand the complex legacies of decolonisation, both political and cultural, through the case study of imperial heroes. We demonstrate that the 'decolonisation' of imperial heroes was a much more complex and protracted process than the political retreat from empire, and that it is still an ongoing phenomenon, even half a century after the world has ceased to be 'painted in red'. Whilst Decolonising Imperial Heroes explores the appeal of the explorers, humanitarians and missionaries whose stories could be told without reference to violence against colonized peoples, it also analyses the persistence of imperial heroes as sites of political dispute in the former metropoles. Demonstrating that the work of remembrance was increasingly carried out by diverse, fragmented groups of non-state actors, in a process we call 'the privatisation of heroes', the book reveals the surprising rejuvenation of imperial heroes in former colonies, both in nation-building narratives and as heritage sites. This book was originally published as a special issue of the Journal of Imperial and Commonwealth History.

The heroes of the British and French empires stood at the vanguard of the vibrant cultures of imperialism that emerged in Europe in the second-half of the nineteenth century. Their stories are well known. Scholars have tended to assume that figures such as Livingstone and Gordon, or Marchand and Brazza, vanished rapidly at the end of empire. Yet imperial heroes did not disappear after 1945, as British and French flags were lowered around the world. On the contrary, their reputations underwent a variety of metamorphoses in both the former metropoles and the former colonies. This book develops a framework to understand the complex legacies of decolonisation, both political and cultural, through the case study of imperial heroes. We demonstrate that the 'decolonisation' of imperial heroes was a much more complex and protracted process than the political retreat from empire, and that it is still an ongoing phenomenon, even half a century after the world has ceased to be 'painted in red'. Whilst Decolonising Imperial Heroes explores the appeal of the explorers, humanitarians and missionaries whose stories could be told without reference to violence against colonized peoples, it also analyses the persistence of imperial heroes as sites of political dispute in the former metropoles. Demonstrating that the work of remembrance was increasingly carried out by diverse, fragmented groups of non-state actors, in a process we call 'the privatisation of heroes', the book reveals the surprising rejuvenation of imperial heroes in former colonies, both in nation-building narratives and as heritage sites. This book was originally published as a special issue of the Journal of Imperial and Commonwealth History.

In January 1912, Britain's Captain Robert F. Scott reached the South Pole, only to find he had been beaten by Roald Amundsen's Norwegian expedition. Scott and his companions faced an 850-mile march to safety. All perished on the return. A few months later, a search party found Scott's body and the journals that told his tragic story.
Scott's own account was published to extraordinary acclaim in 1913. This new edition draws on ninety years of reflection on the Antarctic disaster to illuminate Scott's journals, publishing for the first time a complete list of the changes made to Scott's original text. Drawing on previously unused papers from the John Murray archive, Max Jones tells the story of this remarkable book and charts the changing fortunes of Scott's reputation. The first fully annotated edition, it also includes appendixes on J. M. Barrie's Biographical Introduction' and The Finding of the Dead, plus a glossary of names and a full index.
The story of Captain Scott and his team is sure to captivate modern readers just as much as it did almost one-hundred years ago.
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As trumpet player and singer, Louis Armstrong is the single most important figure in jazz history, and one of the most influential musicians--in any category--in this century. He was also, as this book relates, a wonderful character: actor, clown, raconteur, a tough kid when he came to Chicago from New Orleans who mellowed into one of the music's true statesmen. This biography includes not only a gripping narrative written by two of the most reliable jazz historians, but also a chronology, film list, and selection of photos. He was the most beloved of jazz musicians, a hero to everyone from Eddie Condon and Bobby Hackett to Miles Davis and Ornette Coleman. His basically happy life is here memorably told, with a new preface by Dan Morgenstern who describes Armstrong's central place in world music.

Scott's last Antarctic expedition is one of the great adventure stories of the twentieth century. On 1 November 1911, a British team set out on the gruelling 800-mile journey across the coldest and highest continent on Earth to travel to the South Pole. Five men battled through unimaginably harsh conditions only to find the Norwegian flag had been planted at the Pole just weeks before. Captain Robert Falcon Scott, Lieutenant Henry Bowers, Petty Officer Edgar Evans, Captain Lawrence Oates, and Dr Edward Wilson all died on the return trek, starved and frozen to death, only eleven miles from a supply camp. In November 1912, a rescue party discovered their last letters and diaries, which told a story of bravery, hardship, and self-sacrifice that shocked the world. Recent decades have seen controversy rage over whether Scott was the last of a line of great Victorian explorers, intent on discovering uncharted lands, or a hopeless incompetent driven by personal ambition. Rejecting the stereotypes, Max Jones reveals a complex figure, a product of the passions and preoccupations of an imperial age. He also shows how heroes are made and manipulated, through a close examination of the unprecedented outpouring of public grief at the news of the death of Scott and his companions. Max Jones uses fascinating new evidence and prevously unseen illustrations to take us back to this remarkable moment in modern history, and tells for the first time the full story of The Last Great Quest.

Max Jones, known affectionately as "the Boswell of bebop" ("Time Out"), was famed in England for nearly four decades of insightful, ardent writing on jazz. With this luminous collection of interviews, his work will at last be widely accessible to American readers. Here are the voices of jazz--Coleman Hawkins, Johnny Hodges, Billie Holiday, and Mary Lou Williams, to name but a few--in conversation with Jones, who could turn a casual chat into an indelible portrait and who gives American readers a view of these musicians they have never had before.