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Showing 1 - 6 of 6 matches in All Departments
This book, first published in 1984, was the first full biography of Solzhenitsyn. Starting with his childhood, it covers every period of his life in considerable detail, showing how Solzhenitsyn's development paralleled and mirrored the development of Soviet society: ambitious and idealistic in the twenties and thirties, preoccupied with the struggle for survival in the forties, hopeful in the fifties and sixties and disillusioned in the seventies. Solzhenitsyn's life thus serves as a paradigm for the history of twentieth-century Communism and for the intelligentsia's attitudes to Communism. At the same time, this book relates Solzhenitsyn's life to his works, all of which contain a large element of autobiography.
This book, first published in 1984, was the first full biography of Solzhenitsyn. Starting with his childhood, it covers every period of his life in considerable detail, showing how Solzhenitsyn's development paralleled and mirrored the development of Soviet society: ambitious and idealistic in the twenties and thirties, preoccupied with the struggle for survival in the forties, hopeful in the fifties and sixties and disillusioned in the seventies. Solzhenitsyn's life thus serves as a paradigm for the history of twentieth-century Communism and for the intelligentsia's attitudes to Communism. At the same time, this book relates Solzhenitsyn's life to his works, all of which contain a large element of autobiography.
From award-winning author Michael Scammell comes a monumental
achievement: the first authorized biography of Arthur Koestler, one
of the most influential and controversial intellectuals of the
twentieth century. Over a decade in the making, and based on new
research and full access to its subject's papers, Koestler is the
definitive account of this fascinating and polarizing figure.
Though best known as the creator of the classic anti-Communist
novel "Darkness at Noon," Koestler is here revealed as much more-a
man whose personal life was as astonishing as his literary
accomplishments. Without sentimentality, Scammell explores Koestler's turbulent
private life: his drug use, his manic depression, the frenetic
womanizing that doomed his three marriages and led to an accusation
of rape that posthumously tainted his reputation, and his startling
suicide while fatally ill in 1983-an act shared by his healthy
third wife, Cynthia-rendered unforgettably as part of his dark and
disturbing legacy.
Nabokov said of his chess-playing genius Luzhin, that despite his coarseness and grubby plainness, he is a lovable creation. Discovering his prodigious gift in boyhood, rising to the rank of international Grandmaster, Luzhin develops a lyrical passion for chess that renders the real world a phantom. As he confronts the fiery, swift-swooping Italian Grandmaster, Turati, he brings into play his carefully-devised defence. Making masterly play of metaphor and imagery, The Luzhin Defense is the book that, of his early works, Nabokov felt 'contains and diffuses the greatest warmth'.
This is the first comprehensive English-language collection of verse by the most celebrated Slovenian poet of modern times and one of Europe's most notable postwar poets, Edvard Kocbek (1904-1981). The selections introduce the reader to the full spectrum of Kocbek's long and distinguished career, starting with the pantheist and expressionist nature poems of his early period and continuing through the politically engaged poetry written during and after World War II, to the philosophical and metaphysical meditations of his fecund late period. Readers will be struck by the originality and freshness of Kocbek's sinewy and intense vision, rendered into fluid and idiomatic English by two experienced translators. The Slovenian texts appear on the facing pages. "The opening stanza of "Moon with a Halo"" "The man beside me was killed.
Vladimir Nabokov's early novel is the dazzling story of the coarse,
strange yet oddly endearing chess-playing genius Luzhin. Discovering
his prodigious gift in boyhood and rising to the rank of International
Grandmaster, Luzhin develops a lyrical passion for chess that renders
the real world a phantom. As he confronts the fiery, swift-swooping
Italian Grandmaster Turati, he brings into play his carefully devised
defence. Making masterly play of metaphor and imagery, The Defense is
the book that, of his early works, Nabokov felt 'contains and diffuses
the greatest warmth'.
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