This book is devoted to the graphics of patient data: good graphs enabling straight-forward and intuitive interpretation, efficient creation, and straightforward interpretation. We focus on easy access to graphics of patient data: the intention is to show a large variety of graphs for different phases of drug development, together with a description of what the graph shows, what type of data it uses, and what options there are. The main aim is to provide inspiration in form of a graphics cookbook. Many graphs provide creative ideas about what can be done. The book is not intended to be technical. It introduces general principles of good visualization to make readers understand the concepts, but the main focus is on the creativity and usefulness: readers are enabled to browse through the book to get ideas of how their own data can be analyzed graphically.

For additional information visit Editor s companion website: http: //www.elmo.ch/doc/life-science-graphics/

Startling Figures is about Catholic fiction in a secular age and the rhetorical strategies Catholic writers employ to reach a skeptical, indifferent, or even hostile audience. Although characters in contemporary Catholic fiction frequently struggle with doubt and fear, these works retain a belief in the possibility for transcendent meaning and value beyond the limits of the purely secular. Individual chapters include close readings of some of the best works of contemporary American Catholic fiction, which shed light on the narrative techniques that Catholic writers use to point their characters, and their readers, beyond the horizon of secularity and toward an idea of transcendence while also making connections between the widely acknowledged twentieth-century masters of the form and their twenty-first-century counterparts. This book is focused both on the aspects of craft that Catholic writers employ to shape the reader’s experience of the story and on the effect the story has on the reader. One recurring theme that is central to both is how often Catholic writers use narrative violence and other, similar disorienting techniques in order to unsettle the reader. These moments can leave both characters within the stories and the readers themselves shaken and unmoored, and this, O’Connell argues, is often a first step toward the recognition, and even possibly the acceptance, of grace. Individual chapters look at these themes in the works of Flannery O’Connor, J. F. Powers, Walker Percy, Tim Gautreaux, Alice McDermott, George Saunders, and Phil Klay and Kirstin Valdez Quade.

This book explores how the writers, poets, thinkers, historians, scientists, dilettantes and frauds of the long-nineteenth century addressed the "limit cases" regarding human existence that medicine continuously uncovered as it stretched the boundaries of knowledge. These cases cast troubling and distorted shadows on the culture, throwing into relief the values, vested interests, and power relations regarding the construction of embodied life and consciousness that underpinned the understanding of what it was to be alive in the long nineteenth century. Ranging over a period from the mid-eighteenth century through to the first decade of the twentieth century-an era that has been called the 'Age of Science'-the essays collected here consider the cultural ripple effects of those previously unimaginable revolutions in science and medicine on humanity's understanding of being.

Besides being one of America's most celebrated living authors, George Saunders (b. 1958) is also an excellent interview subject. In the fourteen interviews included in Conversations with George Saunders, covering nearly twenty years of his career, the Booker Prize-winning author of Lincoln in the Bardo and Tenth of December provides detailed insight into his own writing process and craft, alongside nuanced interpretations of his own work. He also delves into aspects of his biography, including anecdotes from his childhood and his experiences as both a student and teacher in MFA programs, as well as reflections on how parenthood affected his writing, the role of religious belief and practice in his work, and how he has dealt with his growing popularity and fame. Throughout this collection, we see him in conversation with former students, fellow writers, mainstream critics, and literary scholars. In each instance, Saunders is eager to engage in meaningful dialogue about what he calls the "big questions of our age." In a number of interviews, he reflects on the moral and ethical responsibility of fiction, as well as how his work engages with issues of social and political commentary. But at the same time, these interviews, like all of Saunders's best work, are funny, warm, surprising, and wise. Saunders says he has "always enjoyed doing interviews" in part because he views "intense, respectful conversation [as], really, an artform-an exploration of sorts." Readers of this volume will have the pleasure of joining him in this process of exploration.

Startling Figures is about Catholic fiction in a secular age and the rhetorical strategies Catholic writers employ to reach a skeptical, indifferent, or even hostile audience. Although characters in contemporary Catholic fiction frequently struggle with doubt and fear, these works retain a belief in the possibility for transcendent meaning and value beyond the limits of the purely secular. Individual chapters include close readings of some of the best works of contemporary American Catholic fiction, which shed light on the narrative techniques that Catholic writers use to point their characters, and their readers, beyond the horizon of secularity and toward an idea of transcendence while also making connections between the widely acknowledged twentieth-century masters of the form and their twenty-first-century counterparts. This book is focused both on the aspects of craft that Catholic writers employ to shape the reader’s experience of the story and on the effect the story has on the reader. One recurring theme that is central to both is how often Catholic writers use narrative violence and other, similar disorienting techniques in order to unsettle the reader. These moments can leave both characters within the stories and the readers themselves shaken and unmoored, and this, O’Connell argues, is often a first step toward the recognition, and even possibly the acceptance, of grace. Individual chapters look at these themes in the works of Flannery O’Connor, J. F. Powers, Walker Percy, Tim Gautreaux, Alice McDermott, George Saunders, and Phil Klay and Kirstin Valdez Quade.

This book is devoted to the graphics of patient data: good graphs enabling straightforward and intuitive interpretation, efficient creation, and straightforward interpretation. We focus on easy access to graphics of patient data: the intention is to show a large variety of graphs for different phases of drug development, together with a description of what the graph shows, what type of data it uses, and what options there are. The main aim is to provide inspiration in form of a "graphics cookbook." Many graphs provide creative ideas about what can be done. The book is not intended to be technical. It introduces general principles of good visualization to make readers understand the concepts, but the main focus is on the creativity and usefulness: readers are enabled to browse through the book to get ideas of how their own data can be analyzed graphically. For additional information visit Editor's companion website: http://www.elmo.ch/doc/life-science-graphics/

This study argues that the century after the Reformation saw a crisis in the way that Europeans expressed their religious experience. Focusing specifically on how this crisis affected the drama of England, O'Connell shows that Reformation culture was preoccupied with idolatry and that the theater was frequently attacked as idolatrous. This anti-theatricalism notably targeted the traditional cycles of mystery plays--a type of vernacular, popular biblical theater that from a modern perspective would seem ideally suited to advance the Reformation project. The Idolatrous Eye provides a wide perspective on iconoclasm in the sixteenth century, and in so doing, helps us to understand why this biblical theater was found transgressive and what this meant for the secular theater that followed.

Turn Up the Volume equips journalism students, professionals, and others interested in producing audio content with the know-how necessary to launch a podcast for the first time. It addresses the unique challenges beginner podcasters face in producing professional level audio for online distribution. Beginners can learn how to handle the technical and conceptual challenges of launching, editing, and posting a podcast. This book exposes readers to various techniques and formats available in podcasting. It includes the voices of industry experts as they recount their experiences producing their own podcasts and podcast content. It also examines how data analytics can help grow an audience and provide strategies for marketing and monetization. Written accessibly, Turn Up the Volume gives you a clear and detailed path to launching your first podcast.

Turn Up the Volume equips journalism students, professionals, and others interested in producing audio content with the know-how necessary to launch a podcast for the first time. It addresses the unique challenges beginner podcasters face in producing professional level audio for online distribution. Beginners can learn how to handle the technical and conceptual challenges of launching, editing, and posting a podcast. This book exposes readers to various techniques and formats available in podcasting. It includes the voices of industry experts as they recount their experiences producing their own podcasts and podcast content. It also examines how data analytics can help grow an audience and provide strategies for marketing and monetization. Written accessibly, Turn Up the Volume gives you a clear and detailed path to launching your first podcast.

The case of Stefan Kiszko casts a dark shadow over British justice. Totally unconnected to the murder of which he was convicted - that of a young girl Lesley Molseed - he spent 16 years in prison tormented as a sex-offender and suffering from what one expert described as `delusions of innocence'. As author Michael O'Connell explains, it was in fact the system by which he was ensnared which was suffering from `delusions of guilt'. Kiszko could not have been Lesley's attacker as subsequently established by DNA and the medical fact that he could not produce sperm. But a false confession written for him by a corrupt police officer set in train proceedings from which he was never to recover, dying only a short time after his eventual release. In this book, Michael O'Connell investigates every small detail of the case with especial reference to the foibles of the lawyers, investigators and scientists involved, all of whom either missed or ignored the signs that should have pointed to an early discharge from a misguided prosecution. The book includes the participation of a prosecutor who went on to become Lord Chief Justice and a leading defence barrister who became Home Secretary before his elevation to the House of Lords. Everyone seems to have become caught up in the momentum originally fuelled by policing methods that are hopefully now long gone.

Besides being one of America's most celebrated living authors, George Saunders (b. 1958) is also an excellent interview subject. In the fourteen interviews included in Conversations with George Saunders, covering nearly twenty years of his career, the Booker Prize-winning author of Lincoln in the Bardo and Tenth of December provides detailed insight into his own writing process and craft, alongside nuanced interpretations of his own work. He also delves into aspects of his biography, including anecdotes from his childhood and his experiences as both a student and teacher in MFA programs, as well as reflections on how parenthood affected his writing, the role of religious belief and practice in his work, and how he has dealt with his growing popularity and fame. Throughout this collection, we see him in conversation with former students, fellow writers, mainstream critics, and literary scholars. In each instance, Saunders is eager to engage in meaningful dialogue about what he calls the "big questions of our age." In a number of interviews, he reflects on the moral and ethical responsibility of fiction, as well as how his work engages with issues of social and political commentary. But at the same time, these interviews, like all of Saunders's best work, are funny, warm, surprising, and wise. Saunders says he has "always enjoyed doing interviews" in part because he views "intense, respectful conversation [as], really, an artform-an exploration of sorts." Readers of this volume will have the pleasure of joining him in this process of exploration.

"WOMEN'S WORKS ... manages to make immensely difficult labor look like the most natural outgrowth of intellectual engagement with a problem - not easy but the product of worthwhile effort. In addition to providing the basic documents of a virtually unknown canon, the typescript of this anthology incorporates some of the most useful innovations I've ever seen in the publication of medieval and Renaissance literary texts....Foster has a fine ear, and his edition repeatedly encourages its readers to hear the poems. He builds into his edition many devices to heighten a reader's awareness of the poem as a performed and experienced event. All editions should do these things, but very few manage even the most basic. Because he has mastered all the traditional editorial and literary skills and fused them with a craftsman's management of desktop publishing technology, Foster has engineered a graceful escalation of the values and esthetics of literature courses. I expect that future editors will adopt them as models." -anonymous press reader, Columbia University (Scholar's Review) Illustrated. 8x10

Spenser not only dedicated The FAerie Queene to Queen Elizabeth but asserted that his romantic epic was in some sense about her rule and her realm. The informed attention that O'Connell gives to the relationship between Spenser's reflections on contemporary history and his moral design makes this volume a convincing reading of the great poem. The author shows how Spenser used Vergil as his model in celebrating and judging his own age.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

What can we learn from the folk wisdom of our ancestors? For centuries, Irish proverbs or seanfhocail have provided memorable insights into everyday experiences such as love, marriage, happiness and death. In doing so, they give us a unique insight into human nature as well as an understanding of the lives and outlook of our forebears. But is such "timeless wisdom" still relevant in the modern world - or merely the dying echo of a bygone era? In this fascinating book, Aidan Moran and Michael O'Connell reflect on this question and provide a systematic exploration of the psychology of Irish proverbs. In particular, the authors examine a wealth of Irish wisdom about food, drink, weather, money, markets, land, health, happiness, love, marriage and death - all the essentials of life! Thoroughly researched and written in a lively, accessible style, the book is enriched by a selection of beautiful photographs. Often provocative, sometimes witty but never dull, these proverbs will encourage you to slow down and look at the world in a different way. This book is an essential purchase for students of Irish society, people who share a love of folklore, and anyone who is interested in learning more about the meaning and significance of Irish proverbs.