This book, first published in 1984, was the first full biography of Solzhenitsyn. Starting with his childhood, it covers every period of his life in considerable detail, showing how Solzhenitsyn's development paralleled and mirrored the development of Soviet society: ambitious and idealistic in the twenties and thirties, preoccupied with the struggle for survival in the forties, hopeful in the fifties and sixties and disillusioned in the seventies. Solzhenitsyn's life thus serves as a paradigm for the history of twentieth-century Communism and for the intelligentsia's attitudes to Communism. At the same time, this book relates Solzhenitsyn's life to his works, all of which contain a large element of autobiography.

This book, first published in 1984, was the first full biography of Solzhenitsyn. Starting with his childhood, it covers every period of his life in considerable detail, showing how Solzhenitsyn's development paralleled and mirrored the development of Soviet society: ambitious and idealistic in the twenties and thirties, preoccupied with the struggle for survival in the forties, hopeful in the fifties and sixties and disillusioned in the seventies. Solzhenitsyn's life thus serves as a paradigm for the history of twentieth-century Communism and for the intelligentsia's attitudes to Communism. At the same time, this book relates Solzhenitsyn's life to his works, all of which contain a large element of autobiography.

Vladimir Nabokov's early novel is the dazzling story of the coarse, strange yet oddly endearing chess-playing genius Luzhin. Discovering his prodigious gift in boyhood and rising to the rank of International Grandmaster, Luzhin develops a lyrical passion for chess that renders the real world a phantom. As he confronts the fiery, swift-swooping Italian Grandmaster Turati, he brings into play his carefully devised defence. Making masterly play of metaphor and imagery, The Defense is the book that, of his early works, Nabokov felt 'contains and diffuses the greatest warmth'.

The Gift is the phantasmal autobiography of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian émigré intellectuals in Berlin shortly after the First World War. In this his last, and to many his greatest, Russian novel, Nabokov unfolds the story of a writer’s pursuit; a gorgeous tapestry of literature and Lepidoptera whose true hero is not Fyodor’s elusive, beloved Zina, but Russian prose and poetry itself.

This is the first comprehensive English-language collection of verse by the most celebrated Slovenian poet of modern times and one of Europe's most notable postwar poets, Edvard Kocbek (1904-1981).

The selections introduce the reader to the full spectrum of Kocbek's long and distinguished career, starting with the pantheist and expressionist nature poems of his early period and continuing through the politically engaged poetry written during and after World War II, to the philosophical and metaphysical meditations of his fecund late period.

Readers will be struck by the originality and freshness of Kocbek's sinewy and intense vision, rendered into fluid and idiomatic English by two experienced translators. The Slovenian texts appear on the facing pages.

"The opening stanza of "Moon with a Halo""

"The man beside me was killed.
He had a mother who bore him
and a father who made him toys,
he had a brother and a playful uncle
and a little girl with blond braids,
he had a wooden cart and a wooden horse,
a trunkful of colored dreams
and a brook where he used to fish."

From award-winning author Michael Scammell comes a monumental achievement: the first authorized biography of Arthur Koestler, one of the most influential and controversial intellectuals of the twentieth century. Over a decade in the making, and based on new research and full access to its subject's papers, Koestler is the definitive account of this fascinating and polarizing figure. Though best known as the creator of the classic anti-Communist novel "Darkness at Noon," Koestler is here revealed as much more-a man whose personal life was as astonishing as his literary accomplishments.
Koestler portrays the anguished youth of a boy raised in Budapest by a possessive and mercurial mother and an erratic father, marked for life by a forced operation performed without anesthesia when he was five, growing up feeling unloved and unprotected. Here is the young man whose experience of anti-Semitism and devotion to Zionism provoked him to move to Palestine; the foreign correspondent who risked his life from the North Pole to Franco's Spain, where he was imprisoned and sentenced to death; the committed Communist for whom the brutal truth of Stalin's show trials inspired the superb and angry novel that became an instant classic in 1940. Scammell also provides new details of Koestler's amazing World War II adventures, including his escape from occupied France by joining the Foreign Legion and his bluffing his way illegally to England, where his controversial novel Arrival and Departure, published in 1943, was the first to portray Hitler's Final Solution.

Without sentimentality, Scammell explores Koestler's turbulent private life: his drug use, his manic depression, the frenetic womanizing that doomed his three marriages and led to an accusation of rape that posthumously tainted his reputation, and his startling suicide while fatally ill in 1983-an act shared by his healthy third wife, Cynthia-rendered unforgettably as part of his dark and disturbing legacy.
Featuring cameos of famous friends and colleagues including Langston Hughes, George Orwell, and Albert Camus, Koestler gives a full account of the author's voluminous writings, making the case that the autobiographies and essays are fit to stand beside "Darkness at Noon "as works of lasting literary value. Koestler adds up to an indelible portrait of this brilliant, unpredictable, and talented writer, once memorably described as "one third blackguard, one third lunatic, and one third genius."

Nabokov said of his chess-playing genius Luzhin, that despite his coarseness and grubby plainness, he is a lovable creation. Discovering his prodigious gift in boyhood, rising to the rank of international Grandmaster, Luzhin develops a lyrical passion for chess that renders the real world a phantom. As he confronts the fiery, swift-swooping Italian Grandmaster, Turati, he brings into play his carefully-devised defence. Making masterly play of metaphor and imagery, The Luzhin Defense is the book that, of his early works, Nabokov felt 'contains and diffuses the greatest warmth'.