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A revised and updated edition of this much-loved poetry anthology which was first published in 2002. This new edition of The New Century of South African Poetry now includes 125 new poems, with the addition of a fifth section covering works produced by poets who have made their mark since the early 2000s. New Century includes pieces in divergent styles by a wide range of authors - from traditional songs by Khoisan poets to poems by established figures such as Roy Campbell, N.P. van Wyk Louw, Mazisi Kunene, Douglas Livingstone, Mongane Wally Serote and Antjie Krog. Popular poetic forms like maskanda, kiba, praises and rap share the pages with current poets
such as Gabeba Baderoon, Rustum Kozain, Danie Marais, Nick Mulgrew and Koleka Putuma…
Lewis Nkosi's insights into South African literature, culture and
society first appeared in the 1950s, when the `new' urban African
in Sophiatown and on Drum magazine mockingly opposed then Prime
Minister H.F. Verwoerd's Bantu retribalisation policies. Before his
death in 2010, Nkosi focused on the literary-cultural challenges of
post-Mandela times. Having lived for 40 years in exile, he returned
to South Africa, intermittently, after the unbannings of 1990. His
critical eye, however, never for long left the home scene. Hence,
the title of this selection of his articles, essays and reviews,
Writing Home. Writing home with wit, irony and moral toughness
Nkosi assesses a range of leading writers, including Herman Charles
Bosman, Breyten Breytenbach, J.M. Coetzee, Athol Fugard, Nadine
Gordimer, Bessie Head, Alex La Guma, Bloke Modisane, Es'kia
Mphahlele, Nat Nakasa, Njabulo S. Ndebele, Alan Paton and Can
Themba. Combining the journalist's penchant for the human-interest
story with astute analysis, Nkosi's ideas, observations and
insights are as fresh today as when he began his 60-year career as
a writer and critic. Selected from his out-of-print collections,
Home and Exile, The Transplanted Heart and Tasks and Masks, as well
as from journals and magazines, Lewis Nkosi's punchy commentaries
will appeal to a wide readership.
Africa Inside Out is an anthology of stories, tales, and
testimonies that challenges the daily global newscast of an Africa
of dictatorships, starvation, and disease. Writers from both within
and outside the continent were invited by the 'Time of the Writer
Festival' (an annual festival held in Durban, South Africa) to
respond to an Africa of the now: an Africa inescapably part of
contemporary world culture. In seeking to portray an Africa that
goes against the stereotype, these writers pushed boldly against
literary expectation. Responses range from quirky interpretations
of oral tradition, to explorations of digital possibility, to
experiential testimony and humorous renditions of old - and new -
conundrums. Africa Inside Out - as its title suggests - does not
present the politicized version of Africa. It portrays an Africa in
flux, still grappling with familiar problems, but caught up in the
global drive towards reinvention and the possibilities of an
unpredictable, yet interconnected, future.
These `interventions’ are spurred by what in South Africa today
is a buzz-phrase: social cohesion. The term, or concept, is bandied
about with little reflection by leaders or spokespeople in
politics, business, labour, education, sport, entertainment and the
media. Yet, who would not wish to live in a socially cohesive
society? How, then, do we apply the ideal in the daily round when
diversity of language, religion, culture, race and the economy too
often supersedes our commitment to a common citizenry? How do we
live together rather than live apart? Such questions provoke the
purpose of these interventions. The interventions – essays, which
are short, incisive, at times provocative – tackle issues that
are pertinent to both living together and living apart:
equality/inequality, public pronouncement, xenophobia, safety,
chieftaincy in modernity, gender-based abuse, healing, the law,
education, identity, sport, new `national’ projects, the role of
the arts, South Africa in the world. In focusing on such issues,
the essays point towards the making of a future, in which a
critical citizenry is key to a healthy society. Contributors
include leading academics and public figures in South Africa today:
Christopher Ballantine, Ahmed Bawa, Michael Chapman, Jacob Dlamini,
Jackie Dugard, Kira Erwin, Nicole Fritz, Michael Gardiner, Gerhard
Maré, Monique Marks, Rajend Mesthrie, Bonita Meyersfeld, Leigh-Ann
Naidoo, Njabulo S. Ndebele, Kathryn Pillay, Faye Reagon, Brenda
Schmahmann, Himla Soodyall, David Spurrett and Thuto Thipe.
Drum was launched as a popular magazine in the 1950s and quickly
came to reflect the image and interests of the urban African. Its
reports of the Defiance Campaign, the Congress of the People and
the Treason Trial shared column-space with stories of soccer, sex
and sin. This combination of yellow-press sensation and social
concern gave rise to the short story by black South African
writers, and several of Drum's writers established themselves as
important figures in South African literature: Es'kia Mphahlele,
Can Themba, Richard Rive, James Matthews, Nat Nakasa and Casey
Motsisi. This anthology presents a selection of more than 90
stories that appeared in Drum. They depict the danger, the poverty
and the spurious glamour of Sophiatown, where the New African - the
tsotsi, the jazz musician, the journalist and the writer - affirmed
identity and style and refused to submit to the government's
determination to 'retribalize'. This second edition (third reprint)
contains a new foreword by John Matshikiza in addition to the essay
by Michael Chapman, which addresses the significance of the
magazine and puts it into historical perspective: 'Most of the
writers were concerned with more than just telling a story. They
were concerned with what was happening to their people and, in
consequence, with moral and social questions.'
One of developmental psychology's central concerns is the
identification of specific "milestones" which indicate what
children are typically capable of doing at different ages. Work of
this kind has a substantial impact on the way parents, educators,
and service-oriented professionals deal with children; and,
therefore one might expect that developmentalists would have come
to some general agreement in regard to the ways they assess
children's abilities. However, as this volume demonstrates, the
field appears to suffer from a serious lack of consensus in this
area.
Based on the premise that identifying relevant issues is a
necessary step toward progress, this book addresses a number of
vital topics, such as: How could research into fundamental areas
(such as the age at which children first acquire a sense of self or
learn to reason transitively) repeatedly yield wildly diverse
results? Why do experts who hold to radically different views
appear to be so unruffled by this same divergence of professional
opinion? and, Are there grounds for hope that this divergence of
professional opinion is on the wane?
Art Talk, Politics Talk looks at a deep issue, whether art should
be in the service of political ends or be free to roam on its own
and burgeon to the beat of the artist's perspective. Should art
inform politics, or should it be the reverse? From the introductory
thoughthow to talk about art in a politically demanding milieuto
meditations on writers ranging from J.M. Coetzee to Nelson Mandela,
Salman Rushdie to Nadine Gordimer, Art Talk, Politics Talk offers a
continually surprising, consistently intellectual, and boldly
original consideration of literary-cultural tradition and
innovation that in many ways is a model for the world. The essays,
self-contained yet cumulative in their argument and insight, locate
ethical and aesthetic challenges in the postcolonial condition of
our times, both in post-apartheid South Africa and globally.
Teasing out the intricate value of literary culture in contemporary
society, the author, in lucid prose, brings to this volume a new
confidence and cri
One of developmental psychology's central concerns is the
identification of specific "milestones" which indicate what
children are typically capable of doing at different ages. Work of
this kind has a substantial impact on the way parents, educators,
and service-oriented professionals deal with children; and,
therefore one might expect that developmentalists would have come
to some general agreement in regard to the ways they assess
children's abilities. However, as this volume demonstrates, the
field appears to suffer from a serious lack of consensus in this
area. Based on the premise that identifying relevant issues is a
necessary step toward progress, this book addresses a number of
vital topics, such as: How could research into fundamental areas
(such as the age at which children first acquire a sense of self or
learn to reason transitively) repeatedly yield wildly diverse
results? Why do experts who hold to radically different views
appear to be so unruffled by this same divergence of professional
opinion? and, Are there grounds for hope that this divergence of
professional opinion is on the wane?
Southern African Literatures is a major study of the work of
writers from South Africa, Zimbabwe, Zambia, Malawi, Angola,
Mozambique and Namibia, written at a time of crucial change in the
subcontinent. It covers a wide range of work from the storytelling
of stone-age Bushmen to modern writing by renowned figures such as
Es'kia Mphahlele, Nadine Gordimer and Andr Brink, encompassing
traditional, popular and elite writing; literature in translation;
and case studies based on topical issues. Michael Chapman argues
that literary history in the southern African region is best based
on a comparative method which, while respecting differences of
language, race and social circumstance, seeks cultural interchange
including "translations" of experience across linguistic and ethnic
borders. Instead of perpetuating division, the study examines
points of common reference, as it asks what makes a literary
culture. Who are to be regarded as major and minor authors? What
are the strengths and limita
This title features the short stories written by South Africans
from all walks of life over a period of a hundred years. From the
oral traditions of the San and other African peoples, right through
to the most modern writers of the twenty-first century, Chapman has
selected the best of this interesting and much loved genre. Some of
the old favourites and standards from A Century of South African
Short Stories, which had three different editions, remain.
Previously unpublished stories have been found and added, and have
resulted in an unprecedented treasury of wonderful tales.
In the beginning it seemed to us that someone was missing and that
something was amiss. He was often mentioned, occasionally
discussed, but seldom cited or credited explicitly. And when he was
acknowl edged, it was sometimes for reasons that seemed
anachronistic and misleading. His influence could be felt in a
number of areas of our dis cipline, but few scholars seemed to know
just how, just where, and to what extent. We discovered, almost
accidentally, that we shared an in terest in his legacy, in
unravelling at least some portion of this riddle. Shortly
thereafter, we began discussing ways in which, by pooling our
resources with those of interested others, we could move closer to
a res olution. Put simply, the protagonist of this riddle is Ludwig
Wittgenstein (1889-1951), the son of a wealthy Viennese
industrialist, the influential Cantabrigian philosopher, the rural
Austrian schoolteacher. And the subject of our study is his largely
unexplored legacy for developmental psychology. Although
Wittgenstein's thought seemed to hold special promise for the study
of human development, the philosopher and his work could walk
virtually unrecognized through the landscape of con temporary
developmental issues."
This new addition to Luster's successful, practical and attractive
Hidden series, covering countries and regions, is the perfect book
for those who wish to discover the most beautiful sides of Iceland.
Hidden Iceland is an ode to the hidden attractions that are still
to be found in Iceland, not just in nature, but in the towns and
villages too, presenting them in inspiring lists such as:
glittering glaciers cosy cottages and guesthouses glorious
geothermal pools wild animal encounters great rooftop bars in
Reykjavik and many more. 302 addresses and facts in total,
presented in original lists. Maps and index included.
This book reflects on the "literary" in literature. Less
ideologically construed, more affirmative of literary attachment,
the study adopts a style of intimacy - its "tough love" - in a
correlation between the creative work and the critical act. Instead
of configuring literary works to "state-of-the-nation" issues - the
usual approach to literature from South Africa - the chapters keep
alive a space for conversation, whether accented inwards to
locality or outwards to the Anglophone world: the world to which
literature in South Africa continues to belong, albeit as a
"problem child". A postcolony that is not quite a postcolony, South
Africa is richly but frustratingly textured between Africa and the
West, or the South and the North. Its literature - hovering on the
cusp of its locality and its global reach - raises peculiar
questions of reader reception, epistemological and aesthetic frame,
and archival use. Are the Nobel laureates Nadine Gordimer and J.M.
Coetzee local writers or global writers? Is the novel or the short
story the more appropriate form at the edges of metropolitan
cultures? Given language, race, and culture contestation, how do we
recover Bushman expression for contemporary use? How to consider
the aesthetic appeal of two contemporaneous works, one in English
the other in isiXhosa, the one indebted to Bloomsbury modernism the
other to African custom? How does Douglas Livingstone attach the
Third World to the First World in both science and poetry? What has
a "born free" novelist, Kopano Matlwa, got to do with the Bard of
Avon? In a time of theorisation, is it permissible for Lewis Nkosi
to embody literary criticism in an autobiographical journey? How to
read the rupturing event - the statue of Rhodes must fall - through
a literary sensibility? Alert to the influence of critique, the
study is equally alert to the "limits of critique". Reflecting on
several writers, works, and events that do not feature in current
publications, On Literary Attachment in South Africa releases
literature to speak to us today, within the contours of its
originating energy.
This title considers what, in South Africa, is being published and
how we may value what is being published, now. 'Now' is not only
post-apartheid, or after the Truth Commission – the familiar
signposts – but beyond both Antjie Krog's Country of my Skull
(1998), the TRC marker, and J.M. Coetzee's Disgrace (1999), a book
that for many, including arguably its author, marks a point of no
return in its Afro-pessimism. Looking beyond 2000, these surveys of
fiction, drama, poetry and autobiographical writing include
coverage of poetry in English and Afrikaans, South African Indian
writing, Zulu literature, oral performance, 'queer' fiction and
literature of diasporic and ecological concern. Coverage does not
claim to constitute a history of the literature. Rather, the accent
is on a younger generation of writers, several of whom, such as
Phaswane Mpe, K. Sello Duiker, Brett Bailey, Gabeda Baderoon and
Lebo Mashile, have received critical recognition. Recent winners of
major literary awards like Anne Landsman, Imraan Coovadia and
Sally-Ann Murray feature in commentary of what is different now to
then. Many writers then, of course, continue to be writers now, and
the book does not ignore the more recent work of, among others,
Nadine Gordimer, J.M. Coetzee, Breyten Breytenbach, Antjie Krog,
Athol Fugard, Zakes Mda, Njabulo S. Ndebele, Marlene van Niekerk,
Zoё Wicomb and Ivan Vladislavic. SA Lit? The contraction points to
a provocation: what is South African Literature beyond 2000?
This book represents an attempt to understand the evolution of Jean
Piaget's basic ideas in the context of his own intellectual
development. Piaget sought to elucidate human knowledge by studying
its origins and development. In this book, Michael Chapman applies
the same method to Piaget's own thinking. Dr. Chapman shows that
some of the Swiss psychologist's essential ideas originated in
adolescent philosophical speculations about the relation between
science and value. These same ideas were then developed step by
step in Piaget's investigations of children's cognitive
development.
Dr. Chapman claims that Piaget's use of developmental psychology
as a means for addressing questions about the evolution of
knowledge has been misunderstood by psychologists approaching his
work exclusively from the perspectives of their own discipline.
Reconstructing Piaget's intellectual biography makes possible a
better understanding of the questions he originally posed and the
answers he subsequently provided. Dr. Chapman concludes with an
assessment of Piaget's relevance for contemporary psychology and
philosophy and suggests ways in which Piagetian theory might be
further developed.
In 1974, 22-year-old virgin sailor Mick escapes unemployment,
family and 3-day-week London to become a deckhand on a small
sailboat, Gay Gander, setting out to sail the Atlantic from
England's West Country, via the Canaries, to Antigua in the
Caribbean. Under the eye of an unfathomable skipper, John Francis
Kearney, and his formidable sailing companion Carola (both escaping
from a rain-sodden Ireland and broken marriages), Mick has to learn
sailing, table manners, bridging the generation gap and getting
along with Stryder, the Russian Blue ship's cat. The Long Lost Log
should be fiction but is the true story of a voyage of discovery
that Mick - against all odds - survived to tell this remarkable and
hilarious tale. His inner and outer journey combines danger with
the unexpected, the erotic and the comic, in a resonantly related
rite of passage that leaps from the page like the curious whale
that once disturbed the narrator's watch. The skipper involved
happens to be the publisher's late father.
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