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When pressed to name the most influential musician of the 20th
century, many music historians will name Louis "Satchmo" Armstrong.
Born in New Orleans in 1901 and recording into the 1970s, Armstrong
is known as the father of jazz, the one figure most credited with
moving the Western world from the age of classical music and Tin
Pan Alley pop standards into an exciting new era of swing and hot
jazz. Michael Meckna's book is the authoritative reference on
Armstrong. Alphabetically arranged entries give detailed
information on the many aspects of Armstrong's life and music. An
appendix of CD releases includes entries that detail the record
company, date of issue, song list, and performer list. Other
appendices include a chronology, a list of movies, and a resource
guide to "Satchmo on the Web"; a bibliography offers yet another
useful tool for fans and students of Armstrong's life and music. A
selection of black-and-white photos completes the volume. Sample
entries: "Accentuate the Positive"; "Adam and Eve Had the Blues";
"After You've Gone"; "Ain't It the Truth"; "Ain't Misbehavin'";
"Alabamy Bound"; "Alexander's Rag Time Band"; "Alligator Crawl";
"Ba-Ba-Bo-ZET!"; Back o' Town; Bailey, Buster; Bailey, Calvin;
Bailey, Pearl (May); Baker, Josephine; Balanchine, George; Baldwin,
James; Bankhead, Tallulah; Baraka, Amiri.
Musical performance on brass instruments has blossomed in the 20th
century because of technical improvements in horn making, a vastly
increased literature, and an astonishing number of outstanding
players. Louis Armstrong, Tommy Dorsey, and Doc Severinsen have
become household names, and classical musicians such as Maurice
Andre, Christian Lindberg, and Barry Tuckwell have pursued
distinguished careers as soloists. Twentieth-Century Brass Soloists
analyzes and celebrates nearly one hundred brass soloists who have
performed and been recorded widely, and whose genius, technique,
and style have combined to produce unforgettable moments in music.
When pressed to name the most influential musician of the 20th
century, many music historians will name Louis "Satchmo" Armstrong.
Born in New Orleans in 1901 and recording into the 1970s, Armstrong
is known as the father of jazz, the one figure most credited with
moving the Western world from the age of classical music and Tin
Pan Alley pop standards into an exciting new era of swing and hot
jazz. Michael Meckna's book is the authoritative reference on
Armstrong. Alphabetically arranged entries give detailed
information on the many aspects of Armstrong's life and music. An
appendix of CD releases includes entries that detail the record
company, date of issue, song list, and performer list. Other
appendices include a chronology, a list of movies, and a resource
guide to "Satchmo on the Web"; a bibliography offers yet another
useful tool for fans and students of Armstrong's life and music. A
selection of black-and-white photos completes the volume. Sample
entries: "Accentuate the Positive"; "Adam and Eve Had the Blues";
"After You've Gone"; "Ain't It the Truth"; "Ain't Misbehavin'";
"Alabamy Bound"; "Alexander's Rag Time Band"; "Alligator Crawl";
"Ba-Ba-Bo-ZET!"; Back o' Town; Bailey, Buster; Bailey, Calvin;
Bailey, Pearl (May); Baker, Josephine; Balanchine, George; Baldwin,
James; Bankhead, Tallulah; Baraka, Amiri.
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