of the cholecystogram. 1940 - the first anastomosis for oesophageal atresia by CAMERON HAIGHT in Ann Arbor and the first duodeno-pancreatectomy for pancreatic carcinoma, perfor med by WHIPPLE in New York. In 1943 - again WHIPPLE and his associates carried out the first porto-caval anastomosis at Columbia University and in 1945 - there followed BLALOCK'S anastomosis for Fallot's Tetralogy. In the following years the heart, as the last organ of the human body, became the chief target of surgical therapy. Most of the cardiovascular procedures, which today Fig. 4. New medical center of the Free University in West-Berlin under construction are part of the routine all over the world, originated in the United States or in Canada: in particular the spectacular successes of open heart surgery in hypothermia or extracorporeal circulation and the replacement of cardiac valves and arteries. This was the achievement of many active fellows of the American College of Surgeons with names well-known to all of us. The gradient between the surgical standards of our two countries was regrettably large after the second world war. The longtime isolation, the destruction of our cities, the loss of man-power through two world wars and the emigration following 1933 as well as a considerable brain-drain in more recent years were the main causes."

Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world," ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world's visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes. Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as "One Hundred Famous Views of Edo" (1856-1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world’s visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes. Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as “One Hundred Famous Views of Edo” (1856–1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards. This reprint, bound in the traditional Japanese fashion, is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler.