This sophisticated book argues that human rights literature both helps the persecuted to cope with their trauma and serves as the foundation for a cosmopolitan ethos of universal civility-a culture without borders. Michael Galchinsky maintains that, no matter how many treaties there are, a rights-respecting world will not truly exist until people everywhere can imagine it. The Modes of Human Rights Literature describes four major forms of human rights literature: protest, testimony, lament, and laughter to reveal how such works give common symbolic forms to widely held sociopolitical emotions.

This sophisticated book argues that human rights literature both helps the persecuted to cope with their trauma and serves as the foundation for a cosmopolitan ethos of universal civility-a culture without borders. Michael Galchinsky maintains that, no matter how many treaties there are, a rights-respecting world will not truly exist until people everywhere can imagine it. The Modes of Human Rights Literature describes four major forms of human rights literature: protest, testimony, lament, and laughter to reveal how such works give common symbolic forms to widely held sociopolitical emotions.

Between 1830 and 1880, the Jewish community flourished in England. During this time, known as haskalah, or the Anglo-Jewish Enlightenment, Jewish women in England became the first Jewish women anywhere to publish novels, histories, periodicals, theological tracts, and conduct manuals. The Origin of the Modern Jewish Woman Writer analyzes this critical but forgotten period in the development of Jewish women's writing in relation to Victorian literary history, women's cultural history, and Jewish cultural history. Michael Galchinsky demonstrates that these women writers were the most widely recognized spokespersons for the haskalah. Their romances, some of which sold as well as novels by Dickens, argued for Jew's emancipation in the Victorian world and women's emancipation in the Jewish world.

The history of human rights is intricately intertwined with the history of Jews. Drawing inspiration from their tradition and history, Jews have played a role in the human rights drama as victims, advocates, violators, and judges. Whether working to free persecuted Jews, prevent and intervene in genocides, defend Israel in human rights forums, or strengthen Israel's democracy, Jews have stood for_and stood up for_human rights. In Jews and Human Rights: Dancing at Three Weddings, Michael Galchinsky states that Jews around the world have tried simultaneously to 'dance at three weddings,' celebrating their commitments to international human rights, Jewish nationalism, and domestic civil rights. After World War II, all three of these commitments seemed to be aligned, but now many Jews perceive them as distinct, or even opposed. Michael Galchinsky investigates the contributions of Jewish non-governmental organizations (NGOs) in the formation of international human rights, analyzing how they responded to the emerging tensions among their political commitments. He explores the cooperation and conflict among elite and grassroots organizations, the relationships among Jewish governmental officials and Jewish human rights activists, and examines the goals, strategies, and scope of Jewish human rights activism. Making extensive use of previously unknown archival documents and interviews with key activists, Galchinsky recounts how Jews' initial optimism about human rights turned to pessimism and ambivalence-and argues that a reverse process may still be possible. Jews and Human Rights: Dancing at Three Weddings is intended for scholars, students and general readers of: modern Jewish history, Israeli international/transnational studies, human rights activists, diplomats, and international lawyers, history and politics, international law, UN history, cultural sociology, and genocide studies.

For the first time in over a century, this edition makes available the work of the most important Jewish writer in early and mid-Victorian Britain. Grace Aguilar (1816-1847) broke new literary ground by writing from the unique perspective of an Anglo-Jewish woman. Aguilar's writing responds to English representations of Jews and women by writers such as Felicia Hemans, Maria Edgeworth, Sir Walter Scott, and Thomas Macaulay. She both assimilates and alters the genres of historical romance, dramatic monologue, domestic fiction, history, and midrash, among others. This edition includes Aguilar's novella The Perez Family in its entirety; the Sephardic historical romance "The Escape," her Sephardic historical romance, "History of the Jews in England," the first such history ever written by a Jew; major poems; excerpts from The Women of Israel; and Aguilar's Frankfurt journal, never before published. Also included are primary source materials such as writings on "the Jewish question" from Aguilar's non-Jewish contemporaries, tributes and memoirs, and contemporary responses to her work.

Twelve distinguished historians, political theorists, and literary critics present new perspectives on multiculturalism in this important collection. Central to the essays (all but one is appearing in print for the first time) is the question of how the Jewish experience can challenge the conventional polar opposition between a majority 'white monoculture' and a marginalized 'minorities of color multiculture.' This book takes issue with such a dichotomy by showing how experiences of American Jews can undo conventional categories. Neither a complaint against multiculturalism by Jews who feel excluded from it, nor a celebration of multiculturalism as the solution to contemporary Jewish problems, "Insider/Outsider" explores how the Jews' anomalous status opens up multicultural history in different and interesting directions. The goal of the editors has been to transcend the notion of 'comparative victimology' and to show the value of a narrative that does not rely on competing histories of persecution. Readers can discover in these essays arguments that will broaden their understanding of Jewish identity and multicultural theory and will enliven the contemporary debate about American culture generally.