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This collection of dark transformations of horror and the
supernatural includes both stories and poems, including the classic
werewolf tale, "Wer Means Man," and a story of misbegotten
creatures in the woods, "A Pound of Chocolates on St. Valentine's
Day," plus verses both fantastical and evocative.
A study of various King adaptations from "Carrie" to "Silver
Bullet."
Stephen King is Richard Bachman by Michael R. Collings. This is the
whole story of how Stephen King s Richard Bachman came to life, and
when King finally had to give up the ghost and come forth with the
truth that he was writing under the pseudonym of Richard Bachman.
This of course came about when the fifth novel, Thinner, was
released and a reader discovered King s pseudonym. Now Michael
Collings takes us from the beginnings of this unusual fiction
side-show of Stephen King s body of work, to what we thought would
be the last Bachman release, The Regulators. Updated and completely
revised with new information and Richard Bachman releases since it
s original publication almost twenty-five years ago. Chapters
Featured: A History for Richard Bachman. Genre, Theme, and Image in
Richard Bachman. Rage. The Long Walk. Roadwork. The Running Man.
Thinner. Regulators... and Desperation. Pipe-Dreams and
Possibilities. Original cover art commisioned by Erik Wilson.
Profusely illustrated with covers of Bachman books from around the
world.
A guide to Aldiss's fictional output from the 50's to the 80's.
Michael R. Collings examines the life and work of American science
fiction author Piers Anthony. Starmont Reader's Guide 20.
The first volume documenting and collecting Orson Scott Card's work
for the last 30 years. Every novel, story, poem, every word that
has been published--and then some is in this collection. This is a
must for any reader, who wants to learn everything about this
author's extensive work and career.
In this revised and expanded edition of "The Stephen King
Phenomenon," Dr. Michael R. Collings re-examines the impact of
Stephen King on popular culture.
In Reflections on the Fantastic: Selected Essays from the Fourth
International Conference on the Fantastic in the Arts, editor
Michael R. Collings has selected the best of the conference
proceedings reflecting the intent of the conference to discover
aspects of the fantastic in every branch of the arts. The twelve
essays commence with theoretical discussions of the fantastic as it
relates to other genres and elements of life. The second section
examines individual authors including Peter Beagle, French
fantasists Alain Robbe-Grillet and Felix Labisse, and Spanish
authors Amado Nervo and Jose Maria Merino. The third section
discusses issues in contemporary science fiction, opening with a
look at artificial language in the work of Samuel R. Delaney. It
continues with examinations of the work of Brian W. Aldiss, and a
look at the narrative structure in works by Ursula K. Le Guin and
Frederik Pohl. The section concludes with a further discussion of
artificial language by Gregory Shreve.
A study of King's fiction, including a chapter on criticism and a
chronology of King's works.
Michael R. Collings examines the life and work of American science
fiction author Piers Anthony. Starmont Reader's Guide 20.
No artist creates his works in a vacuum. Beyond the conscious
influence of books read, artwork seen, minds probed (through
conversation or exchange of letters), writers are in no small part
products of everything that surrounds them--people, places, things,
events. MILTON'S CENTURY is designed to place one particular
genius--John Milton, arguably the finest poet the English nation
(perhaps even Western civilization) has produced--in the context of
his time. And what a remarkable time it was--a century of
revolutions, of discoveries, of literary and artistic
efflorescence, of religious turmoil and political turbulence, of
plagues and fires and ultimate rebuilding...and of the first
adumbrations of the Modern Age. MILTON'S CENTURY becomes vital and
alive for twenty-first-century readers through the vast network of
connections and interconnections that Professor Collings
articulates. Borgo Literary Guides, No. 15.
Professor Collings' absorbing study, IN THE IMAGE OF GOD (1990),
the first full-length treatment of Orson Scott Card, did not
circulate widely following its initial publication. Now it has been
republished-along with several key essays exploring directions in
Card's fiction-in trade paperback. Taken as a whole, the augmented
study examines Card's unique vision and literary achievements, a
consummate storyteller who blends science fiction and fantasy with
his deepest religious beliefs and moral convictions. Included in
ORSON SCOTT CARD: PENETRATING TO THE GENTLE HEART are not only the
earlier book in its entirety but also significant essays on ENDER'S
GAME as modern epic; on Card as an established writer of mythopoeic
prose; on THE FOLK OF THE FRINGE as defining a mode of community
and belief. The expanded volume includes a full index and
bibliography. It will be of value to any student of Card's writing,
particularly those looking for beginning points in discussing his
life and his works.
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