As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on.

April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.

April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.

April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.

From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely.

As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on.

April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.

April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.

April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.

From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely.

Jas M. Sullivan and Ashraf M. Esmail s African American Identity: Racial and Cultural Dimensions of the Black Experience is a collection which makes use of multiple perspectives across the social sciences to address complex issues of race and identity. The contributors tackle questions about what African American racial identity means, how we may go about quantifying it, what the factors are in shaping identity development, and what effects racial identity has on psychological, political, educational, and health-related behavior. African American Identity aims to continue the conversation, rather than provide a beginning or an end. It is an in-depth study which uses quantitative, qualitative, and mixed methods to explore the relationship between racial identity and psychological well-being, effects on parents and children, physical health, and related educational behavior. From these vantage points, Sullivan and Esmail provide a unique opportunity to further our understanding, extend our knowledge, and continue the debate."

Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, ‘The Hours’ is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.

Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and watched by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel.

In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of ‘Mrs Dalloway’.

And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS.

Michael Cunningham’s exquisite and deeply moving novel is a meditation on artistic behaviour, failure, love and madness. Moving effortlessly across the decades and between England and America, Cunningham’s elegant, haunting prose explores the pain and trauma of creativity and the immutable relationship between writer and reader.

From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

In each section of Michael Cunningham's bold new novel, his first since "The Hours," we encounter the same group of characters: a young boy, a man, and a woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." "Specimen Days" is a genre-bending, haunting, and transformative ode to life in our greatest city, and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.

Crime Scene Unit Management: A Path Forward is a must-have resource for anyone involved with forensic investigations and the search for evidence at the crime scene. The book provides standards for how to manage a crime scene so that evidence is collected and preserved without errors and includes guidelines for how to implement the standards and set up regional training programs for smaller jurisdictions with tighter budgets. Key features include examples, checklists, and flow charts for evidence handling and routing. CSIs, fire investigators, homicide investigators, accident investigators, police executives, and students of forensic science will benefit from this thorough approach to how the crime scene-and the personnel charged with tending to the evidence-should be managed.

The second edition of this book shows how full implementation of the Jumpstart Our Business Startups (JOBS) Act by the SEC in 2016 enables entrepreneurs and SME executives to leverage crowdfunding platforms to raise significant amounts of capital for their startups and small-to-medium-sized businesses. The unprecedented fundraising opportunities contained in the hundreds of pages of new SEC rules have generated tremendous excitement in the startup, small business, angel investing, and venture capital worlds-tempered by uncertainty about the correct interpretation of the rules and the compliance risks implicit in them.In The JOBS Act: Crowdfunding Guide for Small Businesses and Startups, 2nd Edition, crowdfunding pioneer William Michael Cunningham trawls the hundreds of pages of new rules for the essential takeaways and practical tips on successfully tapping the new crowdfunding sources that the JOBS Act opens up to small businesses and startups, while complying with new SEC regulations in the least burdensome way. The 2nd edition of The JOBS Act delivers the following new material: Updates and augments the 1st edition with description, analysis, and discussion of post-2012 SEC rules and forms implementing the JOBS Act Focuses on the final SEC rules that implement Title III ("Regulation Crowdfunding") and Title IV ("Regulation A+") to make the JOBS Act a practical fundraising vehicle for small business and startups Presents case studies of successful JOBS Act-compliant crowdfunding campaigns Tips readers to the opportunities, loopholes, and hazards in the hundreds of pages of new SEC rules that crowdfunders need know to maximize their fundraising success and avoid inadvertent non-compliance Deploys new graphical analysis tools and financial models summarizing and comparing characteristics of various equity-based and donation-based crowdfunding campaigns Reviews and describes significant Title III offerings and highlights relevant Title IV offerings Lists all SEC/FINRA-approved equity crowdfunding platforms ("funding portals") Describes Title VII and provides crowdfunding-pertinent information on the new Offices of Women and Minority Inclusion at twenty-nine federal agencies Who This Book Is For Entrepreneurs and small business owners who wish to leverage the JOBS Act to crowdfund their enterprises. The secondary readerships are investors, angels, venture capitalists, securities lawyers, community development specialists, and visitors to crowdfunding platforms, which are required under the JOBS Act to demonstrate to the SEC and FINRA that they are proactively providing educational resources to potential crowdfunders.

"Cunningham's short book is a haunting, beautiful piece of work. . . . A magnificent work of art." --"The Washington Post""Easily read on a plane-and-ferry journey from here to the sandy, tide-washed tip of Cape Cod, Massachusetts, "Land's End" is that most perfect of companions: slender, eloquent, enriching, and fun. . . . A casually lovely ode to Provincetown." --"The Minneapolis Star Tribune""Cunningham rambles through Provincetown, gracefully exploring the unusual geography, contrasting seasons, long history, and rich stew of gay and straight, Yankee and Portuguese, old-timer and 'washashore' that flavors Cape Cod's outermost town. . . . Chock-full of luminous descriptions . . . . He's hip to its studied theatricality, ever-encroaching gentrification and physical fragility, and he can joke about its foibles and mourn its losses with equal aplomb." --"Chicago Tribune""A homage to the 'city of sand'. . . Filled with finely crafted sentences and poetic images that capture with equal clarity the mundanities of the A&P and Provincetown's magical shadows and light . . . Highly evocative and honest. It takes you there." --"The Boston Globe"

Jas M. Sullivan and Ashraf M. Esmail's African American Identity: Racial and Cultural Dimensions of the Black Experience is a collection which makes use of multiple perspectives across the social sciences to address complex issues of race and identity. The contributors tackle questions about what African American racial identity means, how we may go about quantifying it, what the factors are in shaping identity development, and what effects racial identity has on psychological, political, educational, and health-related behavior. African American Identity aims to continue the conversation, rather than provide a beginning or an end. It is an in-depth study which uses quantitative, qualitative, and mixed methods to explore the relationship between racial identity and psychological well-being, effects on parents and children, physical health, and related educational behavior. From these vantage points, Sullivan and Esmail provide a unique opportunity to further our understanding, extend our knowledge, and continue the debate.

Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and lovingly watched over by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel. In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of Mrs Dalloway. And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS.

These are the characters in Michael Cunningham’s exquisite and deeply moving new novel, which takes Woolf’s life and work as inspiration for a meditation on artistic behaviour, failure, love and madness. Moving effortlessy across the decades and between England and America, Cunningham’s elegant, haunting prose explores the pain and trauma of creativity and the immutable relationship between writer and reader.

Oscar Wilde's fairy tales are some of his most elegant and charming pieces of writing. He produced two books of fairy tales -- THE HAPPY PRINCE AND OTHER TALES, and A HOUSE OF POMEGRANATES . They've rarely been collected in one volume -- and never with stunning artwork by Yuko Shimizu (THE UNWRITTEN, BARBED WIRE BASEBALL, A WILD SWAN), one of the modern masters of illustration and graphic art. Wilde's original fairy tales are moving, sweet, sad and magical -- much like Yuko's artwork. Yuko is one of the most celebrated and admired editorial illustrators in the world, and her work is perfectly aligned with Wilde's witty, rueful voice. The edition also features an original introduction by the Pulitzer Prize winning novelist Michael Cunningham. Illuminated Editions is a series of works of classic fiction, prose, and poetry, beautifully designed and lavishly illustrated in exquisitely produced small-batch editions. These volumes intend to harken back to the lovingly crafted, handsomely bound illustrated books of the Victorian era and the golden age of illustration, re-imagined using modern design sensibilities and the most modern techniques in presentation, book-craft, and printing. Each cloth-bound volume in this series is presented in a die-cut slipcase, printed on high quality wood-free uncoated paper, and powerfully elaborated by one of the finest graphic artists in the world.

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn ‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon ‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious – and learning to go on. April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents. April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company. April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on. From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely. ‘Cunningham is one of our great American writers, and here is another masterpiece … Read it and be changed’ Andrew Sean Greer, author of Less

A daring, deeply affecting third novel by the author of A Home at the End of the World and Flesh and Blood.

In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Samuel, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family.

Passionate, profound, and deeply moving, this is Cunningham's most remarkable achievement to date.

Crime Scene Unit Management: A Path Forward is a must-have resource for anyone involved with forensic investigations and the search for evidence at the crime scene. The book provides standards for how to manage a crime scene so that evidence is collected and preserved without errors and includes guidelines for how to implement the standards and set up regional training programs for smaller jurisdictions with tighter budgets. Key features include examples, checklists, and flow charts for evidence handling and routing. CSIs, fire investigators, homicide investigators, accident investigators, police executives, and students of forensic science will benefit from this thorough approach to how the crime scene-and the personnel charged with tending to the evidence-should be managed.

This book offers a critical consideration of the apology in politics. It provides a detailed overview of all aspects of the phenomenon of the apology made by states, which has increased significantly since the mid-1980s. It is the product of a decade's research and reflection on the subject and thus provides a complete coverage of all the key debates and features. States of apology evaluates the relationship between the personal apology and the apology in politics, the political and cultural factors behind its emergence and the philosophical problems generated by the state apologising and in particular the question of responsibility across generations. The book also considers the dynamics of domestic apologies and the relationship of the apology to the field of international relations. It is written in a clear and jargon-free style which will make it accessible to both students and non-students alike. -- .

A glimpse inside a magical Tuscan villa--rustic yet urbane, old-world elegant yet bohemian, accessible yet personal--that nurtures the world's finest literary talents. In the hills above Florence, Santa Maddalena is like a secret garden where writers hone their craft and meet like-minded people. Paired with evocative images, these essays by 27 acclaimed authors invite readers to understand how the spirit of this restored villa, its owners and resident pets have inspired creative writing and creativity among so many. Monti della Corte and her late husband, Gregor von Rezzori, transformed a ruin into the ultimate retreat where they would write, garden, and entertain friends and fellow artists--Pedro Almodovar, Bernardo Bertolucci, David Hockney, Isabella Rossellini. This gracious weaving together of hospitality and creativity became the Santa Maddalena Foundation and writers' fellowship program in 2000.

'Will have you in stitches' The Irish Times 'He's almost certainly not the hero you ordered, but he's the hero we need right now' Dave Gorman 'I nearly stopped breathing twice as I was laughing so much. Glorious." Dom Joly 'Probably the funniest thing I've read this year' Rufus Hound Get ready for the online adventures of one man who just wants to make friends And one very annoyed world Based on the ingenious Sir Michael Twitter account, How to (Almost) Make Friends on the Internet is the funniest book you'll read this year. Whether it's offering his services as a Karate Lawyer or Funeral DJ, devising the world's worst plan to get a free haircut, or trying to buy a blue bucket that may or may not be for sale, Michael just wants to connect with people. The only problem is that people are slightly less enthusiastic about connecting with him and the results are utterly hilarious. Warning: you'll never think about adding someone called Michael to a group chat the same way ever again. 'Finally, someone has worked out a good use for social media and it's brilliantly, painfully funny' Iain Morris, Co-creator of The Inbetweeners 'Michael is the funniest human on the internet, bar none. Read his book, you cowards' James Felton, author of 52 Times Britain was a Bellend

From the Pultizer Prize-winning author of 'The Hours', comes the story of a marriage thrown off course by a moment of mistaken identity. Peter Harris is forty-four, prosperous, the owner of a big New York apartment and a player in the contemporary art scene. He has been married to Rebecca for close to twenty years. Their marriage is sound, in the way marriages are. Peter might even describe himself as happy. But then Rebecca's much younger brother Mizzy shows up for a visit. Beautiful, twenty-three years old, with a history of drug problems, Mizzy is looking for direction. And in his presence, Peter finds himself questioning his marriage, his desires, his career - the entire world he has so carefully constructed for himself. Making us think deeply about the uses of beauty and the place of love in our lives, By Nightfall is heartbreaking look at the way we live now.