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Studies of the writing of Herman Melville are often divided among those that address his political, historical, or biographical dimensions and those that offer creative theoretical readings of his texts. In Herman Melville and the Politics of the Inhuman, Michael Jonik offers a series of nuanced and ambitious philosophical readings of Melville that unite these varied approaches. Through a careful reconstruction of Melville's interaction with philosophy, Jonik argues that Melville develops a notion of the 'inhuman' after Spinoza's radically non-anthropocentric and relational thought. Melville's own political philosophy, in turn, actively disassembles differences between humans and nonhumans, and the animate and inanimate. Jonik has us rethink not only how we read Melville, but also how we understand our deeply inhuman condition.
Does Thoreau belong to the past or to the future? Instead of
canonizing him as a celebrant of "pure" nature apart from the
corruption of civilization, the essays in "Thoreauvian Modernities"
reveal edgier facets of his work--how Thoreau is able to unsettle
as well as inspire and how he is able to focus on both the timeless
and the timely. Contributors from the United States and Europe
explore Thoreau's modernity and give a much-needed reassessment of
his work in a global context.
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